The Big Blue (1988)

	  "God is at the bottom of the sea and
	   I dive to find him."

		        Enzo Maiorca

FADE IN:

EXT.  GREEK ISLAND - SUNSET

CREDIT SEQUENCE:

The image is in black and white.

The sun disappears behind arid cliffs which cast giant
shadows on the sea.

A little boy around 8 years old -- tanned from head to toe
-- sprints along the cliffs, scrambles from one rock to
another with amazing agility.

In one hand, he carries a transparent plastic bag.  In the
other, a net bag containing flippers, mask, pants and
sweater.

The only thing that slows him down is his bathing suit --
obvious hand-me-downs -- way too big.  He tugs on them as
he goes, holding them up... Until they slide again... as
he leaps again... and pulls them up...

The little boy is JACQUES MAYOL.

End credits.


EXT.  GREEK ISLAND - SUNSET

JACQUES reaches a ledge jutting out over a deserted cove.

He spits in his mask... expertly spreads the spit with a
finger... locks his feet into the flippers... and dives.

He surfaces a long way out... adjusts his mask... and
swims away from shore.


IN OPEN SEA

The boy stops swimming -- starts to gulp air -- sucks it
in -- oxygenating his blood in a series of deep rapid
breaths -- almost hyperventilating, almost alarming if
we've never seen this before.

His gaze is glued to the ocean floor.  Clear clear water.
40 feet deep.  And intensely blue.

Suddenly, he catches his breath and dives -- into the
blue.


UNDERWATER

JACQUES touches bottom.  Clamps his legs around a rock to
hold himself down.  Unhurried, thoroughly at home, 40 feet
under... he opens the plastic bag.  A huge speckled moray
eel appears in a hole in the rock, slithers toward him.
The carnivore's jaws are bigger than the boy's head.

The boy smiles at him.  Pulls a piece of raw meat out of
his bag and holds it out.  The eel takes the morsel
delicately -- and slithers back into his hole.

Gravely, JACQUES takes another morsel out of the bag.


EXT.  VILLAGE - DUSK

JACQUES walks up a steep road bordering the port, almost
dry now.

Two boys about his age run up the streets; call out, catch
up with him and gesture toward the port.

		THE BOYS
	Jacques!  Come quick!


EXT.  PIER - DUSK

The little boys tug JACQUES to the end of the pier and
point to something in the water.

		BOYS
	Look!  Right there!  It's shining!

JACQUES walks over, and sure enough sees something shining
a few feet down in the water.

		JACQUES
		(squinting)
	A coin.

		FIRST BOY
	I found it.

		SECOND BOY
	Liar!

Camera pans and we see a middle-aged PRIEST loading
supplies into a small boat.  He stops to watch the
children's negotiations.  Little JACQUES is putting his
flippers on.

		JACQUES
	Ok.  I'll get it, but no fighting,
	all right?

The two boys nod as they point to the coin.

		JACQUES
	We'll split it.

		FIRST BOY
	You can't split a coin.  That's
	stupid.

		SECOND BOY
	He's right.  You're stupid.

The pope smiles.

		JACQUES
	Then we'll buy something and split
	that.

		SECOND BOY
	A helicopter...

		JACQUES
	It's a small coin.

		FIRST BOY
	A Ferrari.

		SECOND BOY
	I don't want a Ferrari... What is
	it?

		JACQUES
		(interrupting them)
	Maybe a little radio.

The two boys look at each other.

		JACQUES
	Well.  We'll decide later.  The light
	is going.

		SECOND BOY
	I get the radio from after school,
	until midnight.

		FIRST BOY
	Since when do you stay up until
	midnight?

		JACQUES
	All right, all right... Can I
	concentrate?  And you can stop
	pointing.  I've seen it.

		VOICE (O.S.)
	I've seen it too.

The voice is ENZO'S.  Another young boy wearing little
round glasses.

		FIRST BOY
		(annoyed)
	Shit, it's the Italian!

He is slightly older than JACQUES but he is taller.  ENZO
is with ROBERTO, his younger brother, the only one allowed
to carry his flippers.  Five kids are behind him.

		ENZO
	Well, if it isn't the little
	Frenchman!  How is the little
	Frenchman?

		JACQUES
		(cool)
	Fine!

ENZO pats JACQUES on the shoulder and leaves his hand
there -- a lightly intimidating gesture.

		ENZO
	You don't mind if I go instead, do
	you?

		JACQUES
		(intimidated, and
		 pretending not to
		 be)
	No...

		ENZO
	If you did mind, you'd tell me,
	wouldn't you?

ENZO pats his shoulder reassuringly.

		ENZO
		(to his brother)
	Roberto, mio palmo!

ROBERTO who has already started to moisten his big
brother's gear in the water, holds a pair of dripping
flippers and a glistening mask.  The pope watches the
scene with obvious pleasure.

		ENZO
		(to his brother on
		 the edge of the
		 pier)
	Count!

Sure of himself, ENZO takes a deep breath and dives in the
water.  ROBERTO counts out loud.

		ROBERTO
	1... 2... 3...

The kids all walk over to the edge of the pier.  A few
feet away, JACQUES takes off his flippers.

		ROBERTO
	4... 5... 6...

ENZO bursts out of the water, the coin in his hand.  The
children cheer and clap.  ROBERTO rushes to catch the
equipment that comes flying at him, piece by piece.
ENZO walks over to JACQUES.

		ENZO
		(showing him the
		 coin)
	Who's is it now?  You saw it but I
	dove for it!

JACQUES doesn't answer.

ENZO smiles and slowly puts the coin in his pocket.  He
pulls it out again and waves it under JACQUES' nose.

		ENZO
		(without turning
		 around)
	Roberto?  How long?

		ROBERTO
	Six seconds.

ENZO looks at JACQUES for a while.

		ENZO
	I'll throw it back into the water.
	You dive and if you do less than
	six, it's yours.

JACQUES doesn't say anything, then finally shakes his
head, negatively.  ENZO smiles, taps him on the shoulder.

		ENZO
	Brava!

The first boy finally sums up his courage to speak.

		BOY
		(timidly)
	Enzo?  I saw the coin first... We
	split?

		ENZO
		(smiling)
	You can't split a coin, stupid.

ENZO laughing, sticks the coin in his pocket and leaves
the pier with his gang.

The pope smiles and pulls a coin from his pocket.

With his flippers dangling from one hand, JACQUES sadly
stares out at the sea.  The pope calls him over.

		PRIEST
	Jacques... Come, look.

JACQUES goes over to him, sees where he is pointing, the
faint gleam of the coin underwater.

		PRIEST
	Is it a coin shining down there?

		JACQUES
		(overjoyed)
	It is.  It's a coin!  I'll get it
	for you, Father!

