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Army of Darkness (1993)

by Sam Raimi and Ivan Raimi.
Shooting Script, January 3, 1991.

More info about this movie on IMDb.com


FOR EDUCATIONAL PURPOSES ONLY



1	   GRAINY BLACK AND WHITE - CLOSE-UP - A MAN'S DESPERATE FACE	  1

This is Ash, mid twenties, square jaw firmly set and a pair of
haunted eyes which dart about quickly in fear. Ash speaks to
the CAMERA with urgency:

		ASH
	Why would you say that I am
	insane?  I wouldn't say that I've
	lost my mind simply because I've
	heard the voices and seen the
	godless things moving in the
	woods. If anything, I think more
	clearly now than ever before. I
	know now that there is such a
	thing as a living Evil. A dark
	and shapeless thing that lives
	not in the spaces we know, but
	between them. In the Dark. In the
	night. And it wants the exact same
	thing as you and I: a chance at
	warm life on this Earth. It
	doesn't care that is already had
	that chance ...once. Now listen
	closely because there isn't much
	time. Listen and believe, because
	it's all true.

						DISSOLVE TO:


2	   EXT. A LOG CABIN - NIGHT							  2

nestled in a dark forest. Through the window, we see the tiny
figure of Ash picking up a book from a desk.

		ASH (V.O.)
	I first saw the damn thing at that
	blasted cabin. The Necronomicon.
	An ancient Sumarrian text, bound
	in human flesh and inked in human
	blood. It contained bizarre burial
	rites, prophesies...and
	instruction for demon
	resurrection. It was never meant
	for the world of the living.

						DISSOLVE TO:


3	   INT. CABIN - NIGHT									3

Ash flips through the pages from the BOOK OF THE DEAD.

		ASH (V.O.)
	The book awoke something dark in
	the woods.

						SUPERIMPOSE:


4	   BOOK OF THE DEAD - CAMERA PANNING STRANGE SCRIPT		  4

inscribed on the pages.  Illustrations of demonic faces with
white eyes.


5	   EXT. WOODS - NIGHT									5

We take the point of view of a wind-like demon, swooping low
through the woods toward the cabin.  CAMERA rips through the
cabin door and comes upon a SCREAMING Ash.

		ASH (V.O.)
	It got into my hand and it went
	bad.


6	   CLOSE ON ASH'S POSSESSED HAND						 6

twisting into a claw, before the flashing thunder clouds.

		ASH (V.O.)
	So I lopped it off at the wrist.


7	   INT. CABIN - NIGHT									7

ASH severs his hand from his wrist with the chainsaw.


8	   BLOOD RED CLOUDS								8

sweep past the moon.

		ASH (V.O.)
	In order to rid myself of the foul
	thing, I read from a passage in
	the book that was supposed to open
	a hole.  A hole in Time that would
	send the Evil back. And it worked.


9	   A BANDAGED, ONE HANDED ASH							9

recites the incantation from the Necronomicon.


10	  EXT. CABIN - NIGHT									10

The Time vortex is created.  Trees and a 1973 Delta 88
Oldsmobile are sucked up into the funnel cloud.

		ASH (V.O.)
	...I just didn't plan on coming
	along.


11	  EXT. CABIN - NIGHT									11

Ash, now armed with shotgun and chainsaw, is swallowed by the
funnel-cloud of the Time vortex.


12	  INT. TIME VORTEX								12

Ash is rocketing through a funnel of swirling clouds.  He is
swept away from us, hand over foot, through the dark void of
Time.


13	  ANIMATION - A TENDRIL OF SMOKE						13

swirls through blackness as a chorus of women's voices build
to eerie crescendo, from a musical note to a SCREAM.  The smoke
swirls, pulls in upon itself, like a thing alive, and forms the
words:

		"BRUCE CAMPBELL"

		"Vs"

The smoke is wisked away, then reforms as...

		"THE ARMY OF DARKNESS"

The title billows past CAMERA REVEALING...


14	  INT. TIME VORTEX								14

A GRANDFATHER CLOCK

its hands winding backwards at an insane rate, spins angrily
past, revealing other debris that has been swept up into this
funnel cloud. Tumbling weightless through this void we find...


15	  ASH											 15

He SCREAMS but there is no sound. No scream. Only the steady
BEATING of his heart.


16	  ANGLE ON ASH FRONT SCREEN PROJECTION				16

He shields his eyes from a sudden bright light.  The funnel
cloud electrifies.


17	  ASH'S BODY									  17

RIPS at the fabric of Time.


18	  EXT. CLOUDY SKY - DAY								 18

All is quiet.  Then, an electrical disturbance in the shape of
a human body flashes briefly and is gone.  A moment latter, Ash
appears and tumbles from the sky, falling past CAMERA.


19	  EXT. BARREN WASTELAND - DAY						   19

ASH falls to the dust.  His double barrelled shotgun lands
beside him.  The '73 Oldsmobile comes CRASHING to the ground
a moment later.


20	  ASH											 20

looks up from the dust to behold...


21	  TWENTY-FIVE MOUNTED HORSEMEN						  21

in 12th century armor ride up over a hill.  They halt before
Ash.


22	  WARRIOR #1									  22

thrusts his longsword into the air, shouting:

		WARRIOR #1
	Hail to him who has come from the
	sky to deliver us from the terror
	of the Deadites!  Hail!


23	  ASH											 23

stares in confusion at the strange medieval figures.


24	  TWENTY-FIVE WARRIOR								   24

join in the chant and hail Ash, but suddenly stop as...


25	  ARTHUR										  25

the muscular commander of the group, gallops his horse into
frame, followed by FOUR HORSEMEN who are his lieutenants. Arthur
lifts his iron visor and evaluates Ash.


26	  ARTHUR'S P.O.V.								 26

The Delta 88 Oldsmobile. The chainsaw, strapped to Ash's back.
The handless stump of Ash's right arm.  The Shotgun.


27	  A FRIGHTENED ASH								27

waves a shaky hand.

		ASH
	Take is easy now chief. I don't
	know how I got here and I'm not
	lookin' for any trouble.


28	  WISEMAN JOHN									28

An elderly man, in a long black cloak, steps forward.

		WISEMAN JOHN
	My Lord Arthur, I believe he is
	the promised one, written of in
	the Necronomicon.


29	  ARTHUR										  29

Brings his sword down across Ash's chest. Ash cries out in pain
as...


30	  ASH'S CHEST									 30

is cut. A thin red gash.

		ARTHUR
	He bleeds.  As a man bleeds.  The
	one written of in the Book would
	not bleed.


31	  ARTHUR GESTURES								 31

and CAMERA PANS to four prisoners bound in iron shackles.

		ARTHUR
	Likely, he is one of Henry's men.
	I say to the pit with him!  If he
	is truly the promised one... he
	will emerge.

		WARRIOR #2 AND #3
	Aye!  The pit's a fair test!

		GOLD TOOTHED WARRIOR
	To the pit with the blackard!


32	  GOLD TOOTH									  32

charges his horse at Ash. But he is met with the wooden stock
of Ash's shotgun as it swings into frame, cracking against his
jaw.


33	  WIDE SHOT - GOLD TOOTH - STUNTMAN				   33

He tumbles from the horse.


34	  ASH											 34

leaps atop Gold Tooth's horse and jerks the reigns.


35	  LONG SHOT - ASH'S HORSE							   35

rears up, kicking it's hooves into the air.


36	  ASH											 36

gallops off as Warrior #2 runs at him. Ash kicks him in the face
as he gallops past.  The Warrior is sent reeling.


37	  TRUCKING SHOT - ASH								   37

galloping over a hill.  He is almost thrown by the horse, but
manages to hang on for dear life.

		ASH
	Where the hell they put the
	stirrups on this thing!!??


38	  CLOSE SHOT - ASH'S FEET							   38

grasping at the side of the horse, hoping to find some purchase.


39	  LONG SHOT - ASH - STUNTMAN							39

he rides past CAMERA, almost falling from the horse.


40	  ANGLE ON ARTHUR								 40

		ARTHUR
	LIEUTENANTS!  Fetch me the blackard.


41	  TWO OF ARTHUR'S ARMORED HORSEMEN					41

unsheathe their broadswords and gallop after Ash. The remaining
Warriors watch for sport.


42	  HIGH SHOT - TWO HORSEMEN							  42

They are gaining an Ash.


43	  ASH											 43

glances behind him.


44	  ASH'S P.O.V. - TRUCKING SHOT - TWO HORSEMEN IN PURSUIT		  44

They diverge to either side of CAMERA.


45	  ASH											 45

whips his horse.

		ASH
	GIDDYPU!


46	  THE FIRST HORSEMAN									46

rides up alongside Ash and swings his Broadsword.

WHOOSH!!!


47	  ASH											 47

ducks the blade.


48	  THE SECOND HORSEMAN								   48

rides up alongside Ash's other flank.  He swings and lands the
flat part of his blade along Ash's back.

THUNK!


49	  ASH											 49

ducks as the first horseman swings his blade again.

WHOOSH!

ASH looks left...


50	  THE SECOND HORSEMAN								   50

winds up for another blow.


51	  ASH											 51

yanks back upon his horse's reigns.


52	  THE THREE HORSES								52

running side by side. Ash's horse drops back suddenly.


53	  THE SECOND HORSEMAN								   53

swings.


54	  HIS BROADSWORD								  54

slams the First Horseman across the face.


55	  THE FIRST HORSEMAN									55

is knocked from his steed.


56	  TRUCKING SHOT - THE FIRST HORSEMAN				  56

is moving fast when he hits the ground. His armored form tumbles
end over end in the dust, clanging to a halt against a rock.


57	  THE SECOND HORSEMAN								   57

turns around and gallops back toward Ash.


58	  WIDE SHOT - ASH AND THE SECOND HORSEMAN				   58

ride at one another.


59	  TRUCKING SHOT - THE SECOND SWORDMAN AS HE RIDES		   59

swinging his Broadsword.


60	  TRUCKING SHOT - ASH AS HE RIDES					 60

He inserts the stump of his right arm into the female end of
his chainsaw arm bracket.

FOOMP!  He twists his stump and the chainsaw bracket locks into
place.  CLINK!

He thrusts his chainsaw arm outward, pulling on the starter
cord; PUTT-PUTT-PUTT... The engine won't turn over.  He curses
and yanks again.


61	  THE SECOND HORSEMAN								   61

draws close. He leans from his horse and swings his Broadsword
mightily.  The flat portion of the blade connects. THUNK!


62	  ASH											 62

is knocked from his steed.  He tumbles to the dust, narrowly
escaping his own horse's hooves.


63	  ASH											 63

rolls to his feet and spins to the sound of approaching hooves!


64	  THE SECOND HORSEMAN								   64

charges and swings his broadsword.


65	  ASH											 65

raises his chainsaw.  CLINK!  He deflects the blow. Ash swings
the chainsaw in a roundhouse motion, clipping the Second
Horseman as he rides past.


66	  TRUCKING SHOT - THE SECOND HORSEMAN				 66

is knocked from his horse.


67	  LOW TRUCKING SHOT - THE SECOND HORSEMAN				   67

bounces along the rocky ground, kicking up dust.


68	  A SWORD HANDLE								  68

slams against the back of Ash's skull.


69	  ASH											 69

crumples.  He looks up in pain to...


70	  ARTHUR										  70

above him. The sun over his shoulder.


71	  EIGHT MOUNTED WARRIORS								71

gallop up, dismount and surround Ash with swords drawn.

		ARTHUR
	Bring the prisoner!

The warriors surge upon Ash. His sawed-off shotgun and chainsaw
are taken from him.

		ASH
	No!


72	  GOLD TOOTH AND OTHER WARRIORS						 72

secure Ash to a set of iron shackles that painfully extend his
arms. A collar forces his neck upward.

		ARTHUR
	To the castle!


73	  WARRIOR #2 ON HORSEBACK							   73

prods Ash along with a rod attached to his spiked iron collar.
The Warriors gallop off, forcing Ash and the other prisoners
to run alongside them.


74	  WISEMAN JOHN									74

Picks up the chainsaw and sawed off shotgun from the dust.  He
is troubled by the strange objects. Sunlight glints off the
blade of the chainsaw, blinding the CAMERA.

						DISSOLVE TO:


75	  THE HOT ORB OF THE SUN								75

blazing in the sky above the wasteland.

						DISSOLVE TO:


76	  EXT. PARCHED LAND - DAY - A WEARY ASH					 76

bound in his iron shackles, whipped by Gold Tooth, who rides
alongside him.

		GOLD TOOTH
	Move along now!

						DISSOLVE TO:


77	  LONGSHOT - A WIND SWEPT LANDSCAPE OF CRAGGY ROCK		  77

CAMERA PANS along the line of Arthur and his horsemen, to find
a 12TH CENTURY BATTLE CASTLE built on the edge of a great cliff.
A drawbridge is lowered.  Arthur's warriors ride over it.