		PRIEST
	It'll be for the poor.

JACQUES, intent on the coin's glimmer, quickly slips on
his fins, prepares his mask.  He swims in the water like a
fish, goes directly to the coin.  Scoops it up, brings it
to the surface.

He breaks water, waves the coin, looks for the priest and
sees he is no longer there.

		JACQUES
	Padre?

He looks at the ancient impression on the coin -- "Boy on
a Dolphin".

				 DISSOLVE TO:

ON JACQUES - UNDERWATER

He's swimming near the spot where he fed the moray eel.
He senses something behind him and turns around.  He sees
a dolphin, still and silent, floating vertically.  It
seems to be watching him.  The surprise is such that
JACQUES is in a panic, leaps up to the surface...


ON JACQUES - IN BED

He bolts upright, as if suddenly awakening from a dream.


INT.  ROOM - ON JACQUES' FATHER - DARK

A BURLY MAN, around fifty, crosses the room in the shadows
and throws open the shutters with a bang.  Sunlight pours
in.  He walks over to JACQUES' bed in the one room house,
and runs his hand through his hair.

		FATHER
		(with a smile)
	... Come on, time to get up,
	Jacques!

JACQUES rubs his eyes.  His father walks over to a pile of
blankets on the floor, on the other side of the room.  He
gives the pile a kick.

		FATHER
		(screaming at the
		 top of his lungs)
	Louis, wake up!

He uncovers a kettle on the fire and ladles up a big bowl
of soup for Jacques.  A fifty year old man pokes his head
out from under the pile of blankets.  It's UNCLE LOUIS,
who is having a very hard time, waking up.


EXT.  HOUSE - DAY

JACQUES bursts out of the house, running.  Diving gear
under his arm.  A piece of buttered bread in his mouth.

He catches up with his father and UNCLE LOUIS.  They're on
a path winding down to the port.  JACQUES slows down
abruptly.  Tries to imitate their stride.  The weather is
balmy and the sea lies before them, peaceful and blue.


EXT.  SEA - DAY

Their boat on the water.  The chug of its ENGINE ECHOES
off the cliffs.  A few gulls -- drawn by the sound -- skim
the waves of its wake.


EXT.  BOAT - DAY

On board.  JACQUES' Father checks the antique air pump.
JACQUES polishes the enormous copper diver's helmet and
lays out the rest of an old fashioned deep sea diver's
suit.

At the foot of an old monastery another boat passes.
The Priest is in it.

JACQUES' Father and LOUIS take off their caps.  JACQUES
takes the gold coin out of his pocket.

The pope nods to JACQUES.  His father looks over at him
without understanding.  The child quickly puts the coin
back in his pocket.


EXT.  BOAT - DAY

LOUIS casts anchor.  A few feet away, siting on a rock,
the kid with little round glasses is fishing.  He turns
around to the boat.  JACQUES smiles and waves at him.
ENZO waves back, obviously disturbed in his fishing
session.

		FATHER
	Jacques, come help me.

JACQUES helps his father into the diver's suit.  The burly
man struggles into a pair of weighted lead shoes.  He
seems sluggish and tired.  JACQUES watches worriedly.  He
has a weird feeling.

		JACQUES
	You shouldn't dive everyday, Papa.

		UNCLE LOUIS
	Then you shouldn't eat everyday,
	Jacques.

His father catches him fondly by the scruff of the neck.

		FATHER
		(winks at him)
	Don't worry.  When I'm tired down
	there, the mermaids help me out.

Father and son smile at each other.  Then his father puts
the helmet on.  JACQUES joins LOUIS at the pump.

The heavy diver's suit disappears slowly underwater.  The
gleaming copper helmet is the last thing to slide out of
sight.

JACQUES and LOUIS work the pump.  Regular, steady motions
to maintain the flow of air.

		UNCLE LOUIS
		(to Jacques)
	Hey!  Have you ever seen a mermaid?

		JACQUES
	No.

They keep on pumping for a while, then...

		UNCLE LOUIS
	I've seen them.

UNCLE LOUIS goes on.  JACQUES doesn't budge.

		UNCLE LOUIS
	Don't you want to know where?

JACQUES looks at the bottom to watch his father.
He doesn't answer.


UNDERWATER - JACQUES' FATHER

He moves along slowly in his cumbersome diving suit.  He
is working the top of a rock outcrop on the sea floor.  He
sees a sponge, hooks it; puts it in a bag that's attached
to a life line from the boat fastened to his waist.  He
moves on.


INT.  BOAT - JACQUES AND LOUIS PUMPING

They keep up the rhythm.  Sitting on a rock at a distance,
ENZO watches them.  UNCLE LOUIS is bored stiff.

		UNCLE LOUIS
	Why don't you ask me?

		JACQUES
	What?

		UNCLE LOUIS
	Where I saw the mermaids?!  Why
	don't you ever ask any question?
	I'm always the one asking the
	question!  We're sitting here like
	two stones and I'm taking to myself.
	Ask me something, Goddamnit!

JACQUES calmly looks over at him, slows down his pumping
and almost serenely asks him:

		JACQUES
		(in a completely
		 flat tone)
	Why did my mother leave?

UNCLE LOUIS seems disturbed by the question.  A beat.

		UNCLE LOUIS
		(ill at ease)
	Come on now, pump!


UNDERWATER - JACQUES' FATHER

He is walking with difficulty at the bottom.  His bag is
full of sponges.  He seems to be having trouble breathing.


EXT.  BOAT - JACQUES AND LOUIS

JACQUES and LOUIS are pumping silently.  UNCLE LOUIS feels
obliged to answer JACQUES' question.

UNCLE LOUIS finally breaks the silence and explains:

		UNCLE LOUIS
	Your mother didn't leave.  She went
	back to America, that's all.  It's
	her home.  She's allergic to this
	Island.  She likes refrigerators and
	machines that clean the floor... so
	one day she left.  Woman are like
	that, unpredictable, like the sea.

They haven't been paying attention to the bubbles gushing
at the surface.  The air hose is being pulled down in a
very worrisome way.

		JACQUES
		(with a slight grin)
	So where did you see mermaids?

UNCLE LOUIS smiles.

		UNCLE LOUIS
	In the bars in Athens!

Very pleased with himself, UNCLE LOUIS burst out laughing.
JACQUES shyly shrugs his shoulders.  The air hose is
suddenly yanked down.  JACQUES immediately sees all the
bubbles.  He is white as a sheet.

JACQUES rushes to the side of the boat and starts yelling
down at his father.  He grabs the life line and starts
pulling at it hysterically.  The air hose snaps and
starts flying around like some crazy snake.  JACQUES tries
to jump overboard.  UNCLE LOUIS catches hold of his foot
at the last second.  JACQUES is slapping the water with
his hands, trying to go down but UNCLE LOUIS won't let
him.  JACQUES is yelling desperately.  ENZO is now
standing on his rock, watching the scene, horrified.

The sea now looks as if it were boiling.

UNCLE LOUIS grabs hold of JACQUES and hugs him in his
arms.  Standing on his rock, ENZO is now crying
desperately.

		ENZO
		(screaming)
	Jacques!  Jacques!

The last air bubbles are now breaking on the surface; it
looks as if they will never stop.

				 DISSOLVE TO:

EXT.  ITALIAN VILLAGE STREET - DAY

The image is now in color.

A rocky pink cliff over looks the very bright sea which
fills the screen.

SUPERIMPOSED:  1987 SICILY

ALFREDO runs (skips) up the cobbled street as fast as he
can go, surprisingly fast.

He runs to the large terrace of a restaurant which he
enters.  We have time to read the sign carrying the
restaurant's name:  "LA MAMMA".


INT.  RESTAURANT - DAY

ALFREDO skips in.  He is panting, covered in sweat.  His
panic is palpable.  The whole room watches him approach a
long table where a large family is having a birthday party
for a very old lady.

He has to stop a second and catch his breath before he can
get the words out.  Then leans over and whispers in the
ear of a great big man -- around 30 -- built like a bull,
wearing little round glasses.

The man listens, then stiffens.


EXT.  HARBOR - CONSTRUCTION SITE - DAY

A beat-up FIAT, towing an equally beat-up trailer, stops.

ENZO unfolds out of the driver's seat, like a circus clown
emerging from a toy car.

The construction SUPERVISOR, an American, wearing a three
piece suit, hurries over to him.

ENZO has already started undressing.  ROBERTO unloads the
diving gear from the trailer.

		SUPERVISOR
		(exhausted)
	Signore Molinari?

		ROBERTO
		(shaking his hand)
	Yes.

		ENZO
		(calmly undressing,
		 expressionless)
	How did it happen?

		SUPERVISOR
		(upset)
	The company asked me to extract
	everything I could from the wreck;
	so the divers were trying to get at
	the engine... and then the boat
	turned over... in the current...
	and... look, I fucked up!  Can you
	help?

		ENZO
	How many are, down there?

ENZO goes back to the car.

		SUPERVISOR
	Just one... We're feeding him air,
	but he's not breathing regularly...
	You've got to get him out fast.

ENZO glances at the map, then at the accident site.

		ENZO
		(a beat)
	Ten thousand.

		SUPERVISOR
	Lira?

		ENZO
	Dollars.

		SUPERVISOR
	You're going to hold me up at a time
	like this?

		ROBERTO
	You do understand you're talking to
	the champion diver of the world?

		SUPERVISOR
	Yes, but ten thousand dollars...

ENZO opens the trunk of his FIAT and pulls out the jack.
He slams the trunk shut, and stands looking at the
American, straight in the eyes.

		ENZO
	Okay.  You tell me.  How much would
	you say the man's life is worth?

Extremely uncomfortable, the SUPERVISOR doesn't answer.

		ENZO
	In my village, we have a saying:
	when the wind blows, the flags of
	all nations flap in the same
	direction.

		SUPERVISOR
		(baffled)
	What does that mean?

		ROBERTO
	That you should get your checkbook.
	Damn quick.


EXT.  UNFINISHED PIER - ENZO

He's at the end of the pier, his feet dangling in the
muddy water of the port.  A few feet away a pump sends air
HISSING through a rubber tube to the diver trapped below.

ENZO inhales steadily, his chest heaving like a bellow.
He carefully puts his spectacles inside his shoes, dons
his flippers, etc., with his usual flair of suspense.

Behind him the SUPERVISOR and other construction workers
watch expectantly.  ROBERTO heaves a stone weight into the
bay, a cable attached to it plays out from a drum on the
pier.

ENZO ignoring everyone, grabs the ordinary tire jack,
flip-flops over to the now taut cable, the stone has hit
bottom.  He takes a deep breath and dives into the bay.


UNDERWATER - WRECK

ENZO dives down a chimney of muck.  Picks his way over and
around every hazard, until he reaches the diver, trapped
under a huge piece of debris.

He pats his shoulder to comfort him, he then inserts the
tire jack under a piece of concrete... And, as if he were
changing a tire, begins to pump the handle...

Slowly, in a swirl of mud and water, the chunk of debris
rises off the diver's leg.


EXT.  CONSTRUCTION SITE - DAY

Everyone is staring at the water silently, suspensefully.
The SUPERVISOR has his checkbook in hand, but has
completely forgotten it, intent upon what's going on
underwater.  ROBERTO taps him on the shoulder.

		ROBERTO
	Since we have a little time, what do
	you say you write that check?


UNDERWATER - WRECK

ENZO cuts the cables tangled around the diver's torso.
Then he takes off his flippers, plants his bare feet on
the concrete, grabs the diver by the shoulders and pulls
him free.

The diver drops the air tube and climbs as quickly as
possible toward the surface.


EXT.  CONSTRUCTION SITE - DAY

The diver surfaces, gasping for breath.  A cheer goes up
from the crowd.  Several men hurry to pull him onto dry
land.  But there is no sign of ENZO.  Everyone waits,
breathless.

		ROBERTO
		(to the Supervisor)
	Sign here.

Suddenly, ENZO appears, burst out of the water, holding
his flippers up in the air like a trophy.  The onlookers
cheer, help him out of the water, slapping him on the
back.

ENZO tosses the jack and his flippers to ROBERTO.
Impassive and silent, he slips his arms into the prize
fighter's robe that ROBERTO holds out for him, walks
solemnly back to his car.

ROBERTO takes the check and walks over to the car.  ENZO
bends down into the car and opens the roof.

		SUPERVISOR
		(through the open
		 roof smiling)
	Thanks, thanks a lot.  I mean that
	too... You extortionist bastard!

The car rushes off.  In the distance we see a police
(carabinieri) car and an old fire engine rolling in the
direction of the construction site.


INSIDE FIAT - DRIVING AWAY

ENZO'S car drives past them.  ENZO looks at ROBERTO out of
the corner of his eye, then suddenly explodes with joy.

		ENZO
	Dollars, Roberto!  We took him for
	ten thousand dollars!

ROBERTO whoops and whistles.  ENZO reaches over and leans
on the horn.  The little car races by and finally stops at
the top of the cliff facing the sea.


EXT.  TOP OF CLIFF - DAY

The two brothers sit back, relax.

Stare out to sea.

		ROBERTO
		(after a while)
	Enzo, what are you going to do with
	the money?

		ENZO
	Have the car painted.

		ROBERTO
	Santini will do that for 25 dollars!

		ENZO
	Then tell him to wax it too.

		ROBERTO
	Enzo, really.  What are you going to
	get?