78	  CAMERA TRACKING WITH ASH							  78

shackled alongside other prisoners, is prodded inside the castle
walls.


79	  INT. CASTLE COURTYARD								 79

SHEILA

a striking, blonde haired maiden, rushes into frame. She
searches the faces of Arthur's warriors and grows concerned.
She pushes through a crowd of villagers and calls up to Arthur
atop his horse.

		SHEILA
	M'Lord Arthur!  Where is my brother?
	Did he not ride with you?

		ARTHUR
	Eye.  And fought valiantly.  But
	last night fell in battle to Duke
	Henry's men.

SHEILA

Her face does not immediately register the grief.  She attempts
to step forward but stumbles.  She steadies herself against the
stone wall. Her eyes harden as she sees the first of the
shackled prisoners: a semi-conscious Ash.

She flushes with anger and races up to him. She spits and kicks
at him as he's dragged along.

		SHEILA
	Foul thing!  A pox on your throat!
	Thou art a Murderer!  A black
	Murderer!


80	  VILLAGE WOMEN								   80

restrain her.

SHEILA

cries as the Village Women attempt to soothe her.

		VILLAGE WOMAN #1
	May you be consoled by their
	suffering in the pit.


81	  THE PROCESSION, ASH AND THE FOUR OTHER PRISONERS		  81

halt. Iron keys rattle. The shackles are unlocked. Ash and the
prisoners rub their reddened wrists. They are pushed at
swordpoint towards a circular iron grate that sits atop the
ground. This is THE PIT.


82	  ASH											 82

looks to the jeering villagers that surround the pit, wondering
what they have in store for him.


83	  SHEILA										  83

stares at him in hatred.


84	  THE PRISONER NEXT TO ASH							  84

eyes Ash curiously.  This is Duke Henry the Red.

		DUKE HENRY
	You sir, are not one of my
	vassals.  Who are you?

		ASH
	Who wants to know?

		DUKE HENRY
	I am Henry the Red. Duke of Shale.
	Lord of the Northlands and leader
	of its people.

		ASH
	You ain't leadin' but two things
	now, pal. Jack and shit.  And Jack
	left town.


85	  A STERN FACED ARTHUR AND HIS FOUR LIEUTENANTS			 85

address the doomed men:
		ARTHUR
	There is an Evil that has awakened
	in this land.  And whilst my
	people fight for their very souls
	against it, you, Duke Henry the
	Red, wage war on us. Your people
	are no better than the foul
	corruption that lies in the bowels
	of that pit!  May God have mercy
	on your souls.


86	  TWO OF ARTHUR'S MEN								   86

crank a massive wench.  Chains tighten and the heavy iron lid
slides back, revealing a dark hole.  The Pit.


87	  FROM THE BOWELS OF THE IRON GRATED PIT					87

a echoed wailing rises up.


88	  ASH, HENRY AND THE OTHER PRISONERS				  88

stiffen in fear.


89	  AN OLD WOMAN AMONGST THE JEERING CROWD					89

		OLD WOMAN
	Aye. Into the pit with the
	bloodthirsty sons of whores!

She jams a meat pie into her mouth and cheers excitedly as
CAMERA PANS TO...


90	  HENRY'S WARRIOR #1									90

as he's thrown down into the pit.  He disappears into the
blackness.


91	  CAMERA PANS AND HALTS CLOSE ON ASH				  91

watching with disbelief.  We hear the warrior's echoed cry of
terror, then a SPLASH as he hits bottom.


92	  CLOSE ON THE EDGE OF THE PIT						  92

looking down into the blackness we hear:

		HENRY'S WARRIOR #1 (O.S.)
	I beg of you... by all that's
	holy!  Lower a rope!  Lower... Oh,
	for the love of god!  no!  NO!!!
	AIIIIIiiieee!

The sound of ripping and scratching.  The SHRIEK of terror is
cut short as...

A GEYSER OF BLOOD

erupts upward from the pit. Then silence.


93	  ASH											 93

is frozen in fear.

		TOWER GUARD (O.S.)
	There!  He's escaping!

ASH'S TERRIFIED GAZE

jerks from the pit to...


94	  TRACKING SHOT - HENRY'S WARRIOR #2				  94

making a break for it!  He's past the guards, heading for the open
drawbridge.


95	  THE TOWER ARCHERS									 95

spot him and fire arrows.


96	  ANGLE ON										96

PING!  PING!

They bounce off the Warrior's armor.  He's makes it to the open
drawbridge when...


97	  ARTHUR										  97

pulls back a iron arrow in his crossbow.  ZING!  He lets it fly.
CAMERA SWISH PANS with arrow...


98	  PAN HALTS ON HENRY'S WARRIOR #2					 98

The iron arrow punctures the Warrior's armor, pegging him to
a wooden post.  He dies standing.


99	  THE CROWD									   99

Cheers.  They turn their attention to the remaining prisoners:
CAMERA PANS from their bloodthirsty faces to the next prisoner
in line...


100	 ASH											 100

turns to Arthur and in a desperate, cowardly plea:

		ASH
	Hey, I never even saw these
	assholes before..

He spins to Duke Henry the Red.

	You gotta tell 'em you don't know
	me. We never met. Tell him.

		HENRY
	I do not believe that he shall
	listen.


101	 THE WARRIORS									101

grab Ash and shove him into the pit.


102	 ASH											 102

tumbles down into the pit.  He lands in a STEAMING pool of foul
water at the pit's bottom.  He stands and coughs out a mouthful
of the rancid water. He looks about.


103	 INT. PIT - ASH'S P.O.V.							   103

UNDERGROUND CAVERNS disappear into the blackness.


104	 ASH											 104

spins to a small sound.


105	 INT. PIT - ASH'S P.O.V.							   105

Nothing.  Just the mist rising from the water.


106	 ASH											 106

shifts his glance again.


107	 A SHADOW										107

rounds a corner and disappears from sight.


108	 ASH											 108

doesn't notice the misty water behind him beginning to stir.
Bubbles. A hand emerges. Silently, a pair of bone white eyes
break the surface.


109	 ASH											 109

spins... but there's nothing there.  As he turns back around,
he is confronted by...

A FEMALE EVIL DEAD

It's rotted corpse rockets up from the water inches from Ash's
face!


110	 CLOSER										  110

Putrid water drains from it's empty eye sockets and mouth. It
jerks like a marionette as it advances.


111	 ASH SCREAM									  111

and backs against the steep rock wall of the pit.  He tries to
scale the steep face. He gets one foot up.


112	 THE DEADITE'S HAND									112

clutches Ash's ankle and yanks him back down.


113	 DOWN ANGLE ON ASH									 113

He falls away from the wall, his arms flailing.


114	 ABOVE THE PIT - GOLD TOOTH AND OTHER VILLAGERS			114

hoot and cheer for Ash to be devoured.


115	 THE PIT - THE DEADITE								 115

grabs Ash, and begins hammering him with her rotted fists.


116	 ABOVE THE PIT - SHEILA								116

shouts for Ash's death.


117	 THE PIT - ASH'S FACE								  117

The Deadite's fist enters frame, slugging Ash.


118	 LONG SHOT - ASH								 118

is knocked back into a shallow pool of steaming water.


119	 THE DEADITE									 119

races toward Ash, leaps into the air and comes down with a
kneedrop onto Ash's stomach.


120	 ASH											 120

cries out in pain.


121	 ASH'S LEGS									  121

cross to form a scissor lock around the Deadite's throat.  He
flips the beast.


122	 ABOVE THE PIT - WISEMAN JOHN						  122

rides into the castle, dismounts and pushes through the crowd
with a bundle wrapped in cloth.


123	 THE DEADITE									 123

grabs Ash by the throat.


124	 THE PIT - A BLOODIED ASH							  124

is thrown against the rock wall of the pit.


125	 THE DEADITE									 125

advances.


126	 ABOVE THE PIT - WISEMAN JOHN						  126

shouts down at Ash.


127	 THE PIT - ASH								   127

trying to hear what the Wiseman is saying. His head jolts
backward, barely avoiding the beast's wild swing. Ash squints
to discern Wiseman John throwing something down to him: an
object falling at him through the glare above.


128	 THE CHAINSAW - SLOW MOTION							128

tumbling downward.  Blinding beams of sunlight bouncing off its
blade of steel.  Ash's Excalibur!


129	 ASH - SLOW MOTION									 129

summons his strength and leaps upward.


130	 LOW ANGLE - LOOKING UP - THE CHAINSAW - SLOW MOTION			 130

Tumbling downward...

131	 HIGH ANGLE- ASH								 131

ascending, his teeth gritted, every muscle straining, he soars
past CAMERA.


132	 LONG SHOT - SLOW MOTION							   132

Ash rising up through frame to meet the falling saw.


133	 ASH'S STUMP									 133

snags the chainsaw, locking in onto his wrist bracket.CLICK!


134	 ASH WITH HIS CHAINSAW								 134

He lands on his feet, in the path of the approaching beast.

		ASH
	Come on, you blasted piece of--


He thrusts out his chainsaw arm, yanking the starter cord and...
VERRROOOOOOM!!


135	 ABOVE THE PIT - THE WARRIOR AND VILLAGERS				 135

gasp at the ROAR of the chainsaw.  Blue exhaust billows up from
the pit.


136	 THE PIT - LOW ANGLE - THE DEADITE				   136

lunges at Ash.


137	 DEADITE HAND MEETS SAW								137

Buzzzzz!!


138	 ASH											 138

is splattered with black bile.


139	 THE DEADITE'S SEVERED HAND							139

flies upward, past the face of the bewildered beast.


140	 CAMERA MOUNTED TO THE HAND							140

as it ascends, Ash and the Deadite grow smaller below.


141	 ABOVE THE PIT - THE DEADITE'S SEVERED HAND				141

flies up into frame and latches onto the face of a drunken
spectator. It's fingers dig into the eyes and nose. He shrieks
and flails about, into the screaming crowd. A Warrior tears the
hand free from his face, tossing it back down into the pit.


142	 THE PIT - ASH								   142

raises the chainsaw blade and neatly bisects the falling deadite
hand.  He spins and with a roundhouse blow...


143	 CAMERA MOUNTED ON ASH								 143

Ash decapitates the beast.


144	 ABOVE THE PIT - THE WARRIORS AND VILLAGERS				144

stop cheering from the Deadite. They're starting to like this
guy's guts and style.


145	 THE LAST REMNANTS									 145

of the beast sink beneath the murky waters of the pit.


146	 ASH											 146

climbs the steep wall of the pit when a SECOND DEADITE emerges
from the earthen wall before him.


147	 ASH											 147

slams the butt end of the chainsaw into the beast, knocking it
back into the water.


148	 ABOVE THE PIT - THE VILLAGERS						 148

gasp as...

THUMP!


149	 ASH'S CHAINSAW ARM									149

comes up, over the edge of the pit.  Followed by... THUMP!  Ash's
bloody hand.  Then his bruised face.  Covered in the black blood
of the Deadites. He crawls to his feet.

Ash tuns to the crowd, his list clenched.

		ASH
	All right now. Who wants to be
	next?  Who wants some.


150	 GOLD TOOTH									  150

look at Ash stupidly. Ash shoves him.

		ASH
	You want some more?  Huh?!

Gold Tooth and the others give him a wide berth. Ash calls out
to Henry.

		ASH
	Now climb on those horses and get
	out of here.


151	 HENRY AND HIS TWO WARRIORS							151

quickly mount horses.

		ARTHUR
	Nay. Henry is my prisoners. He--


152	 ASH											 152

slaps Henry's horse.

		ASH
	GIDDYUP NOW!!  HYAAAH!


153	 THE STUNNED CROWD									 153

parts allowing...


154	 HENRY AND HIS WARRIORS								154

to gallop off toward the open drawbridge and freedom.


155	 ARTHUR										  155

stares at Ash with hatred.

		ARTHUR
	For that, I shall see you dead.


156	 ASH											 156

removes his sawed off shotgun from Wiseman John's horse and
turns to Arthur, then the crowd.

		ASH
	This is my boomstick. It's a
	twelve gauge, double barreled
	Remington pump. Next one of you
	primitives touch me...


157	 ASH SPINS,									  157

pointing the barrel just past Arthur. He, but no one else, has
spotted the surviving Second Deadite crawling up from the pit
on the forgotten chain.

The crowds gasp is cut short by....BLAMMITY-BLAM!

The shotgun belches flame. The blast cuts the chain, leaving
the Deadite teetering at the pit's edge.


158	 ANGLE ON										158

BLAMMITY-BLAM!

The second shot blows the beast into a backflip, sending it
summersaulting down into the pit.


159	 THE SOUND OF THE GUNBLAST							 159

echoes off the mountains like distant thunder.


160	 SHEILA, THE WISEMAN, ARTHUR AND THE CROWD				 160

look to Ash in reverence.