		ENZO
		(thinking)
	A rosary for Mama, a dress for
	Angelica, something with rhine-
	stones for what's her name, and get
	yourself a suit that fits... But
	most important...

		ROBERTO
	Yes?

		ENZO
	Find the Frenchman.  Find me Mayol.


EXT.  FLAKES OF SNOW - MOUNTAINS - DAY

Mountain peaks, stark and white.  A winter sky which is
strangely and disquietingly dark.  A landscape swept by
snow.

SUPERIMPOSED ON SCREEN: PERU - LAKE HUACRACOCHA - MAY 1987

A yellow light comes out of the storm -- advances toward
us.  The headlight of a train.

A narrow gauge locomotive steams up grade pushing piles of
snow in front of it.


INT.  TRAIN - DAY

Sitting in the train, leaning against the misty window,
JOHANA CROSS, 27, has clear quick charm and a sort of
romantic fragility.  She is dressed simply but warmly.
She looks through the window; all she sees is white.

It is clear that she was not the one who decided on this
trip.  Reading the key phrases from a beat-up note book,
she calls upon an old Peruvian.

		JOHANA
		(in Spanish)
	Is this the Lago del Demonio?
	(Es bien aqui el Lago del Demonio)
	... Huacracocha?

The old man goes into a long, rambling explanation.
JOHANA nods without understanding a thing.

		JOHANA
	Gracias.

		OLD MAN
	You welcome.


EXT.  TRAIN STATION - DAY

The train pulls in, slowly pushing piles of snow in front
of it and finally stops in front of an old shack which
serves as the station.

A man, FRANK, bundled in a parka, comes out of a
snowmobile parked by the station, and walks up to the
train.

JOHANA steps down, carrying her suitcase and drops two
feet in the snow as she comes off the last step.  FRANK
walks over and leans down towards her.

		FRANK
		(smiling)
	Welcome to Peru!


INT.  SNOWMOBILE - DAY

FRANK throws the luggage into the back of the snowmobile,
jumps in and turns the ignition on.  JOHANA takes her hat,
scarf and gloves off.  FRANK glances over at her, he is
both amused and charmed.

		JOHANA
	Don't you have a heater?

		FRANK
		(hitting at the
		 dashboard)
	Yeah... Sure... Is this your first
	trip to Peru?

		JOHANA
	Does anybody live to make a second?

FRANK smiles and kicks the heating system, then leans over
to check it, his eyes off the road.

		JOHANA
		(a little worried)
	Forget about the heater!


EXT.  LAKE OF THE DEMON - CAMP - DAY

The storm is at its peak.  The frozen snowmobile plows
along side the lake HUACRACOCHA and stops in front of a
cluster of quonset huts almost completely buried in snow.

FRANK gets the bags out of the back.  The suitcases are by
now frozen stiff.  JOHANA follows in his steps.

A couple of llamas are huddled up against the hut in
attempt to protect themselves from the storm.

JOHANA is bewildered.  Shacks in the middle of the Andes,
the lake of the "Demon", and now llama that have to be
pushed aside to enter one's home.

As FRANK opens the door, a man is leaving the hut.  The
man is JACQUES MAYOL.  JOHANA and JACQUES pass each other
in slow motion.  Everything seems suddenly suspended:
time, sound, cold...

JACQUES MAYOL instantly makes an impression on her.  He is
now 34, still dark-haired, with dark eyes.  He is wearing
a red diving suit and a pair of round goggles.  He looks
like some legendary creature one would dream about.

Everything finally regains its formal speed.  The door
slams, the man is gone.  She and FRANK are in the middle
of the entrance hall.  JOHANA hasn't yet gotten over the
vision she has just had, but she regains composure and
enters the next room.


INT.  QUONSET HUT

JOHANA happily takes her gloves off.

FRANK puts down the bags and walks into the next room.
It's a sort of laboratory, filled with ultra modern
equipment.

A big bay window overlooks the lake on which is built a
long wooden dock.

Sitting in a corner, an old Peruvian man is preparing hot
drinks.  JOHANA drops into a chair.

		FRANK
	A drink to warm up?

		JOHANA
	Yes, thank you.  Intravenous if
	possible.

		FRANK
		(pulling out a flask)
	Tea... or whiskey?

		JOHANA
	... both.  Did I just see a man in a
	red suit and goggles?

FRANK smiles and pours some whiskey in her tea cup.

		FRANK
	... right.
		(calling out)
	Dr. Lawrence?  The insurance man...
	uh... The insurance person is here!

		LAWRENCE
	It's about time!

FRANK smiles and pours JOHANA some tea.  She warms her
hands on the cup.  She asks blankly.

		JOHANA
	Would it be out of place to ask what
	he's doing?

		FRANK
	Who?

		JOHANA
	The guy in the Halloween suit!

LAWRENCE comes in from the other side of the room.

He walks straight over to the bay window.

		LAWRENCE
	Did you have a nice trip?  We were
	getting restless, it's been three
	weeks since the accident.

JOHANA walks over to the bay window and starts staring at
something in the distance.


EXT.  DOCK - ON JACQUES

At the end of the dock, JACQUES who is sitting on the edge
of a hole which is cut in the ice, is putting a pair of
gloves on.  He then grabs the handles of a strange machine
which emerges from the water and starts taking deep
breaths, oblivious to the cold, his mind completely
elsewhere.


BACK IN LAB

JOHANA watches JACQUES.  She just can't believe her eyes.
LAWRENCE is bent over one of his machines, fiddling with
different switches.

		LAWRENCE
		(to Johana)
	You should get things moving, you
	know.  We're out of equipment and we
	can't do half of our experiments...!
	Frank, check the program!

JOHANA is finally able to speak.

		JOHANA
	Who... Who is that?

		LAWRENCE
	Mayol... Jacques Mayol.

		JOHANA
	That's the experiment?  Dumping a
	guy into a frozen lake?

LAWRENCE turns one last knob.

		LAWRENCE
	... The truck fell into a very deep
	crevasse.  We weren't able to save
	the equipment.

		JOHANA
	I'll have to talk to the driver.

		LAWRENCE
	In the spring when he melts!

JOHANA walks closer to the window.  She isn't hearing a
thing he's saying.

JACQUES is putting on his flippers.

JOHANA can't believe it.

JACQUES is standing by a hole cut in the ice.  He is
holding onto the machine in the water.  He is waving a
mask.

		JOHANA
		(dumbfounded)
	You really send him under the ice?
	He isn't a slave or a convict or
	anything?

		LAWRENCE
	My dear, science is a cruel
	mistress.

		JOHANA
	But... how is he going to breathe?

		LAWRENCE
	He isn't going to breathe.

JACQUES takes a deep breath, turns a handle and a weight
yanks him straight down into the water.  LAWRENCE sets his
stop watch off and flips a few switches.

JOHANA grabs his arm as if they could do something about
it.

		LAWRENCE
	Listen...

He raises the volume:  we hear the man's heartbeat through
a small speaker.

		LAWRENCE
	That's his heartbeat.
		(excited)
	Can you hear the speed at which it's
	slowing down, it's incredible.

LAWRENCE tears off the sheet with the heartbeat measures
on it and hands it to JOHANA.

JOHANA feels she's on the verge of crying, and can't
figure it out.


UNDERWATER - JACQUES

JACQUES stops his machine by turning one of the handles.
He's deep beneath the surface of the frozen lake.  He
swims deliberately, carefully into a large tube which is
hinged open.  He closes it around himself.  His heart is
still slowing down.  He pushes a button on the machine,
and a flash of light bursts in the opaque night
surrounding him.


BACK IN LAB - ON VIDEO SCREEN

We see a moving X-ray image.

		LAWRENCE
	He's in the fluoroscope now.  Listen
	to his heart.  Impressive, huh?  The
	flow of blood is concentrated in the
	brain and doesn't even feed the
	limbs anymore.  It's a phenomena that
	has only been observed with
	dolphins... until now.

		JOHANA
	How long can he stay down?  Without
	breathing?

		LAWRENCE
	It depends.  He should come up soon.
		(smiling)
	Unless he's decided to stay for the
	night.

		JOHANA
	Why is he doing this?

		LAWRENCE
	For one thing, it's his job... as
	for the rest of it, I wish I knew.

JOHANA sighs with relief as JACQUES appears at the surface
in one big breath.

		JOHANA
	Shouldn't somebody take him a
	blanket or something?

		LAWRENCE
		(smiling at Frank)
	Coffee might be nice.

She heads towards the Old Peruvian and pours a cup of
coffee...

		JOHANA
		(afterthought)
	Will he understand Spanish?

		LAWRENCE
	His mother's an American.  He spent
	half of his life in the states.  I'd
	try English if I were you.


EXT.  DOCK - JACQUES SURFACING

He's groggy, half hypnotized.  He looks up at the dock,
sees JOHANA with a cup of coffee.  He stares at her.  She
hands him the coffee.

		JACQUES
		(puzzled)
	I recognize you.

		JOHANA
	We saw each other a little while
	ago.

		JACQUES
		(serious)
	In the lake?

		JOHANA
		(wondering whether he
		 is joking or not)
	No... in the hut.

After a long beat...

		JACQUES
		(with a beautiful
		 smile)
	Then it was somebody that looked a
	lot like you... Thank you.

JACQUES then turns around and walks toward the huts.

JOHANA still hasn't moved, as if petrified by her emotions
and the severe cold.  She then walks up to the hole in the
ice and peers into the dark water.  She shudders.


INT.  CABIN - DAWN

JOHANA emerges from a down sleeping bag.  She's wearing a
big sweater and a wool hat.  She is not sleeping.

Intrigued by the sound of the snowmobile, she gets up and
walks over to the frozen window.  JACQUES and FRANK are
loading their luggage onto the snowmobile.

Outside, LAWRENCE is saying "Goodbye" to JACQUES.  Unseen,
JOHANA also waves from behind her curtain.  JACQUES senses
something:  he turns around toward the cabin and smiles,
waving his hand at JOHANA.  She hides behind the curtain
and shyly waves back.

JACQUES gets into the snowmobile and drives out of the
frame.  We are left with an endless array of snow-caped
mountains.

				 DISSOLVE TO:

EXT.  COTE D'AZUR - DAY

Fixed image of the Cote d'Azur.  The sparkling blue sea
fades into the distance.

A French taxi rides along the winding road overlooking the
creeks.


INT.  - TAXI

From behind all his bags, JACQUES obsessively stares at
the sea.

The driver smiles.

		DRIVER
	It's beautiful, isn't it?

JACQUES smiles.

		DRIVER
	We had some bad wind this week.  The
	"Mistral"!!  "Peuchere"!  There
	isn't one olive left on its tree.
	It suddenly left us this morning...
	I sure won't be the one to call it
	back.


EXT.  ANTIBES - ROAD TO MARINELAND

The taxi comes to a stop in front of Marineland.  JACQUES
gets out, carrying one of his bags.

		JACQUES
		(to the driver)
	I'll only be five minutes.

He enters Marineland.


EXT.  MARINELAND - ON JACQUES

The park is closed, the paths are deserted.  JACQUES
approaches the Dolphin's tank.  All three dolphins rise up
in the water.  Greet him with a click and clatter of
tongues.  JACQUES sits down at the edge of the tank.

		JACQUES
	Good morning, everybody!  Did you
	sleep well?  I slept in a plane, and
	it wasn't too great.

He opens his duffel bag.  Hunts around, comes up with two
packages wrapped in brownpaper.  The dolphins stare at
him, intrigued.

		JACQUES
		(calling out)
	Hey!  presents.

The dolphins CACKLE some more.

		JACQUES
	You think I'd forget you?

He laughs.  The driver, who seems to be quite familiar
with the place, walks in heading straight over to the soda
machine.  Out of the corner of his eye, he takes in the
scene, very intrigued.

JACQUES has not noticed him.

He starts unwrapping the first package.

		JACQUES
	For Bathsheba.

He produces a little ceramic Llama.

ON BATHSHEBA

looking at the llama, bewildered.  As bewildered as a
dolphin can be.  JACQUES turns the llama upside down.  It
moos:  HIAK, HIAK...

		JACQUES
	It's a Llama.  You understand?  From
	Peru.  It's fighting.

BATHSHEBA shakes her head.  JACQUES throws the llama into
the water.  He unwraps the second package.  A pair of
Peruvian gloves and hat.  Wide eyed, the driver sits in
the stands to watch the show.

		JACQUES
	That's for you, Darjeeling.  We
	wouldn't want you to catch cold!

He throws them to DARJEELING who catches them.

		JACQUES
	And now...
		(singing out)
	"Ta, da..." For you Tina.

He pulls out a thermos.

		JACQUES
	Something you've never seen either.

He opens the thermos.

		JACQUES
	Snow!

He sprinkles snow flakes on TINA'S head.  She tries to
taste it.

		JACQUES
		(smiling like a
		 child)
	A new experience, Tina.
		(nostalgic)
	I missed you little rascals.  Did
	you get my post card?

The three dolphins leap into the air and land with a huge
splash which soaks JACQUES.  He takes his shirt off.

		JACQUES
		(pretending to be
		 serious)
	Oh?  Is that what you want?
	Alright, but five minutes, no more.
	I have a taxi waiting.

He takes off his pants.  The taxi driver gets up, as if to
keep him from going in.  JACQUES dives into the pool.