161	 ASH											 161

twirls the shotgun about western style: WHOOSH, WHOOSH,
WHOOSH...  and holsters it.

		ASH
	Bring me your hoo do man.


162	 EXT. BLACKBIRDS								 162

fly from a barren tree.


163	 SOMETHING MOVES IN THE DARKNESS					 163

It prowls, skimming the surface of the ground, moving swiftly
past rocks and over the crest of a hill revealing...


164	 EXT. TEMPLE RUINS - LONG SHOT - NIGHT					 164

A massive grouping of freestanding rectangular stones, each
twenty feet tall.  The remains of an ancient temple.  In the
center of the ruins there burns a roaring bonfire.  As old Woman
stirs a cauldron atop the flames.  Nearby, Arthur converses with
his four Lieutenants.


165	 EXT. WITHIN THE RUINS - NIGHT						 165

CLOSE UP - ASH

opens his mouth to allow a spoonful of food to enter.  No sooner
has he swallowed then a piece of fruit is offered.  He waves
it away with a satisfied burp and turns to drink from a goblet
on wine, brought to his lips by a female hand.


166	 ASH AND SHEILA								  166

sits across the flames from Arthur and his men.  She bandages
Ash's wounds.


167	 SHEILA										  167

is dresses in a revealing tunic. She looks good.

		SHEILA
	I pray thee to forgive me.  I
	believed thee one of Henry's men.

She touches Ash's hand. Ash turns away

		ASH
	First you wanta kill me, now ya
	wanna kiss me.

He spits out a mouthful of grape seeds.

		ASH
	Lady, just leave me alone.

		SHEILA
	I'm sorry m'lord. Please
	understand... T'is a cruel time
	for us. The Wisemen say you are
	the promised one. Our only hope
	against the darkness that has
	descended on this land.

		ASH
	They're mistaken.

She stares deeply into his eyes.

		SHEILA
	I think not.  I feel that there
	is reason for your being here.
	It is no accident.


166	 WISEMAN JOHN AND TWO OTHER CLOAKED WISEMEN				167

approach.  They sit in tall stone chairs across the fire from
Ash.

		ASH
	Well what is it?  Can you send me
	back or not?

		WISEMAN JOHN
	Only the Necronomicon has the
	power.  A power which we both
	require. It contains passages that
	can dispel the Evil from this
	place and return you to your time.

		ASH
	The Necronomicon. Yeah, that's
	the thing that got me here.

		WISEMAN JOHN
	It is in a place far from here.
	It can only be retrieved by the
	Promised one. Other Warriors have
	tried.  Their widows grieve still.
	We have waited long years for you.
	Out only hope is the Necronomicon.
	Thou must undertake to quest for
	it.  Alone must thou travel to
	a distant cemetery. There thou
	shalt find it.

		ASH
	Me?  Now way, no day. Only place I'm
	goin' is home.

A sudden gust of wind whips up the flames of the fire.


169	 DOGS											169

around the fire begin to snarl and fight.


170	 ASH AND SHEILA								  170

turn to see...


171	 THE OLD WOMAN								   171

now standing too close to the fire.  Her robes ignites.  She does
not respond as flames sweep up her body. She continues to stir
the caldron.


172	 ASH											 172

His haw drops.  He slowly stands as...


173	 THE BURNING WOMAN									 173

spins sharply to him.  Her voice changes as she SHRIEKS;

		POSSESSED WOMAN
	YOU SHALL DIE!

Her eyes are bone white.  She is POSSESSED by the dark spirit.
Her burning body is violently jerked about in the air by
invisible hands. Her blackened lips pull back in a wild animal
snarl. With two voice at once;

		POSSESSED WOMAN
	YOU SHALL NEVER WIN THE
	NECRONOMICON.  WE SHALL FEAST UPON
	YOUR SOUL, AND THEN THE SOUL OF
	MAN!


174	 THE POSSESSED WOMAN								   174

collapses. Her face turned away from the Wisemen as it lays in
the dust.


175	 CLOSE ON POSSESSED WOMAN'S FACE - GROUND LEVEL CAMERA		   175

Unseen by all, her bone white eyes flare open!  A nasty grin forms
on her face as she lies in the dust. Behind her, the Wisemen
approach.


176	 WISEMAN JOHN									176

kneels and reaches for her.


177	 ASH'S HAND									  177

clutches Wiseman John, not allowing him to touch her.

		ASH
	It's a trick.  Get an axe.


178	 THE POSSESSED WOMAN								   178

awakens from her false slumber with a terrible BARK.  In a
frenzy she hurls WISEMAN JOHN into the bonfire. He SCREAMS and
rolls in the dust, extinguishing the flames.


179	 PAPER MACHE STONE ARCHWAY							 179

With her great strength, the Possessed Woman pushes upon one
of the giant stone archways. It topples over, crushing two
warriors beneath it.


180	 A GIGANTIC STONE								180

topples the next stone.

BOOM!

Which topples the next, which sets off a chain reaction.

BOOM!  BOOM!

Like giant dominoes, they fall.


181	 ASH											 181

watches the spectacle in horror as he sees...


182	 ANGLE ON										182

The gigantic falling stones coming right at SHEILA!


183	 THE FALLING STONE'S P.O.V. - SHEILA				 183

She SCREAMS!


184	 SHEILA'S P.O.V. - THE FALLING STONES				184

coming toward CAMERA.

BOOM!  BOOM!  BOOM!


185	 ASH											 185

does a flying leap and tackles SHEILA, knocking her out of the
stone's deadly path.


186	 ASH AND SHEILA								  186

rolls across the dusty stone courtyard.


187	 CLOSE SHOT - ASH								187

rolls into frame and glances up to see...


188	 THE POSSESSED AND BURNING WOMAN					 188

rushing through the air at him with a SHRIEK!


189	 WIDE SHOT - THE POSSESSED AND BURNING WOMAN			   189

latches onto Ash like an iron trap, knocking them both to the
ground.


190	 ASH											 190

rolls the Possessed Woman over, and into the path of...


191	 ANGLE ON										191

The falling, gigantic domino-like stones.

BOOM!  BOOM!  BOOM!


192	 EXT. WITHIN THE TEMPLE RUINS - PAPER MACHE STONE		  192

THE POSSESSES WOMAN

SHRIEKS in agony as... SMASH!  The multi-ton stone crushes her
legs to paste.  Her legs are pinned but still she battles on,
clutching Ash about his throat!


193	 ASH											 193

gasps for breath as he reaches behind him, into the flames of
the fire, his fingers groping for a weapon.


194	 POSSESSED WOMAN - STOP MOTION ANIMATION				   194

Her blackened lips pull back and her mouth opens to an
impossibly large size, like a snake about to eat an egg.


195	 ASH											 195

grasps a flaming log with his bare hands and rams it down the
monster's oversized throat.  She chokes.


196	 GOLD TOOTH AND THREE OTHER WARRIORS				 196

grab the beast and pull it off of Ash.  Arthur comes to meet
them.  He carries a double-bladed battle axe.


197	 THE POSSESSED WOMAN								   197

vomits out the flaming log, taking off a man's head.

		POSSESSED WOMAN
	The Evil lives.  Slay me and ten
	will rise to take my place.  All
	will die.  ALL WILL -

CHOP!


198	 IN SILHOUETTE, THE AXE								198

is brought down upon her throat.  The possessed body flails and
spasm beneath the Warrior's grip.


199	 THE HEAD										199

rolls, and comes to a halt at Ash's feet.  It's eyes pop open!

		POSSESSED WOMAN'S HEAD
	---DIE!


200	 ARTHUR										  200

grabs the laughing head and tosses it into the darkness.  The
head sails away as the laughter receded.

		WISEMAN JOHN
	Now.  Will thou quest for the
	Necronomicon?


201	 CLOSE ON ASH									201

He considers.


202	 INT. CASTLE - BLACKSMITH'S WORKSHOP - DAY				 202

Ash and the blacksmith step into the shop.


203	 ASH											 203

points to the hand piece on a hanging suit of battle armor.


204	 THE BLACKSMITH								  204

pounds upon the hand armor, modifying it.


205	 SHEILA										  205

knits a grey woolen garment as she watches Ash.


206	 BLACKSMITH'S WORKSHOP - DAY						   206

THE BLACKSMITH

attaches the shock absorber spring to the iron hand.


207	 ASH											 207

tightens the tension on the shock absorber springs with a
ratchet like device.


208	 ASH											 208

extends his arm triggering the tightly wound spring.

WHOOSH!  CLANG!


209	 SHEILA										  209

gasps.


210	 ASH'S SPRING-DRIVEN IRON HAND						 210

SNAPS open with great force.


211	 ANGLE ON										211

WHOOSH CLANG!

ASH'S SPRING DRIVEN HAND

clenches closed with such great power, that it bends a iron
goblet.


212	 CLOSE ON ASH									212

He studies his new hand. It will do nicely.

						DISSOLVE TO:


213	 EXT. CASTLE TURRET - NIGHT							213

ASH

stares over the castle wall to the foreboding wasteland with
apprehension.  The wind blows upon his hair. Sheila appears
behind him. She drapes a grey garment over Ash. A magnificent
cape. Ash draws her body close to his. He wraps the cape around
her.  Together they stare off into the night, then turn to one
another and kiss.

						DISSOLVE TO:


214	 EXT. LANDSCAPE OF CRACKED GROUND 1500MM LENS - DAY		214

Arthur's castle in the distance.  In the foreground, five men
on horseback appear over a ridge, thundering toward us. Their
long wool capes billowing up behind them in the wind.


215	 CLOSER ON RIDERS - TRUCKING SHOT					215

Arthur and Wiseman John ride, flanked by two of Arthur's
Warriors.  CAMERA PULLS BACK TO REVEAL...

ASH

He wears an iron breastplate with the insignia of Arthur's army
that compliments his new spring-powered iron hand.  His chainsaw
juts from it's saddle holster on the horse's back.  Ash's cape
billows as he rides.

						DISSOLVE TO:


216	 EXT. MOUNTAIN - DAY								   216

The Horsemen wind down a trail.  Suddenly the horses rear up.
The men gain control of the frightened steeds.

		ASH
	What's going on?

ARTHUR

points to...


217	 THE TRAIL THAT LIES BEFORE THEM					 217

It disappears abruptly into a swirling wall of mist that emits
an eerie whistling.

		WISEMAN JOHN
	This is the edge of the land ruled
	by the Dark Spirit. This path will
	lead you to an unholy place. A
	cemetery. There, the Necronomicon
	awaits.


218	 ASH											 218

anxiously eyes the wall of swirling mist.


219	 THE TWO WARRIORS								219

finish placing saddlebags of water and food onto...

ASH'S HORSE

which nervously pounds the earth with it's hooves.

		WARRIOR #1
	Lord Arthur, he is supplied.  Now
	I beg of you, let us leave this
	foul place.

		ARTHUR
	A moment.


220	 WISEMAN JOHN									220

moves close to Ash.

		WISEMAN JOHN
	As thou removest the Book from
	it's cradle, you must recite these
	words.  Clatoo, verata, Nicto.

		ASH
	Clatto Verata Nicto.  Okay.

		WISEMAN JOHN
	Repeat them.

		ASH
	Clatto Verata Nicto.

		WISEMAN #1
	Again.

		ASH
	I got it.  I got it.  I know your
	damn words. All right?  Now you get
	this straight: I get the book,
	you send me back. That's the deal.
	After that I'm history.

Ash rears up on his horse and gallops into the mist


221	 ARTHUR AND WISEMAN JOHN							   221

watch as Ash disappears.


222	 IN A SEA OF MIST								222

The sound of THUNDEROUS HOOFS.  A form materializes out of the
fog:  It is Ash.


223	 CLOSER ON ASH								   223

He whips the horse.

		ASH
	HAAAAAA!


224	 ANGLE ON ASH									224

He gallops past.  CAMERA PANS as he disappears into the thick
fog.

						FADE OUT.


225	 EXT. TRAIL'S ENTRANCE TO WOODS						225

ASH

rides out of the wall of mist. He finds himself on a trail
leading into a thick forest.


226	 EXT. WOODS									  226

LONG SHOT - ASH

rides slowly on through the darkening woods.


227	 CLOSER ON ASH								   227

He hears a sound and look to...


228	 A SECTION OF WOODS									228

A branch SCRAPING against the bark of a tree.


229	 ASH											 229

hears a woman's soft laughter.  He glance to...


230	 A BUBBLING BROOK								230

and nothing more.


231	 THE EVIL FORCE P.O.V.								 231

powers through the woods toward Ash.


232	 ASH											 232

kick his steed and bolts.


233	 THE EVIL FORCE								  233

sweeps over the forest floor, gaining velocity.


234	 ASH											 234

frantically weaves his horse around storm felled trees which
jut from the ground.


235	 THE EVIL FORCE								  235

rips through the trees, splintering them to toothpicks.  It
burrows underground, and resurfaces, always closing upon Ash.