UNDERWATER - ON JACQUES

He swims under the dolphin, reaches out and grabs hold of
the dolphin's snout.

The dolphin pulls JACQUES around and around the basin
while JACQUES pets his chest and belly.  We have never
seen JACQUES so relaxed and happy.

				 DISSOLVE TO:

EXT.  MANHATTAN - DAWN

Overview of a gray and dirty Manhattan morning.  JOHANA
depressed, stares blankly out of the window of a yellow
cab.  She watches the muddy brown water flow under the
Brooklyn Bridge.

The driver keeps yelling obscenities to all the cars
around him.


EXT.  MANHATTAN - DAY

A suitcase in each hand, JOHANA gets out of the cab and
walks up the stairs of her apartment.


INT.  HALLWAY - DAY

JOHANA puts down her suitcase wearily.  Catches her breath
and gets out her keys.  She tries one in the top lock.  It
doesn't work.  She tries harder.  There's a woman's voice
yelling angrily from inside the apartment.

		SALLY (O.S.)
	I changed the lock you son of a
	bitch!

		JOHANA
	... Sally?

The door opens.

		SALLY
	You're back!  Hello.  We were
	burgled.

		JOHANA
	Again?

		SALLY
	They got the new T.V.

JOHANA comes in, looks at the ransacked apartment.

		SALLY
	... And the new stereo.

		JOHANA
	I hope they remembered to take the
	microwave this time?

		SALLY
	Yep.  How was your trip...?  Help me
	clean up, okay?

		JOHANA
	You called the police?

		SALLY
	They're going to send detectives.
	When they get around to it.

		JOHANA
		(shrugging)
	So what, all they ever want is your
	phone number anyway.

JOHANA goes over, slumps into an easy chair and sighs.

After a beat...

		SALLY
	Well?

		JOHANA
	What?

		SALLY
	How was your trip?

		JOHANA
		(flatly)
	Nice... Very interesting... Great!
		(doubtfully)
	... I guess.

		SALLY
		(ironically)
	Okay... Who'd you meet?

JOHANA opens her handbag, takes out the strip of
electrocardiogram paper, hands it to her.

		SALLY
	A cardiogram...?  You met a doctor!
	Congratulations, you're in the
	chips...
		(an afterthought)
	Unless they have socialized medicine
	in Peru.  Do they?

		JOHANA
		(indicating paper)
	It's his heartbeat.

		SALLY
	Oh Jesus...!  I'll make some coffee.
		(starts toward
		 kitchen)
	They left the stove.

				 TIME DISSOLVE:

INT.  APARTMENT - LATER

The living room is almost completely put back together...
SALLY is replacing books in the bookcase, JOHANA is using
a carpet sweeper, and talking away.

		JOHANA
		(nonstop)
	6'3", 6'1", maybe 5'9" -- You can't
	be sure, you know the flippers, they
	add height or they take it away, or
	something.  Anyway short dark hair...
	Not punk or anything, just short.
	And the cutest smile.  He wasn't
	smiling at me, I don't think -- just
	smiling.  And he thought he saw me in
	the lake.  I mean that was a figure
	of speech... They're so romantic,
	the French.

		SALLY
		(bored, half asleep)
	I thought you said he was Peruvian?

		JOHANA
		(annoyed)
	Haven't you been listening?

SALLY opens the drapes, revealing it's dawn outside.

		SALLY
	... Since eight o'clock last
	night...!  You're in love.

		JOHANA
	Don't be a jerk.
		(emphatically)
	There's no such thing as love at
	first sight.

				 DISSOLVE TO:

UNDERWATER - SWIMMING POOL

JACQUES is swimming alone at the bottom of a gigantic
swimming pool.  He wears a monofin, his head and chest are
wired up to an assistant who runs back and forth alongside
the pool.

A man's feet are seen walking over to the side of the
pool.

JACQUES is swimming laps, arching his body like a dolphin.

As he approaches one end of the pool, he sees a coin
slowly falling in front of him.  JACQUES picks it up and
looks at it:  it's an old Greek coin.

JACQUES smiles and swims to the surface.


EXT.  ON SIDE OF SWIMMING POOL - DAY

JACQUES pokes his head out of the water and pulls off his
goggles.

ENZO stands over him, smiling.

		ENZO
	Jacques, my friend, how are you?

		JACQUES
		(happy)
	Enzo...

A beat.

		ENZO
	I leave you swimming and twenty
	years later, you're still in the
	water!  What the hell are you doing?
	Training?

		JACQUES
	Yes.

An uneasiness sweeps over ENZO'S face and quickly
disappears.

		ENZO
	That's good.
		(smiling again)
	You never would have recognized me,
	huh?  Check out the suit!  Looking
	good, no?  You know I'm the world
	champion?

		JACQUES
	Yes, I know.

		ENZO
	I dove 315 feet!

		JACQUES
	Great!

		ENZO
	They say I'm like Lazarus.  You
	know, the guy who was raised from
	the dead?!

He laughs.  JACQUES smiles.  ENZO goes on.

		ENZO
		(serious)
	Doesn't it surprise you that I just
	show up like this... Listen, the
	world championship starts in ten
	days in Taormina.  Be my guest.

ENZO puts down an airplane ticket on the side of the pool.

		ENZO
	Your ticket.

Surprised, JACQUES looks over at the ticket.

		JACQUES
	Why?

		ENZO
	Because I'm sure you're dying to
	beat me.

		JACQUES
		(shaking his head)
	I don't want to be in any
	competition... I dive because I like
	to, not to beat a record... don't
	you have to be very mad at somebody
	to want to beat him?

		ENZO
	No.  All you need is to want to be
	the best.

		JACQUES
		(smiles)
	You're the best, Enzo!

		ENZO
		(with a tense grin
		 on his face)
	That's too easy!  Every time I beat
	a record there's always some
	dumbshit asking me:  "D'you know
	that French guy, Mayol?  He's
	supposed to be very good!  Too bad
	he doesn't compete." So, you're
	going to come with me to Taormina!
	First, because you're my friend and
	second, because you don't have one
	reason to keep on spoiling my
	pleasure.
		(he pushes the
		 airplane ticket to
		 Jacques)
	... I'll see you there...


EXT.  OFFICE BUILDING - NEW YORK - DAY


INT.  DUFFY'S OFFICE - DUFFY - JOHANA

She is seated across the desk from him.  He's reading
through her report.  Behind him, outside the large plate
glass window, window-washers are seated on a scaffold
suspended far above the city.  They eat lunch.

JOHANA'S eyes wander (bored) around the office as DUFFY
reads.  He looks up.

		DUFFY
		(indicating report)
	This is good work... unfortunately
	it's incomplete.
		(he glances at the
		 window)
	Could you eat a sandwich 40 floors
	above the street.