236	 ASH											 236

jerks upon the reins and his steed leaps a fallen tree.  He
gracefully leaps a second tree.  But as he leaps over the third,
he is ripped off the horse by a low branch.  He falls hard to
the mud as the horse gallops off.

He groggily stands and stumbles onward.


237	 THE EVIL FORCE								  237

follows Ash down a wooded trail.


238	 ASH											 238

running for...


239	 EXT. WOODEN SHED								239

a grain storage house in the clearing ahead.


240	 ASH											 240

comes upon the shed's door.  Locked.  He heaves his body against
it but it won't give.


241	 INT. SHED - CLOSE ON INTERIOR DOOR				  241

A log, that serves as the door's bolt, holds fast.


242	 THE EVIL FORCE								  242

emerges from over the ridge.


243	 ASH											 243

unscrews his iron hand and holsters it.  He slings the chainsaw
from his shoulder and snaps it onto his stump bracket.  Click.
He threads the chainsaw starter cord through the V-SHAPED SLOT
that extends from his breastplate. CLICK.  He thrusts out his
arm and the chainsaw ROARS to life!


244	 INT. SHED - CLOSE ON INTERIOR DOOR				  244

The blade bites into the log that bolts the door.


245	 THE EVIL FORCE								  245

draws closer.


246	 INT. SHED									   246

CLOSE ON CHAINSAW BLADE

halfway through the log.  Sawdust flies.


247	 EXT. SHED									   247

		ASH
	Come on!  Come on!

The chainsaw dies. He jerks out his arm to restart it. Putt.
Putt.

		ASH
	Blasted piece of junk!


248	 THE EVIL FORCE								  248

draws closer.


249	 ASH											 249

delivers a mighty kick to the door.


250	 INT. SHED									   250

ANGLE ON DOOR

The partially cut log gives way.  Ash tumbles into the storage
shed. He slams the door shut and slides the remainder of the
log across the latch, re-bolting it.


251	 THE EVIL FORCE								  251

Hammers at the door of the Shed.

BANG!


252	 INT. SHED									   252

A terrified Ash braces his back against the door.

BANG!

Earth shaking in its intensity. The planks of the door shudder
behind Ash.


253	 CLOSE ON LOG BOLT									 253

It cracks.


254	 ASH											 254

presses himself against the door for all he's worth, praying
that whatever it out there, won't get in.

BANG!  Splinters fly.


255	 CLOSE ON LOG BOLT									 255

BOOM!  The crack widens.


256	 THE DOOR FRAME								  256

behind Ash begins to buckle beneath the hammering blows.


257	 ASH											 257

begins to SCREAM.  And the BANGING halts.


258	 LONG SHOT - INT. SHED								 258

All is quiet.  Ash hugs the door. Shaking in the silence.  And
that's when it hits.  LIKE A LOCOMOTIVE!

Ash and the door he braces are blasted away from the wall of
the Shed as the Evil Force brings it's tremendous power to bare.


259	 INT. SHED - SAM-O-CAM - INTERVOLOMETER					259

TRACKING WITH ASH AND THE DOOR

as they are swept up at super speed in the grip of the Evil
Force.  Ash is seen rocketing through the long hallway of the
Shed, spinning head over heels.  Ash rips through other doors,
taking them with him. Ash is now sandwiched between two doors
as he flies through the air.


260	 EXT. SHED - SIDE SHOT								 260

The roof of the shed ripples, sending tiles and wood beams
flying as the EVIL FORCE surges through the shed like a tidal
wave.


261	 EXT. REAR DOOR OF SHED								261

It blows out from the place in a flying stack along with the
other doors.  The flying doors slam against a tree and fall to
the ground in a stack.


262	 THE EVIL FORCE								  262

with Ash out of sight, glides forward, into the woods.


263	 EXT. SHED- DUSK								 263

LOOKING DOWN UPON - THE STACKS OF DOORS.

All is quiet.  We hear the sound of a bolt moving. The doorknob
turns slightly.  The door swings upward and opens... revealing
a somewhat flattened Ash who picks his groggy and bruised self
up.

He beholds...


264	 EXT. ABANDONED MILL								   264

An empty place of stone and wood.  Driven by the wind, the
Mill's giant grinding wheel slowly turns with a squeak.


265	 INT. MILL									   265

ASH

enters the Mill.

		ASH
	Anybody here?!

The place is quiet. Ash slumps down against a wall to catch his
breath.

		ASH
	This place'll do for the night.
	Get the book in the morning.


266	 INT. MILL - THREE SHOTS - INTERVOLOMETER				  266

Shadows lengthen on the floor and stretch across the walls.


267	 ASH											 267

peers through the window.


268	 EXT. MILL - LONG SHOT THE SUN - DAY				 268

a gigantic ball of fire as it sets behind the Mill.  The wind
kicks up.


269	 INT. MILL									   269

ASH

listens as the cabin CREAKS like an old ship beneath the force
of the gale.


270	 THE WOODEN SHUTTERS								   270

on the window quietly KNOCK.  Ash shivers and rubs his arms for
warmth.

		ASH
	Damn this cold.


271	 ASH											 271

looks about the Mill and spots an iron stove.


272	 GASOLINE										272

pours out of Ash's chainsaw over some logs in the stove's belly.


273	 ASH											 273

lights the fire with his Zippo lighter and huddles near the
flame for warmth.

		ASH
	'least I won't freeze to death.

He turns to a tiny sound.


274	 WIDE SHOT - ASH								 274

behind him, through the window, a large gnarled hand sweeps
past.


275	 ASH											 275

spins, raises his shotgun and fires.

BLAMITY-BLAM!

The window is ripped away in a shower of glass.


276	 ASH'S P.O.V. - THROUGH THE BROKEN WINDOW				  276

Only the night woods.  The "gnarled hand" comes back, sweeping
down in front of the broken window, but it's revealed to be just
a tree branch swaying in the wind.


277	 ASH											 277

reloads. He moves to the front door and peers out through a
crack.


278	 ASH'S EYEBALL								   278

through the crack in the door.


279	 ASH'S P.O.V. - THE WOODS BEYOND					 279

CAMERA pushes through the crack to the woods beyond.  There is
movement.


280	 LONG SHOT - EXT. MILL								 280

The tiny figure of Ash steps from the Mill.


281	 CLOSE UP - ASH								  281

He sweeps the barrel of the shotgun toward the sound of sticks
breaking.


282	 ASH'S TERRIFIED HORSE								 282
It rears up on it's hind legs. It's front hoofs come down toward
Ash.


283	 A STARTLED ASH								  283

leaps aside just in time.


284	 ASH											 284

snags the horse's reigns.

		ASH
	Easy, boy.

The horse calms.  Ash ties it to a tree, patting it's head. A
shadow passes behind him. He turns toward the Mill.


285	 ASH'S P.O.V.  THROUGH THE MILL'S OPEN DOOR				285

He sees am image of himself inside the Mill. Peering out.


286	 EXT. MILL									   286

ASH

stares in disbelief, then the wind slams the front door of the
Mill, halting Ash's view. Ash races for the Mill.


287	 INT. MILL									   287

ASH

races through the door and toward CAMERA when...SMASH...Ash's
reflection shatters. He's run into a mirror. Shivering, he picks
himself up from the pile of broken glass. He moves to the
fireplace and hunches before the flames, CAMERA PANS TO....


288	 THE SHATTERED MIRROR PIECES						   288

Each piece of mirror reflects an image of Ash.  From the eight
pieces of mirror spring...


289	 EIGHT TINY ASHES								289

Two inch high versions of himself.  They leap from the mirror
fragments and land on the floor.


290	 ASH											 290

is unaware of them as he kneels close to the fire.


291	 TINY ASH #1, #2, AND #3							   291

grab a discarded dinner fork.  Like men on a battering ram, they
race forward to jam it into Ash's buttocks.


292	 ASH											 292

SCREAMS in agony and jerks forward, banging his head into the
stove pipe.


293	 TINY ASH #4, #5, AND #6							   293

lift the barrel of the shotgun in Ash's direction.  Another
leaps upon the shotgun's trigger. BOOM!


294	 ASH											 294

barely dives away from the blast the would have taken his head
off.


295	 THE TINY ASHES								  295

SHRIEK with uncontrollable laughter.  They jump away from the
shotgun and scurry off across the floor.


296	 ASH											 296

pulls the fork from his buttocks and heaves it.


297	 TINY ASH #1									 297

is running for his life, as fast as his tiny legs will carry
him.


298	 TRACKING SHOT - THE FORK							  298

a giant projectile as it ROARS AT CAMERA. PAN with it as it
WHOOSHES past.

FA-THONG!


299	 THE FORK										299

skewers tiny Ash #1 to the wooden wall of the mill.


300	 ASH											 300

stumbles over a broom handle that has been thrust out in front
of him by other tiny ASHES.  His head slams into a stove pipe.
He crumples.  He lands with his cheek pressed against the hot
stove.  SSSSSSssss.  He pries his face loose with a spatula.


301	 A BUCKET OF GREASE									301

is pushed off a high shelf.

CLANG!


302	 IT LANDS ON ASH'S HEAD								302

and spills slippery grease about the floor.


303	 ASH											 303

with an upside-down bucket on his head, slips and falls, back
and forth on the grease.  He stands and tries to dislodge the
bucket.  He trips over the broom handle, again thrust in his
path.  He falls backward, onto a crochet basket with knitting
needles jutting from it.


304	 BUCKET-HEADED ASH									 304

SCREAMS and jerks upward, slamming his bucket head into the
stove pipe.  CLANG!  Ash rips the bucket from his head then yanks
the needles from his buttocks.  He looks about for the little
imps.


305	 TINY ASH #2									 305

crouching behind a log attempting to hide.  BUT...


306	 ASH											 306

has seen him.  He "accidentally" elbows the log and Tiny Ash
#2 into the stove's fire.

		ASH
	Ooops.


307	 TINY ASH #2									 307

is burned alive.


308	 ASH											 308

glances downward at the pitter patter sound of tiny feet.


309	 TINY ASH #3									 309

is dashing across the open expanse of floor.  Ash's gigantic
foot comes down to crush the little man.  Tiny Ash #3 raises
a rusty nail into the path of the descending foot.

RIP!!


310	 THE NAIL RIPS								   310

through Ash's shoe.


311	 ASH											 311

jerks his leg upward in pain.  Ash dances about the place
hopping on one foot, HOWLING. He strays into the greasy area
of the floor and stumbles over the broomstick again thrust in
his path, swung there by Tiny ASHES #6, #7 and #8. He almost
regains his balance when he strays into the oil patch, falls,
and hits his head on the stone floor. BLACKNESS.


312	 ASH											 312

awakens on the floor of the Mill, like Gulliver he is bound with
tiny ropes.  Directly above him, on the edge of a table...


313	 TINY ASHES #4 AND #5								  313

suspend Tiny Ash #6 by his legs.


314	 TINY ASH #7 AND #8									314

stand atop Ash's face.  They push from either side of his
nostrils, plugging his nose.  Ash's mouth opens as he gasps for
air.  As he inhales...


315	 SUSPENDED TINY ASH #6								 315

is released.


316	 TINY ASH #6 - SLOW MOTION - WIND FAN				316

He free falls for a moment, then the tiny body arcing to form
a perfect swam dive, plunges down into Ash's opened throat.


317	 ASH											 317

inhales the living beast whole.  He chokes violently.  He breaks
his bonds an he hacks for breath.  He puts his finger down his
throat, trying to make himself vomit up the little man, to no
avail.

He looks about to crush some of the little ASHES but they are
gone.  He places his hand on his stomach and dizzily stumbles
to a chair.  He goes pale.

		ASH
	Nasty little thing's inside me.

He stands indignant but double over in sudden pain.

	Well let's see how you like a
	little hot water!

He grabs the hot kettle from the stove and pours the scalding
contents painfully down his throat.  He sets down the kettle
and waits for a moment.  A tiny SCREAM emits from Ash's stomach

ASH

emits a bark of LAUGHTER. He clutches as his chest.  Then his
arm.  He rips back his shirt sleeve.


318	 CLOSE ON ASH'S ARM - STOP MOTION ANIMATION				318

We can see the outline of Tiny Ash #6's body squirming down
Ash's arm, just beneath the skin.


319	 ASH											 319

watches in horror as...


320	 THE TINY FIGURE								 320

squirms down his wrist and disappears into his iron hand.  The
Iron hand snaps open and closes uncontrollably. The possessed
iron hand swings at him.


321	 THE IRON HAND								   321

connects with an uppercut that knocks Ash out of frame.


322	 ASH											 322

lands next to an iron vice. He reaches for the EVIL HAND.  But
the hand has grabbed a mallet that BONK-BONKS him on the head.
Ash is groggy as he is grabbed by the hair and yanked down into
the opened vice.


323	 THE EVIL IRON HAND									323

cranks the vice's handle.


324	 THE VICE										324

tightens around Ash's head.  Trapped, he looks to...


325	 THE EVIL HAND								   325

rummaging through a wooden toolbox.  It comes upon a crude wooden
punch.


326	 ANGLE - THE EVIL HAND - UNDERCRANKED				326

stabs rapidly at Ash's good hand.  But Ash expertly dodges each
stab with an opening of the fingers or a closing of the thumb
is super fast motion.


327	 ASH											 327

with is head still wedged in the vice.

		ASH
	Why you dirty little...AHHHHHH!!


328	 A PAIR OF IRON PLIERS								 328

has entered frame and clamps down upon Ash's nose.  He emits
a nasal SCREAM and shakes the pliers loose.

		ASH
	Soon as I get out of this thing
	I... YIEEEE!!

THE PAIR OF IRON PLIERS

dip into Ash's mouth and clamps down upon a back molar.

		ASH
	No!  Not the teeth!

YANK!


329	 THE EVIL HAND								   329

jerks his rear MOLAR from his head and holds up the tooth for
his inspection.  It sets the tooth down nearly in front of him.
The Evil hand forms a fist and crushes the tooth to dust.  It
scurries from view.


330	 ASH'S HEAD									  330

struggling in the grip of the vice.

		ASH
	Where the hell are ya!?


331	 THE EVIL HAND								   331

grabs a red hot fireplace poker from the fire.

		ASH
	I can't see ya!!

HIS EVIL HAND

raises a red hot fireplace poker and presses it against the
right half of his body.

		ASH
	No, no--not the poke--

SSSSsssssssss!


332	 ASH											 332

jerks his head free from the vice with a SCREAM.  He holds up
his iron hand.  It's back to normal.  Again under his control.

		ASH
	Okay then.

But he halts abruptly as he feels a strange sensation: His
shoulder itches.  He scratches it.  The Itch grows.  It itches
madly.  He rips back his shirt.  Upon his shoulder... THERE
BLINKS A THIRD EYEBALL!!!


333	 THE CAMERA RACES INTO THIS HIDEOUS SIGHT				  333

It is the eyeball of EVIL ASH.  Beneath it, a mouth and nose
begin to take shape on the surface of Ash's back.


334	 ASH											 334

SHRIEKS and SHRIEKS and races out of the mill.  The CAMERA
follows him in docu-horror style as he flees into the dark
woods.


335	 EXT. WOODS - 12MM LENSE - NIGHT					 335

ASH

staggers about in a frenzy, stumbling over logs and through the
brambles.  He races up to the CAMERA and cries out as this
protrusion upon his shoulder becomes more pronounced.

		ASH
	Dear God, it's growing bigger!


336	 THE PROTRUSION SWELLS AND GROWS LARGER.				   336

It's taking the shape of a twin human head as it emerges from
his shoulder. A head that looks similar to his own, but is Evil
incarnate.

He is now a man with two heads!


337	 TWO HEADED ASH								  337

Staggers through the woods like a drunkard, the two identical
heads trading insults, and sharply butting against one another.


338	 THE BAD ASH HEAD								338

opens it's mouth and bites the nose of the Good Ash head.


339	 THE GOOD ASH HEAD									 339

retaliates by gouging the eyes of the Bad Ash head.


340	 TWO HEADED ASH								  340

collapses against a tree.  Under the light of the full moon we
see a terrifying sight:


341	 TWO ADDITIONAL ARMS								   341

sprout from Ash's body!


342	 A LEG										   342

rips out of his stomach.  Another foot POPS out from his back.


343	 TWO HEADED ASH								  343

Like a human spider he scurries about the forest floor,
propelled by his four arms and four legs.  Suddenly he stands
and SHRIEKS as the EVIL ASH begins to pull away from the first.
He literally splits into two.


344	 SPLIT SCREEN - WIDE SHOT							  344

When it's over, there are two ASHES.

GOOD ASH and...


345	 BAD ASH.										345

They square off beneath the moonlight.


346	 HIGH SHOT AS THE TWO ASHES							346

circle one another like wolves.

		GOOD ASH
	What... are you?  Are you me?

		BAD ASH
	WHAT... ARE GOO?  ARE GOO ME?!!  You
	sound like a jerk!

		GOOD ASH
	Why are you doing this?!

		BAD ASH
	Wanna know?  'cause the answers
	easy. It's cause I'm the bad Ash,
	and yer...


347	 EVIL ASH										347

Dances a funny jig around Ash.  He SMACKS Ash across the face
as he sings:

		EVIL ASH
	...Little goody two-

SMACK!

	...shoes, little goody two-

SMACK!

	...shoes, little good--


348	 EVIL ASH										348

the shotgun barrel is suddenly shoved into his frame, pointing
at his nose.

BLAMMITY-BLAM!

The blast blows Evil Ash off his feet.


349	 WIDE SHOT - EVIL ASH - STUNTMAN					 349

blown backwards into a double backflip.


350	 EVIL ASH'S BODY								 350

slams against a tree, upside-down. Then slides to the ground,
quite dead.


351	 GOOD ASH										351

clutching the smoldering shotgun.

		GOOD ASH
	Good...Bad...I'm the Ash with the
	gun.


352	 LONG SHOT - ASH								 352

staring down at the body of his evil self.

		ASH
	I know better than to bury you
	whole.


353	 EXT. MILL WHEEL - LONG SHOT - NIGHT				 353

The giant blades of the Mill are illuminated with bright flashes
of lightning.  The wind kicks up leaves as Ash throws the body
of his Evil Twin onto a workbench at the base of the windmill.
The giant blades of the mill arc down into frame with a WHOOSH-
WHOOSSH-WHOOSH!


354	 MONTAGE SEQUENCE:									 354

Ash's hand light a torch.


355	 FRIGHTENED BATS FLY								   355

from the base of the windmill.


356	 CHAINS ARE PULLED TIGHT							   356

across the body of Evil Ash to secure it.

CLICK. SNAP. CLINK.


357	 THE CHAINSAW									357

is switched on.  It spews a plume of blue exhaust.


358	 ASH											 358

falters for a moment as he stares down at the form of his Evil
twin.  He grits his teeth... and lowers the saw to the grisly
task.


359	 EXT. NIGHT SKY - BLOOD RED CLOUDS				   359

float past the moon.  We hear the distant WHINE of the chainsaw.


360	 EXT. GRAVEYARD - NIGHT								360

ASH

with shovel in hand, drags a bloody burlap bag from the Mill.
Grunting, he pulls the remains of his Evil twin to the base of
an old Oak Tree in the graveyard.

Ash mumbles nervously to the bloodies burlap bag at his feet
as he digs a grave.

		ASH
	Now you see what's what.  Man's
	body is his own personal property.
	Don't anybody try to take that
	away from him.


361	 ASH											 361

finishes digging and lifts the bloody burlap sack.  As he heaves
the bag into the grave, the Evil Ash head spills out.


362	 INT. GRAVE - THE EVIL ASH HEAD						362

It's eyes pop open!  It peers up at Ash from the grave.  It
croaks;

		EVIL ASH HEAD
	You'll never get that Book. I will
	come back for you.

		ASH
	Hey, what's that you got on your
	face?

		EVIL ASH HEAD
	Huh?


363	 CLOSE SHOT - THE EVIL DEAD							363

It's eyes dart, looking for something on it's face when a
shovelful of dirt is heaped atop it.


364	 EVIL ASH HEAD - P.O.V. - EYEMO						364

as a shovelful of dirt is heaped atop the CAMERA.


365	 ASH											 365

buries it deep.  He raises a crude burial marker high above his
head;

		ASH
		 (muttering under his
		  breath)
	Rest in pieces.


366	 ASH											 366

backlit by the moon, brings the burial maker swiftly into the
grave. A flash of lightning reveals...


367	 THE GRAVEYARD								   367

in the distance. A burial place of evil. The old mill wheel
GROANS in the gale.

		ASH
	This must be it. The cemetery.


368	 ASH											 368

moves toward the cemetery.


369	 ASH'S P.O.V. - THE CEMETERY						   369

In the center, lies a massive slab of black stone.


370	 ASH											 370

draws closer, his teeth chattering as the wind blasts at him.
He glances down to...


371	 ASH'S P.O.V. - TRACKING SHOT - SKULL				371

sitting atop the ground, leering up at CAMERA with empty eye
sockets. The wind whistles through the empty skull.  The jaw
bone drops open with a squeak.


372	 CLOSE ON ASH									372

His hair is whipped up by the wind. He looks to...
373	 THE MASSIVE BLACK STONE IN THE CEMETERY'S CENTER		  373

backlit by the rising moon, creates eerie beams of light and
shadow.


374	 ASH											 374

arrives at the foot of the massive stone.


375	 UNDERCRANKED - THE STONE							  375

Atop it sits... THE BOOK OF THE DEAD.


376	 CAMERA PANS REVEALING...							  376

A SECOND BOOK OF THE DEAD!


377	 CAMERA PANS AGAIN REVEALING...						377

A THIRD!


378	 CAMERA RACES BACK AT SUPER SPEED TO REVEAL:			   378

THREE BOOK OF THE DEAD!!!


379	 A BAFFLED ASH								   379

steps close.

		ASH
	Wait.  Three books?  Nobody said
	anything about that. Ha!  That
	Wiseman was so busy fillin' me
	fulla his secret words and phrases
	and, and, his... bullshit, he
	forgot to mention anything about
	that.  Like do I take all of 'em
	of one or 'em, or what?  Well...

He reaches for the first book and opens it.


380	 ANGLE ON										380

WHOOOOOOSH!!!

To reveal a black hole.  SCREAMS ERUPT from the dark abyss of
the Book. It begins to suck things into it.


381	 CLOSE ON BOOK OF THE DEAD - BACKWARDS MOTION			  381

dead leaves and mist are sucked into the book.


382	 ASH - MAKE-UP APPLIANCE							   382

Wind hits Ash's face as he feels the suction of the book growing
stronger.


383	 ASH'S HAND - PUPPET								   383

is stretched as it's pulled down into the book.


384	 LONG SHOT - ASH PUPPET								384

Ash's arms stretch down into the book's black page.


385	 ASH'S PUPPET HEAD									 385

stretched and screaming, is also pulled on by the book.


386	 ASH PUPPET									  386

A taffy stretched version of Ash struggles against the pull of
the black hole. He pulls free and snaps the book shut.


387	 INTERVOLOMETER SHOT - ASH							 387

His face vibrates like jello until it finally snaps back to
normal.

			 ASH
	Woah.  Wrong book.

He turns to study...


388	 THE TWO REMAINING BOOKS							   388

ASH

tries to decide between them.  At first he's sure which one it
is.  Then, chiding himself for being so easily duped, chooses
the other.


389	 THE BOOK										389

moves ever so slightly as he reaches for it.

		ASH
	Huh.

Ash reaches for it again and the book bites him!


390	 THE BOOK OF THE DEAD - PUPPET						 390

Rodent teeth have appeared on the surface of the Book.  The Book
flaps it's pages and becomes airborne, flying right at CAMERA
like a bat!


391	 BATBOOK P.O.V. - CAMERA RIG - UNDERCRANKED				391

Swooping erratically around Ash's head.


392	 THE BATBOOK									 392

shrieking, chases Ash around, pecking at his neck.

		ASH
	Dear God, help me... ahhh!!!

The Batbook is pecking at his eyes!


393	 ASH											 393

pulls it from his face and throws it. It lands back on it's
pedestal.


394	 ASH											 394

faces the remaining book.  He slowly reaches for it as the wind
kicks up. Ash gently lifts it and turns it over.


395	 CLOSE ON BOOK								   395

It's cover is bound in the dried skin of a man's face!  Two empty
eye sockets stare out from it.  This is the Book of the Dead...


396	 ASH											 396

bristles in fear.

		ASH
	Okay.   The words.  Say the words.
	KLATOO!... VERATA...  uh...  Uh...
	Necta... uh... Nectar...
	Necktie... uh...

He hesitates, then calls out boldly.

		ASH
	KLATOO... VERATA...
	NECTtphhhhhhhhhh...

He deliberately muffles the last word that he can't remember.
The wind stops.  It seems to have worked.  He looks about with
growing confidence.

		ASH
	Okay then.

But he loses his smile as... a LOW RUMBLE is heard on the
soundtrack.


397	 LONG SHOT - CEMETARY								  397

ASH

A tiny figure among the gravestones which tremble and one by
one are thrust from the earth.

		ASH
	Hey, wait a minute. Everything's
	cool!  I said the words!  I did!


398	 EXT. CASTLE - NIGHT								   398

A violent storm in the distance.  Lightning flashes.


399	 INT. CASTLE COURTYARD - NIGHT						 399

A DOOR

blows open revealing Wiseman John.  He looks at the gathering
storm with foreboding.

		WISEMAN JOHN
	Something is amiss.