		JOHANA
		(absently)
	What kind?

		DUFFY
	Johana, am I boring you?

		JOHANA
	Sorry.  Of course not, definitely
	not... well, maybe a little.  What
	did you say?

		DUFFY
	I said that the file is incomplete.
	See if you can get through to this
	Lawrence character and have him send
	the Peruvian registration for his
	missing truck... and don't let him
	tell you it was in the glove
	compartment.

		JOHANA
	Right Chief!

She starts out of the office.

		DUFFY
		(to her back)
	Did the driver really freeze?

		JOHANA
	Like a popsicle.  They're keeping
	him on a stick until spring.

		DUFFY
	My God!  I'm glad I didn't go.

		JOHANA
		(under her breath,
		 leaving)
	... So am I.


INT.  QUONSET HUT - PERU - DAY

Doctor LAWRENCE covers one ear with his hand as he yells
into the phone.

		LAWRENCE
		(screaming)
	... I said, all the truck papers are
	in the glove compartment!


INT.  JOHANA'S OFFICE - MANHATTAN

JOHANA sits at her desk, she too is yelling into the
telephone.  Her colleague looks over at her and smiles.

		JOHANA
		(with a sigh)
	Okay, listen, just get the custom's
	office to send me a copy as fast as
	possible.  We can't send you new
	equipment until our file is
	complete.  Okay?


INT.  QUONSET HUT - PERU - DAY

		LAWRENCE
	Okay, okay.  You'll have it by the
	end of the week, how's that?

		JOHANA (V.O.)
	You've made me a happy insurance
	person.

		LAWRENCE
	Then, goodbye.

He is just about to hang up.


INT.  JOHANA'S OFFICE - MANHATTAN

JOHANA jumps up.

		JOHANA
	Wait!  Professor...?

		LAWRENCE (V.O.)
	... Yes?

JOHANA starts snooping around the papers on her desk,
embarrassed by the presence of her colleague.

		JOHANA
		(as softly as
		 possible)
	You don't know how I could reach
	that diver of yours... Mayol... We
	need some additional information...
	I mean, we have a few questions to
	ask him.


INT.  QUONSET HUT - PERU - DAY

		LAWRENCE
	The last thing I heard, he was off
	to Taormina for the world diving
	championships.  That's Taormina, in
	Sicily!


INT.  DUFFY'S OFFICE - DAY

JOHANA dashes in without knocking.

		JOHANA
	Listen, I just found out we've got
	real problems in Sicily!

		DUFFY
		(alarmed)
	What d'you mean?

		JOHANA
		(improvising)
	The mafia!  La Cosa Nostra!
	Coppola!  De Niro...!  I knew it!  I
	knew we shouldn't have written that
	policy!!

		DUFFY
		(pale)
	What's happened??

		JOHANA
	The documents are forged.

		DUFFY
	No!

		JOHANA
	Yes!  The notary is a phony.  He has
	the same signature as the
	contractor!

		DUFFY
		(outraged)
	It can't be true!

		JOHANA
		(fast talking)
	We have to send somebody over there
	immediately!  If we prove the
	forgery we can cancel the policy.
	We'll be off the hook.  There's a
	flight to Rome in two hours and from
	there its just a short hop to
	Sicily.

		DUFFY
		(reaching for phone)
	I'll send Cardoza, he'll be able
	to...

		JOHANA
		(interrupting)
	I tried him, he can't go.  His son
	is being Bar Mitzvohed tomorrow...
	I'll go, boss.

		DUFFY
	I thought it was Spanish that you
	spoke?

		JOHANA
		(after a beat)
	Italian is practically the same
	thing.


EXT.  PORT OF MESSINE - DAY

A ferry comes into the dock, as a plank is slowly lowered.

As it descends, four rail cars lie in wait in its belly.
JOHANA comes off the boat, carrying her suitcase, she
wears a light summer dress.  She looks around, seeming a
little lost.

A white FIAT taxi screeches to a halt beside her.  JOHANA
jumps.  The driver whose arm loosely dangles from the car
window, grins at her.

		DRIVER
	... Taxi?


EXT.  SAN DOMENICO - DAY

The white FIAT taxi pulls up in front of the SAN DOMENICO
hotel, but it is JACQUES who gets out of it.  The driver
helps him with his bags.

		RECEPTIONIST
		(checking the books)
	Mayol... Mayol... No reservation.

		JACQUES
		(uncomfortable)
	... Are you sure?

		RECEPTIONIST
	Positive, Sir.

JACQUES looks down at the piece of paper stapled to his
ticket.

		JACQUES
	This is the hotel San Domenico?

		RECEPTIONIST
	Yes Sir, and it has been so for 127
	years.

		JACQUES
		(more and more
		 uncomfortable)
	Yes, but... So, you haven't got a
	room left?

		RECEPTIONIST
	No Sir, the hotel is full because of
	the Diving championship.

		JACQUES
	Ah?!

The Receptionist starts working on his papers again.
JACQUES, completely lost, stares blankly at the hotel
clerk, wondering what to do next.


INT.  HOTEL - DAY

The tiny FIAT clatters onto the sidewalk in front of the
hotel narrowly avoiding the Countess' limo.  Parks its
frontwheels on the sidewalk, rear end in the road.

ENZO, followed by ROBERTO, get out of his car, like a king
descending from his carriage.  On the way, he stops and
kisses a distinguished elderly woman's hand?  The hotel's
CONTESSA.

ENZO tosses his keys to a doorman who stepped up to
complain.

		ENZO
		(to doorman)
	Be careful with that car, it's a new
	paint job.

ENZO enters the hotel and sees JACQUES.

		ENZO
		(yelling across the
		 lobby)
	Giacomino!  My friend!  My brother!

ENZO and JACQUES.  The two men kiss each other on both
cheeks, pound each others back.  They are both moved.

		ENZO
		(looking at him)
	So you finally decided to join us?
	You did the right thing!

		ENZO
		(to the desk clerk)
	Hey Paolo!  Come stai?  Get my key!
		(to Jacques,
		 gesturing over his
		 shoulder)
	You remember my little brother
	Roberto?

Roberto (26) nods to JACQUES who shakes his hand.

		JACQUES
	I remember.  Hi Roberto!

		ENZO
	What room have you got?

		JACQUES
	I don't have one.

		ENZO
	You don't have a room?
		(at the top of his
		 lungs)
	Paolo?  What did I just hear?  I
	personally called you to reserve a
	room for my good friend Jacques
	Mayol and you treat him like a
	stranger?!

		JACQUES
		(embarrassed)
	It's okay, Enzo.  I'll go somewhere
	else.

		ENZO
	Not only is Jacques Mayol a very
	special friend, but he happens to be
	one of the best divers in the world!
	And you're throwing him out!  Are
	you crazy, or what?  Stupido!