400	 HORSES IN THE CASTLE GROUNDS						  400

WHINNIE in hear. Sheila steps into frame and stare fearfully
out at the storm.


401	 EXT. CEMETARY - NIGHT								 401

ASH runs for his horse, clutching the Necronomicon.


402	 A BONEY HAND									402

rips up from a grave and grabs his leg!


403	 ASH											 403

falls.


404	 THE BOOK OF THE DEAD								  404

is knocked from Ash's hand.


405	 ASH											 405

reaches for it when a SECOND skeleton hand rips from the ground
and clutches his face.


406	 THE FIRST SKELETON HAND							   406

digs into Ash's mouth.  It jerks his face sideways to show
him...


407	 A GROUP OF SIX ROTTED ARMS							407

that rip from the ground!


408	 THE SKELETAL HANDS									408

toss Ash to...


409	 THE ROTTED ARMS								 409

grab Ash's head and bang it on a rock.  Two of the six arms try
to shake and slap some sense into him. A rotted fist is waved
at him.  Another rotted arm backhands him. The arms thrust his
face toward the skeleton hands.


410	 THE SKELETON HANDS									410

curl boney fingers, clenching them into fists.

		ASH
	No.. no more...

The skeletal fists pepper Ash's face with punches.

		ASH
	Leave me alone!  Leave me aHUUU!


411	 THE SKELETAL FINGERS								  411

last out and snag Ash's tongue between their boney pincers,
shutting Ash up.  With his tongue held, he tries to speak again,
but the other skeletal hand slaps him, shutting him up.  Both
hands work double-time at slapping him.


412	 UNDERCRANKED - ASH									 412

His face has become a punching bag for the skeletal hands.  They
pull his ears and gouge his eyes.


413	 ASH											 413

open his mouth wide with in a SCREAM!


414	 SIDE SHOT - COLLAPSIBLE SKELETON ARM				414

The boney fist is thrust into Ash's screaming mouth up to the
skeleton's boney elbow.


415	 EXTREME CLOSE SHOT - ASH'S EYES					 415

They bulge as he swallow the arm.


416	 STOP MOTION ANIMATION								 416

A ROTTED ARM

rips through the ground, punching Ash in the stomach.


417	 SIDE SHOT - COLLAPSIBLE SKELETAL ARM				417

ASH

jerks backward, vomiting out the skeletal arm.  He tumbles to
the ground.


418	 THE ARMS										418

reach for him, but he is too fast.  He stamps on one of the
skeletal arms, pinning it to the ground.

		ASH
		 (in a snarl)
	Keep you damn filthy bones outta
	my mouth.

SNAP!  He breaks the boney arm in two and runs away from the sea
of limbs. A bone arm rips from the grave and reaches for the
Book of the Dead but Ash scoops it up first.  He leaps over
another set of groping arms that rip from the ground!


419	 ASH CLIMBS									  419

atop the horse. He glances back in fear to see...


420	 EXT. CEMETARY - OLD OAK TREE						  420

The burial site of Evil Ash. A bolt of lightning strikes the
grave marker.


421	 EVIL ASH'S BURIAL MARKER							  421

is thrust from the ground. A hand breaks the surface of the
earth.


422	 EVIL ASH'S BODY PARTS								 422

fly up from the grave and assemble themselves into a lopsided,
decayed version of EVIL ASH!


423	 EXT. MILL - NIGHT									 423

ASH

stares in horror at his evil self. All around, skeletons rip
from the earth and shriek as they come back to life!


424	 A FEARFUL ASH								   424

kicks the horse and rides off.


425	 EXT. MILL - LONG SHOT - NIGHT						 425

ASH ON HORSEBACK

galloping back the way he came. In the distance we see the
cemetery. More bodies arise from the ground.


426	 EXT. WOODS - ASH - NIGHT							  426

Now far from the danger but still he rides hard.

		ASH
	I'm through bein' their garbage
	boy.  I did my part of the
	bargain.

He pats the saddlebag, where the book is and grins.

	Now they owe me.  Like in the
	deal.  I want back.

He whips his horse...

	HA!  GIIDDUP NOW!!

...and rides off into the darkness.

						DISSOLVE TO:


427	 EXT. CASTLE - LONG SHOT - NIGHT					 427

ASH

A tiny figure, rides toward the castle.


428	 EXT. CASTLE WALL - NIGHT							  428

GOLD TOOTH and two guards stand atop a tower and shout down to
the gatekeeper.

		GOLD TOOTH
	Open the gates. The Promised one
	has returned!


429	 EXT. CASTLE - NIGHT								   429

THE DRAWBRIDGE

swings down.


430	 ASH											 430

rides across the lowered bridge and into the torchlight of the
castle.


431	 INT. CASTLE COURTYARD - NIGHT						 431

TWO WARRIORS

hold Ash's horse as he dismounts. There are excited shouts from
the villagers

		VILLAGERS
	The stranger has returned!  He's
	brought the book!


432	 INT. CASTLE COURTYARD - NIGHT						 432

ASH

is led to the THREE WISEMEN.

		WISEMAN JOHN
	The Necronomicon.  Quickly.


433	 ASH											 433

pours a bucket of water over his head and begins drinking.

		WISEMAN JOHN
	Did you bring the Necronomicon!


434	 ASH											 434

slurps down more of the water, averting his eyes from the
Wiseman.

		ASH
	Yes. It's just that...

		WISEMAN JOHN
	Just what?!

		ASH
	Nothing. Here

Ash produces the Necronomicon.

	Now send be back. Like in the
	deal.


435	 WISEMAN JOHN									435

takes the book and suddenly goes pale.

		WISEMAN JOHN
	No...I sensed something had gone
	awry. The book's power. It's gone.


436	 THE CROWD									   436

murmurs at this bad news.


437	 ASH											 437

suddenly looks very guilty. Wiseman John turns to him.

		WISEMAN JOHN
	When you removed the Necronomicon
	from it's cradle, did you speak
	the words?

		ASH
	Yeah.  basically.

		WISEMAN JOHN
	Did you speak the exact words?!

		ASH
	Well, maybe not every single
	syllable, no.  But basically I
	said them.  Yes.


438	 WISEMAN JOHN									439

bows his head, stung by this information.

		WISEMAN JOHN
	Dung eating fool!  Thou hast doomed
	us. When thou misspoke the words
	the Army of the Dead was awoke.

		ASH
	Hey. We had a deal. You told me,
	you could clean this thing up,
	once I got you the book. You said
	there was a passage in there that
	could get rid of this thing and
	send me back.

		WISEMAN JOHN
	The passage is useless to us as
	long as these evil dead walk. They
	have a terrible desire for this
	book. And they shall come here
	to get it. Once in their
	possession, the Evil shall rule
	the Earth for one thousand
	years...Because of you...we are
	doomed.

		ASH
	You wanted the damn book. You got
	yer book. I did my part of the
	deal.

		WISEMAN JOHN
	We did strike a bargain. I will
	return you to your own time as
	promised.

		ASH
	Yeah. Well good. That was the
	deal.  So uh...when do you think
	we can...


439	 ASH											 439

looks about at the condemned faces.


440	 ASH'S P.O.V. - THE VILLAGERS						  440

CAMERA PANS past the doomed faces in the crowd.

		ASH
	I mean...when can you send me...


441	 ASH											 441

sees Sheila, but looks away, consumed with the guilt that he's
doomed her.

		ARTHUR
	The Wisemen were fools to believe
	that you were the Promised one.
	That one such as you could have
	saved us!.


442	 ASH											 442

is solemn.


443	 ARTHUR										  443

and the others turn away in contempt.


444	 SHEILA										  444

moves closer.

		SHEILA
	I still believe that thou wilt
	help us.

		ASH
	No.. They're right.  I screwed
	up. I didn't come through for you,
	and...  I'm sorry for it.

		SHEILA
	I still have faith in thee. In
	my heart I know thou wilt still
	succeed.

		ASH
	Sheila... It's over for me. I
	don't belong here and I'm going
	home. I didn't have what it took.
	It's over.

He bows his head and moves off.

A high pitched SHRIEK is heard!


445	 ALL HEADS									   445

look to the sky.


446	 TWO WINGED DEADITES								   446

possessed women with bat-like wings, swoop down.


447	 TEN VILLAGERS								   447

scream as they flee from the winged beasts.


448	 WINGED DEADITE #1									 448

Like a delta winged F-15, it banks towards Sheila.

		ASH
	No!


449	 ASH											 449

races to intercept.  He plants himself between Sheila and the
beast.


450	 WINGED DEADITE #1 - POV							   450

As it swoops at Ash.


451	 ASH											 451

opens his steel hand, then clamps it closed again on the handle
of his sword.


452	 ASKEW ANGLE									 452

The immense shadow of the broad winged Deadite falls over Ash.


453	 ASH											 453

swings his sword upward.


454	 CLOSE SHOT - THE BLADE								454

severs the tip of the Beast's rotted wing.


455	 THE FLYING DEADITE									455

shrieks in pain as it soars over Ash. No longer aerodynamically
sound, it crashes to the ground.


456	 A GROUP OF WARRIORS								   456

fire their arrows into the beast, pegging it to a tree.  The
bone white eyes of the creature darken.


457	 ASH AND ARTHUR								  457

spin to the sound of a woman's SCREAM.


458	 SHEILA										  458

in the clutches of WINGED DEADITE #2.

		SHEILA
	M'Lord Ash!  Help me!

The beast flies off with the fair maiden, soaring over the
castle wall and into the distance.


459	 ASH											 459

shakes his fist at the receding beast.

		ASH
	Damn you!


460	 THREE MOUNTED SCOUTS								  460

come riding in through the castle doors.

		SCOUT
	An army of the dead!  They have
	gathered in the wilderness and
	come this way.

		ARTHUR
	How far from here?

		SCOUT
	But two days ride.

		ARTHUR
	Then these winged ones are only
	the first of them.

		WISEMAN
	Perhaps we should go from this
	place while we can.

		GOLD TOOTH
	We could be safe in the mountains.

		WARRIORS
	Yes!  To the mountains!  We must flee!
	They'll take our souls!


461	 ANGLE ON										461

BLAMMITY-BLAM!

All eyes look to...


462	 ASH											 462

who stands on a high castle wall, clutching his smoldering
shotgun.

		ASH
	Go ahead and run.  Run home and
	cry to mama.  I'm through runnin'.
	I stay we stay and fight.


463	 ARTHUR										  463

takes a challenging step forward.

		ARTHUR
	How will we stop an army of the
	dead at out castle walls?  How will
	you fight that?!  With more words?
	Most of out people have already
	fled.  We are but forty men.

		ASH
	We'll get Henry the Red and his
	men to fight with us.

		ARTHUR
	We shall not stand in battle,
	alongside the likes of him. Our
	honor will not allow it.

		ASH
	Then you'll die.  Honor and all.
	Now who's with me?


464	 THE CROWD									   464

is silent as they consider Ash's words. Then from the rear, the
Village Blacksmith steps forward.

		BLACKSMITH
	I'll stand by you.


465	 A WARRIOR									   465

steps forward. Then another.

		WARRIOR #7
	You may count on my steel.

		WARRIOR #8
	And mine!


466	 THE CROWD									   466

steps forward vowing their allegiance to the cause.


467	 ARTHUR										  467

reluctantly joins them.


468	 EXT. GRAVEYARD - STOP MOTION ANIMATION - NIGHT			468

EVIL ASH

directs teams of skeletons to dig at the graves.

		EVIL ASH
	Dig!  Dig faster!  I want every black
	hearted, worm infested, son of
	a bitch that ever died in battle!
	We'll storm their castle and take
	the book!  Then my lads, eternal
	life shall by ours!


469	 STOP MOTION ANIMATION - THREE SKELETONS				   469

hoist up a stone casket from the ground and with rusted swords
pry it open, releasing another skeleton who stands to join their
ranks.


470	 TWO ARMORED SKELETONS								 470

push a bruised Sheila to her knees before Evil Ash.


471	 CLOSE ON SHEILA								 471

looking up to Evil Ash in fear. His boney finger comes down into
frame and strokes her lovely cheek.  She pulls away in
revulsion.


472	 EVIL ASH										472

looks down at her with lust.

		EVIL ASH
	Why ain't you a sweet little
	thing?

His boney digit caresses her lips.

		SHEILA
	Don't touch me!  You foul thing!

		EVIL ASH
	Your gonna learn to live me missy.

		SHEILA
	The Promised one will come for
	you.

SKELETAL EVIL ASH

yanks her to her feet.

		EVIL ASH
	Darlin' I'm gonna save him the
	trouble.

He clutches her squirming body in a boney embrace.


473	 EXT. GRAVEYARD - LONG SHOT							473

Silhouetted by the large full moon, Evil Ash forces his kiss
upon Sheila.  Around them, the skeletons sharpen their swords
on tombstones.

						DISSOLVE TO:


474	 EXT. VAST VISTA OF BARREN LAND - DAY				474

Ash rides toward the castle of Henry the Red that can be seen
in the distance.


475	 WIDE SHOT - ASH								 475

is suddenly intercepted by FOUR OF HENRY'S HORSEMEN.  They
surround him.

		HENRY WARRIOR #1
	He wears the insignia of Arthur!

		HENRY WARRIOR #2
	Slay him!

The draw their swords when...


476	 HENRY THE RED								   476

rides up between his warriors and Ash.

		HENRY
	Stay your arms!

Henry turns to Ash.

		HENRY
	T'is the stranger who spared me
	from the pit. What brings you?

		ASH
	The Army of the Dead.

		HENRY
	What of them?

		ASH
	They're headed towards Arthur's
	castle. We need your help. Fight
	with us.

		HENRY
	So you are a vassal of Arthur now?
	You have taken up sides with him
	against me.

		ASH
	The only side I'm takin' is the
	one that's gonna stop those
	things.

Henry laughs.

		HENRY
	Why should I endanger my people
	to save my enemy?

		ASH
	Because after they finish with
	Arthur they'll come after you.
	Together, we've got a chance.
	Besides, you owe me.


477	 EXT. A CRAGGY MOUNTAIN TOP - NIGHT				  477

EVIL ASH AND SHEILA

ride side by side on skeletal steeds.  Sheila lifts her black
veil, revealing bone white eyes, set into a face now the texture
of cracked leather.  She looks with admiration to...


478	 EVIL ASH										478

He is general of the army of Deadites. He thrusts a rusted sword
into the air and shouts in a gritty voice:

		EVIL ASH
	Who rules?!


479	 WIDE SHOT - ONE HUNDRED ARMORED SKELETONS				 479

raise their swords into the air with a shout.


480	 EXT. CASTLE - DAY									 480

THREE TRUMPETERS

stand atop the castle wall and sound their trumpets!  CAMERA PANS
to reveal...


481	 THE 1973 DELTA 88 OLDSMOBILE						  481

being pulled by a team of men and horses, inside the castle
walls.  Ash is behind the steering wheel.


482	 INT. CASTLE - BLACKSMITH SHOP - DAY				 482

ASH AND THE BLACKSMITH

look under the hood of the Delta 88, parked in the Blacksmith's
shop.


483	 THE DELTA'S ENGINE									483

is shattered.


484	 ASH											 484

frowns.


485	 ASH AND THE BLACKSMITH								485

pour molten iron into a large sand mold.


486	 THE SAND										486

is brushed away revealing gear wheels.


487	 HAMMERS										 487

beat upon red hot iron, fashioning helicopter like rotor blades.


488	 THE BLACKSMITH'S STOVE								488

is lowered into the Delta's engine compartment.


489	 EXT. CASTLE COURTYARD - DAY						   489

ASH

walks along, inspecting a line of forty medieval warriors who
stand at attention. He halts before a warrior and stares hard
at him. The Warrior glances towards Ash.

		ASH
	You eyeballin' me boy?

		WARRIOR #9
	No, M'Lord.

		ASH
	I can't hear you!

		WARRIOR #9
	NO, M'LORD!!

		ASH
	You squeekin' like a mouse!  Are
	you a mouse boy?!

		WARRIOR #9
	NO, M'LORD!

		ASH
	Where you from, mouse?!

		WARRIOR #9
	I hail from the village of Perth.

		ASH
	Only two things come from Perth:
	steers and queers. Which are you?


490	 EXT. MOUNTAIN - DAY								   490

ASH

takes charcoal from a dead fire and chips of dried cow dung.
He mixes them with sulfur.


491	 THE BLACK POWDER								491

is bound up in a small satchel and affixed to an arrow.


492	 GOLD TOOTH									  492

lights the fuse with a torch.


493	 ASH											 493

draws back and releases the arrow. ZING!


494	 THE ARROW									   494

imbeds in a wooden post and EXPLODES. Large pieces of wood are
sent flying.


495	 ARTHUR'S WARRIORS									 495

watch in awe.


496	 EXT. CASTLE LOOKOUT TOWER - DUSK					496

THE CASTLE BELL

is rung madly.  The signal for battle stations.


497	 A WARRIOR									   497

rides in through the castle gates screaming:

		WARRIOR
	They're coming!  The Deadites
	approach!


498	 INT. CASTLE COURTYARD								 498

A look of shock and fear on all the faces.  ASH comes into
frame.  CAMERA CRANES UP with him as he scales the ladder to
the lookout tower. He peers out to the darkening horizon.


499	 ASH											 499

hears them before he sees them: The sound of clicking bones.
Painful moans of tortured souls, the clanging of approaching
armor.


500	 ASH'S P.O.V. - THE HORIZON							500

Fifty distant silhouettes of the Evil Dead appear on the
horizon.  Then fifty more.


501	 EXT. BATTLEFIELD TRACKING SHOT						501

THREE KILTED SKELETON SCOTSMEN

play rotted bagpipes as they march toward the castle. A haunted
battle melody. Behind them...


502	 SKELETON #1									 502

plays the drums upon a set of hollow skulls.


503	 SKELETON #2									 503

takes a leg bone upon a third skeleton's ribs. A bone xylophone.
A bone-o-phone.


504	 SKELETON #3, #4 AND #5								504

blow into arm bones forming woodwind section.


505	 FOUR VIKING SKELETONS								 505

CAMERA TRACKING with these helmeted skeletons as they march.
They are clad in rusting suits of armor, wielding swords and
spears.  Nasty grins on their faces. One hobbles past on his
wooden leg.


506	 EVIL ASH AND SHEILA								   506

ride their steeds to a halt atop a hill.


507	 A SKELETON AND DEADITE CAPTAIN						507

ride alongside Evil Ash and salute him sharply.

		SKELETON CAPTAIN
	M'Lord!  We are positioned on both
	fronts!

		EVIL ASH
	Where are they keeping my book?

		SKELETON CAPTAIN #1
	Most likely...there, in the
	castle's keep. It would be the
	safest place.  It is behind two
	walls that must be taken first.

		EVIL ASH
	Excellent. Proceed.


508	 SKELETON CAPTAIN #1								   508

With a sweep of his arm, he waves the Army of rot.

		SKELETON CAPTAIN #1
	Forward!


509	 THE MACABRE MARCHING BAND							 509

now pound the attack beat on their drums.


510	 A LINE OF DEADITES									510

advance toward the castle. Some crouch behind wooden barricades
which they roll before them.


511	 EXT. CASTLE - ATOP THE WALL						   511

ASH, ARTHUR AND THE WARRIORS

		ASH
	Arrows!

		ARTHUR
	Load!


512	 TWELVE ARCHERS								  512

pull back arrows on their bow strings.  Each arrow has a small
charge of black powder attached to it.

	Torch boy!


513	 A TORCH BOY									 513

runs behind the archers, lighting the fuses on each of the
powder charges. As the last arrow is lit....


514	 ARTHUR										  514

looks to the approaching army.


515	 THE LINE OF DEADITES								  515

rolls their wooden barricades closer.


516	 ARTHUR										  516

turns to Ash for the signal.


517	 ASH											 517

holds up a finger.  He waits.


518	 TWELVE ARCHERS								  518

strain, their bows taut with the explosive arrows.  The sound
of the FUSE BURNING is loud.


519	 THE BURNING FUSES									 519

about to disappear into the powder charges.


520	 ASH											 520

waits one more beat.  The turns to Arthur.

		ASH
	Fire!

		ARTHUR
	Fire!


521	 TWELVE ARCHERS								  521

fire a volley of smoking arrows.


522	 SMOKING AND SPUTTERING ARROWS						 522

rain down from the castle wall.


523	 TWO WOODEN BARRICADES								 523

are hit with the explosive arrows. They explode.


524	 THREE DEADITES								  524

are pierced by the explosive arrows.  BOOM!  BOOM!  BOOM!  They burst
apart in flames.


525	 FLAMING DEADITES								525

roll on the ground unable to extinguish themselves.


526	 A BURNING SKELETON									526

continues to advance only to collapse into a smoldering heap.


527	 THE WARRIORS									527

CHEER Ash in sensurround.


528	 A SCOUT										 528

races up to Ash.

		SCOUT
	M'Lord!  A second division
	approaching from the South.


529	 ASH											 529

turns to the South.


530	 A SECOND WAVE A DEADITES							  530

approach.

		ASH
	CATAPULTS...SOUTH!


531	 INT. COURTYARD								  531

THREE WOODEN CATAPULTS

are wheeled into position.

		ARTHUR
	Powder!


532	 GOLD TOOTH AND OTHER WARRIORS						 532

hoist large sacks of black powder onto spoons of the catapults.
Their fuses are lit.


533	 ASH											 533

gestures. Swords slice through lines which send giant sacks of
black powder catapulting.


534	 LONG SHOT - CASTLE									534

Three flaming projectiles whine as they hurl over the castle
walls.


535	 THREE FALLING SATCHELS P.O.V.'S					 535

CAMERA CRANING DOWN toward the skeletons as they look upward
in horror.

BOOM!  The first blast takes out a skeleton horse and rider. Bones
fly.

BOOM!  FOUR DEADITES are obliterated.


536	 EVIL ASH										536

turns to the Skeleton Captain #1 who rides alongside him.

		SKELETON CAPTAIN #1
	Permission to regroup, m'Lord.

		EVIL ASH
	You needn't bother.


537	 EVIL ASH										537

slices off the head of Skeleton Captain #1. He turns to the
MOUNTED DEADITE next to him.

		EVIL ASH
	You are now my captain. I will
	now allow anything to stop me from
	possessing the Necronomicon. Get
	me into that castle.


538	 THE NEW DEADITE CAPTAIN							   538

gulps and races forward into the ranks shouting:

		NEW DEADITE CAPTAIN
	RAM THE GATES!


539	 TWO GROUPS OF FOUR SKELETONS						  539

use trees as battering rams and batter the large wooden doors
of the castle.

BOOM!-BOOM!


540	 INT. CASTLE - THE CASTLE DOORS						540

begin to buckle beneath the hammering blows.


541	 TWO VILLAGE WOMEN									 541

scream!


542	 TEN WARRIORS									542

wedge logs to buttress the buckling castle doors.


543	 EXT. CASTLE									 543

		EVIL ASH
	Arrows!


544	 A ROW OF SIX SKELETAL ARCHERS						 544

fire a volley of arrows. As they reload. Behind them...


545	 A SECOND LINE OF SIX SKELETAL ARCHERS					 545

fire their arrows.


546	 A VOLLEY OF DEADITES' ARROWS						  546

pierce five Warriors atop the castle wall. They fall.


547	 INT. CASTLE									 547

TWO DEAD WARRIORS

fall to the courtyard. Villagers lift them away on stretchers.


548	 ARTHUR										  548

shouts to Ash:

		ARTHUR
	Where is Henry?!

		ASH
	He'll be here.

		ARTHUR
	I think he will not. But know
	this.  No matter how this battle
	fares, I was wrong to think you
	a coward.


549	 EXT. CASTLE									 549

The battering rams rips through the doors and the army of
darkness pours into the courtyard.


550	 A LEGLESS SKELETON									550

crawls in with a knife in its teeth.

		ARTHUR
	They're coming in. What now?!


551	 ASH											 551

looks terrified. He turns and runs from the castle entrance,
dropping his sword, and hides in the blacksmith's shop, pulling
the door closed behind him.


552	 ARTHUR										  552

shocked at Ash's cowardly desertion, turns to his men and
shouts:

		ARTHUR
	Fall back!  Man the Parapet!  Protect
	the book or God save us all!


553	 THE WARRIORS									553

retreat across the courtyard to rope ladders that scale the
parapet.


554	 ARTHUR'S MEN CLIMB ATOP THE PARAPET				 554

The rope ladders are hastily pulled up, leaving no access.


555	 INT. COURTYARD - SIX OF ARTHUR'S WARRIORS				 555

are stranded in the courtyard. They fight for their lives but
are quickly overcome.


556	 EVIL SHEILA									 556

takes out the last of the stranded warriors with her sword.


557	 EVIL ASH										557

smiles at Sheila. He turns his attention to the guarded tower
just beyond the parapet.

		EVIL ASH
	The book shall be mine!

He raises his rusty sword.

	LADDERS!


558	 TWELVE EVIL DEAD								558

storm the parapet with three crudely built wooden ladders as
large rocks rain down upon them from above.


559	 TWO WARRIORS									559

push away ladder #1.


560	 FOUR SKELETONS ON LADDER #1						   560

swing away from the wall and crash to the ground.


561	 TWO SKELETONS ON LADDER #2							561

leap onto the parapet and battle the men with swords.


562	 WARRIOR #2									  562

knocks the deadite off the ledge and shouts back toward Arthur.

		WARRIOR #2
	We can't hold this wall much
	longer!


563	 A DEADITE ARROW								 563

pierces his armor and he falls to his death.


564	 INT. COURTYARD								  564

A VIKING DEADITE

looks up as he hears...

CHUG!  CHUG!  CHUG!


565	 DEADITE'S P.O.V.								565

THE DOORS OF THE BLACKSMITH'S SHOP BURST OPEN

Through the dust and smoke something appears...An iron
beast...belching steam...It's angry iron blades whirling.
Behold...


566	 THE DEATHCOASTER								566

The stripped chaise of the Delta  88 Oldsmobile. A steam engine
is mounted to it's center to power the craft. At the front and
rear are spinning, helicopter like rotor blades.


567	 GOLD TOOTH									  567

shovels coal into the Deathcoaster's furnace.


568	 ASH											 568

is at the helm. He pulls a cord.


569	 THE DEATHCOASTER'S STEAM WHISTLE					569

SCREAMS to announce its birth.


570	 THE VIKING DEADITE									570

is cut to ribbons by swirling blades.


571	 THE VILLAGERS ATOP THE PARAPET						571

cheer!


572	 EVIL DEAD									   572

at the base of the ladders look up in horror to see...


573	 THE STEAM DRIVEN ROTOR BLADES						 573

slicing through two Deadites at once. The cow-catcher in front
pushes aside the halved Evil Dead.


574	 ASH											 574

operates a crude instrument panel with only two levers to steer
the craft. It's a bumpy ride.


575	 WIDE SHOT - THE DEATHCOASTER						  575

Thwop!  Thwop!  Two more skeletons bite the dust.

leathery hands pluck a SCREAMING Gold Tooth from the craft.


576	 GOLD TOOTH									  576

disappears beneath the squirming corpses. A moment later he re-
emerges as a skeleton himself, except for the single gold tooth
that shines against the white of the bone. He stands and joins
the Deadites.


577	 EVIL SHEILA									 577

leaps onto the moving Deathcoaster to face Ash.

		EVIL SHEILA
	Thou didst find me beautiful once.

		ASH
	Honey...You got real ugly.


578	 EVIL SHEILA									 578

attacks with a SHRIEK!


579	 ASH											 579

spins out his double barreled shot gun and...

BLAMMITY-BLAM!

...blows her off the craft. She does a back flip into the other
Deadites.


580	 ASH											 580

pulls hard on the steering stick and it tears loose from the
craft.


581	 THE DEATHCOASTER								581

careens out of control.


582	 ASH											 582

tumbles from the helm and hits the ground.


583	 THE DEATHCOASTER								583

flips, crushes a group of Deadites against a wall, and explodes.


584	 ASH											 584

picks himself up from the dust. He looks upward to...


585	 LADDER #2 - ARTHUR									585

attempts to push the ladder away. A sword comes up into frame,
stabbing Arthur. He is yanked to his death with a shriek!  Evil
Ash, with his bloody sword, leaps up from the ladder and onto
the parapet. He's headed for the Book of the Dead.


586	 BELOW IN THE COURTYARD - ASH						  586

races to a set of ropes and pulley that ascend the parapet. Two
deadites come at him. He grabs the rope with his steel hand and
slices one end of it with his sword.


587	 ABOVE HIM - A NET OF BOULDERS						 587

plummet down atop the two deadites, crushing them.
Simultaneously, Ash is tanked upward by the rope, to the
parapet.


588	 ASH											 588

looks to...


589	 EVIL ASH										589

approaching the Necronomicon.


590	 ASH											 590

kicks aside a hay bale and removes a mini-crossbow with four
flame tipped arrows, loaded and ready. He fires.


591	 A FLAME ARROW								   591

imbeds in Evil Ash's leg and ignites his body. Another flaming
dart hits his shoulder blade. The flames consume his body. He
burns and SHRIEKS!


592	 ASH											 592

watches in horror as...


593	 THE FLAMES RECEED									 593

revealing a bone white skeleton with mismatched eyes. SKELETAL
EVIL ASH!  It races at Ash with a SHRIEK.


594	 ASH AND EVIL ASH								594

bring their swords together with such great force that sparks
fly.  Ash is forced back against the stone pedestal that holds
the Necronomicon.

CLANG!

With a deft stroke, Ash's sword is flung from his hand.


595	 ASH'S SWORD									 595

imbeds in a wooden beam.


596	 EVIL ASH										596

grabs the Necronomicon, then swings his sword at Ash.


597	 ASH											 597

grabs a burning iron torch from its mount.


598	 ANGLE ON										598

WHOOSH!  KLANG!  WHOOSH!  KLANG!

Man and Skeleton battle with flaming torch and sword.


599	 ANGLE ON										599

KLANG!

The torch is knocked from Ash's hand. It falls over the edge
of the wall and lands in the courtyard below. It ignites a fuse.

The burning fuse leads to a sack of black powder. The sack sits
upon the spoon of a catapult.


600	 ABOVE...										600

SKELETON ASH

swings his sword. Ash leaps over the blade. The Skeleton swings
downward, and Ash side steps it.


601	 ASH											 601

rabbit punches CAMERA.


602	 CLOSE ON SKELETON HEAD								602

Ash's fist bursts out all it's rotted teeth.


603	 ASH											 603

delivers a right hook, spinning the skeleton's head around in
a circle.


604	 THE SKELETON									604

gives Ash a backwards roundhouse kick to the face. Ash tumbles
over the edge.


605	 ASH											 605

falls to the courtyard below, alongside the catapult. He glances
at the burning fuse.


606	 EVIL ASH										606

leaps from the parapet and lands atop the catapult. The Skeleton
looks down at Ash with a nasty grin of bone.


607	 SKELETON ASH									607

Behold...

He gestures to the Evil Dead that overrun the parapet and now
battle the last twenty of Arthur's warriors for control of the
Keep.


608	 ANGLE ON SKELETON ASH								 608

		SKELETON ASH
	You're finished.

He extends the Necronomicon to taunt Ash.

		SKELETON ASH
	I possess the Necronomicon. I've
	crushed your pathetic army. Now
	I'll have my vengeance!

He raises his sword for the death blow...


609	 THE SHRILL CALL OF BATTLE TRUMPETS				  609

		GUARD (O.S.)
	Duke Henry's men!  They've come!


610	 ASH AND THE SKELETON								  610

turn...

A jubilant CHEER rises from the castle as...


611	 DUKE HENRY THE RED AND FIFTY OF HIS MEN				   611

thunder down the hill, across the drawbridge and into the castle
courtyard to attack the Deadites!


612	 THE SKELETON - ATOP THE CATAPULT					612

turns back to Ash and raises his sword for the kill.


613	 ASH											 613

has grabbed a sword from a fallen warrior. With a single motion
he slices the hand that holds the Necronomicon from Skeleton
Ash.


614	 ASH											 614

snags the book with one hand and on the backswing, slices
through the rope, springing the catapult.


615	 THE SKELETON AND BURNING SATCHEL					615

are flung over the castle wall.


616	 HIGH SHOT - LOOKING DOWN AT CASTLE				  616

THE SKELETON PROJECTILE

rockets up past camera, waving its boney arms. The burning
satchel follows.

BOOM!  The skeleton is blown to bits in mid air.

A CHEER goes up within the castle courtyard as Henry's Warriors
crush the last of the Deadites.

						DISSOLVE TO:


617	 GLORIOUS BEAMS OF MORNING SUNLIGHT				  617

streak over the horizon. Ash enters frame. He holds the
Necronomicon as he looks wearily out over the battlefield.


618	 LONG SHOT - THE BATTLEFIELD - MORNING					 618

Smoking skeletons lay scattered. Henry and Arthur's Warriors
work together. They toss the deadite bones and armor into a
bonfire.


619	 CLOSE SHOT - TWO DEADITE SKULLS					 619

engulfed by flames, crack in the heat.

						DISSOLVE TO:


620	 EXT. SEASHORE - ARROWHEADS - DUSK				   620

are dipped into the flame of a bonfire.  They ignite.


621	 THE INTEGRATED ARMY OF HENRY AND ARTHUR'S MEN			 621

Form a row of archers.

They fire their flaming arrows toward the sea.


622	 THE ARROWS									  622

strike a wooden ship that holds the body of Arthur.

		ASH (V.O.)
	We said goodbye to Arthur.  Sure
	we had our problems.  But in the
	end, he was all right.

						DISSOLVE TO:


623	 EXT. SEASHORE - DUSK								  623

ASH AND THE OTHERS

watch the funeral pyre sail off.  It's flickering flames play
upon their faces.

						DISSOLVE TO:


624	 INT. CASTLE COURTYARD - NIGHT						 624

		ASH (V.O.)
	Peace was made between the two
	peoples.  And a new nation was
	formed.  They offered my a chance
	to stay among them and teach them.
	A chance to lead them.  To be
	King.  But Sheila was gone.
	Besides, I had places to go.

FLAMES OF THE FIRE - CAMERA PULLS BACK TO REVEAL...


625	 THE WISEMEN									 625

mix a vat of liquid over a fire as they recite a passage from
the Necronomicon.  A flask is dipped into the liquid.

WISEMAN JOHN

hands the flask of liquid to Ash.

		WISEMAN JOHN
	The Book tells us that each drop
	allows a man to sleep a century.
	Swallow six drops, and thou shalt
	awaken in thine own time.

		ASH (V.O.)
	Yeah.  Right...

Ash takes the flask and studies it.

	...but what other choice did I
	have?

						DISSOLVE TO:


626	 EXT. CASTLE - LONG SHOT - DAY						 626

ASH

rides off.

		ASH (V.O.)
	I had to find a place to crash.
	For a very long time.


627	 EXT. CAVE - DAY								 627

ASH

with the aid of his horse, drags the Deathcoaster inside the
cave.

He sets the horse free.

		ASH
	YAHH!!

It gallops off.


628	 INT. CAVE - DAY								 628

ASH

Places a black powder charge at the mouth of the cave.  He
ignites the fuse and climbs into the car.

		ASH (V.O.)
	I locked the door.


629	 INT. MOUTH OF THE CAVE								629

BOOM!

The powder charge blows.  The cave's entrance is sealed shut
with an avalanche of rock.


630	 INT. CAVE - DEATHCOASTER							  630

The car headlights come on, piercing the blackness.


631	 INT. DEATHCOASTER									 631

ASH

uncorks the flask filled with the Wiseman's brew.

		ASH (V.O.)
	I closed my eyes.

He lets six drops fall into his mouth.  One for each century
he must sleep.

		ASH (V.O.)
	I took a drink.

Ash is unaware that an extra drop has fallen into his mouth!  A
7th drop!  Ash swallows the liquid.

		ASH (V.O.)
	I didn't know if it was day or
	night. I started... to get
	drowsy... And I slept...


632	 ASH											 632

falls into a deep slumber.

						DISSOLVE TO:


633	 THE DEATHCOASTER'S HEADLIGHTS						 633

fade.

						DISSOLVE TO:


634	 CLOSER ON ASH'S SLEEPING FACE						 634

now in a different position. Time has passed. He needs a shave.

		ASH
	...And dreamed.


635	 THE HANDS ON ASH'S WRISTWATCH						 635

wind faster and faster, then halt and rust in time lapse
photography. The leather band rots away and the watch falls from
Ash's wrist.


636	 THE SUN										 636

rises then sets.


637	 THE MOON										637

follows.


638	 A CRACK										 638

forms along the surface of the aging rock wall.

		ASH (V.O.)
	Dreams last lasted centuries.


639	 A BARREN TREE								   639

sprouts buds, they swell forming leaves which change to the
brilliant colors of fall then drop.


640	 A FROST										 640

covers Ash.


641	 ICICLES										 641

on the ceiling of the cave melt.  The water drops down onto
Ash's face.  He stirs.


642	 ASH											 642

awakens in a heap of rusted scrap, which was once the
Deathcoaster. His clothes and armor having deteriorated, he is
buck ass naked as he staggers to the mouth of the cave. He digs
at the rocks that block the cave's entrance.  Sunlight streams
into the hole he has created.


643	 EXT. HILLSIDE								   643

ASH

climbs from the cave and steps into the sunlight.

		ASH (V.O.)
	And when I awoke...


644	 ASH											 644

beholds...


645	 A FUTURISTIC CITY -								   645

after the next Nuclear war: a dead land.


646	 ASH'S P.O.V.									646

A FRACTURED CLOCK TOWER

lays sprawled on its side.  The time of mankind's death frozen
on the cracked face of the clock.


647	 A SHATTERED BRIDGE									647

abruptly ends, a third of the way across a river it once
spanned.  Upon it, rest heaps of futuristic, yet rusted taxicabs
piled eight deep in some places.

CAMERA PULLS BACK from a stunned Ash, amidst the atomized pieces
of iron and bone.

		ASH
	....I found that I had slept too
	long.


648	 ASH											 648

is so small a dot now, and so far away, that we almost can't
hear his terrified SCREAM!

						CUT TO BLACK.
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