		JACQUES
		(really embarrassed
		 now)
	Enzo drop it, I'll find something.

ENZO looks at him for a moment and gives him a warm smile.

He hands him his own keys.

		ENZO
	Take mine.  I'll take the Countess'
	suite.  She told me she was leaving
	for the cemetery... She'll be more
	comfortable there.

PAOLO half-heartedly, hands him the key.  ENZO glances at
JACQUES to make sure he's properly impressed.  He throws
his arm around JACQUES' shoulder, hugs him and gives him a
real smile.

		ENZO
		(sincerely)
	I'm glad you're here.


EXT.  HOTEL TERRACE TAORMINA - JACQUES - ENZO - DAY

They're at a table on a terrace that overlooks the sea.
They've just arrived and all around them people are
lunching away furiously.

ENZO beckons to a passing WAITER who comes to the table.
He's a very handsome, slightly effeminate young man.

		ENZO
		(to waiter)
	"Spaghetti del mare"
		(to Jacques)
	It's delicious here.  It's the one
	thing they really know how to make.

		WAITER
	Del mare for two?

		JACQUES
		(nodding quickly)
	Yes, sure, for two.

		ENZO
	And a bottle of "Frascatti".  Two
	bottles!

		WAITER
	Si Signore, grazie mille.

The waiter hurries away.  ENZO watches his departure, then
thoughtfully.

		ENZO
	He moves just like a woman.
		(then, as if he were
		 speaking to Jacques)
	It must be hard to live in two
	worlds like that, huh?  To breathe
	in one, swim in the other...

JACQUES nods without really knowing.

		ENZO
		(suddenly louder)
	Anyway!  Nothing beats a sexy broad!
	Huh, Jacques!

ENZO starts laughing.  JACQUES would like to crawl under
the table.

			      TIME DISSOLVE TO:

EXT.  HOTEL TERRACE TAORMINA - JACQUES - ENZO - LATER

Their lunch is on the table, half eaten.

		ENZO
	... So, after all these years, you
	must have lots of questions to ask.
	Am I right?

		JACQUES
		(quickly)
	Yes, of course.  Lots of questions.

JACQUES is satisfied with his answer.  He thinks that the
subject is closed.  They eat silently for a moment.  ENZO
watches him.  Then:

		ENZO
	Well, what are they?

		JACQUES
		(giving up)
	I'm sorry... I don't know how to ask
	the questions.

ENZO bursts out laughing.

		ENZO
	Well, then.  I'll do the asking for
	you.  "Tell me dear Enzo, how did
	you become World Champion?"  Oh,
	that's a long story.
		(his voice changes)
	Well, after you left Amorgos, I went
	back to Italy and joined the Navy.
	So you now have in front of you --
	Captain Molinari, who's been on
	leave of absence for the past 14
	years...

		JACQUES
	That's good.

		ENZO
	How do you make a living?  Your
	experiments, does it pay well?

		JACQUES
	It's okay.

		ENZO
	... You married?

JACQUES doesn't seem to have ever thought about marriage.

		JACQUES
	No.

		ENZO
	Me neither, 'cause of my Mother.
	She's a curse, my Mamma, a tornado.
	Stubborn as a mule!  I was
	engaged... for a week.  After that,
	Mamma was so mad, I tell you, pasta
	was bouncing off the walls.

JACQUES smiles.

		ENZO
	So, not married.  Well, good for
	you.  You play the field, like me.
	A girl in every port, huh?

		JACQUES
		(bluffing)
	Exactly, I mean, after all, we're
	men!

		ENZO
		(slapping the table
		 top)
	Damn right!  That's what I tell them
	when people say you've turned into a
	fish.

		JACQUES
		(concerned)
	People say that?

		ENZO
		(sorry he went too
		 far)
	Forget it.  I was joking.


EXT.  ENTRANCE TO TERRACE - ON JOHANA

JOHANA comes out of the stone tunnel which leads to the
terrace.  She looks over the crowd, trying to find
someone.

JACQUES is sitting with his back to her.  She finally
spots him and walks over to the table.

		ENZO
	Eh!  La Madonna!  This one is for
	me.  I'll bet you my watch that
	she's in my bed tonight.

JACQUES turns around and recognizes her.  JOHANA smiles
and walks up to the table.  ENZO takes his watch off and
puts it on the table.

		ENZO
		(quickly)
	I tell you she's mine!

		JOHANA
		(to Jacques)
	Hello!

		ENZO
		(surprised)
	You know each other?

		JOHANA
	Yes.

		ENZO
	Enzo Molinari.

ENZO kisses her hand and brushes his watch off the table
in the same movement.

		ENZO
	This is a great pleasure.

		JOHANA
		(laughing at the
		 protocol)
	Johana Cross, pleased to meet you.
		(then to Jacques,
		 faking surprise)
	Well!  Isn't this a coincidence.  I
	really wasn't expecting this... All
	the way out here.  It's incredible!

		JACQUES
	Please, have a seat.

		JOHANA
	Thank you.  I wouldn't want to
	interrupt anything.

JOHANA sits down.

		JACQUES
	No, no!

		ENZO
	Not at all!

		JACQUES
	You're staying at the hotel?

		JOHANA
	I wish, but it's full.  They
	recommended a pension in town.  They
	say that all of Taormina is full.
	What's going on here?

		ENZO
	It's the Free Diving World
	Championship.  I am by the way world
	champion!

JOHANA has turned toward JACQUES, paying no attention to
ENZO.  JACQUES can't stop looking at JOHANA.

		JACQUES
	But what brought you to Sicily?

		JOHANA
	I was doing an insurance
	investigation in Palermo.
		(to Enzo)
	I work for an insurance company.
		(back to Jacques)
	So, I decided to take a few days
	off.
		(uncomfortable)
	I don't know this island at all.  It
	really is gorgeous.

		ENZO
	There is no place in the world more
	beautiful than Sicily!

The waiter passes behind them.  ENZO reaches out, grabs
him by the arm, pulls him to the table.

		ENZO
		(to waiter)
	A spaghetti del mare for the super
	dedicated traveling insurance
	agent.

		JOHANA
		(smiling)
	I think I'll have a coffee.

		JACQUES
	No, no.  You'll like it.  It's
	superb.

		JOHANA
	... Okay.  I'll try.

ENZO pours the wine.

JOHANA shrugs fatalistically.  The waiter leaves.
JACQUES, intrigued, stares at JOHANA.  She pretends not to
notice.

		ENZO
		(impatient)
	Where did you two meet?

		JOHANA
	In a lake.

		ENZO
	I might have known.
		(to Johana)
	As I was telling you earlier, I'm
	the world champion free diver.

		JOHANA
	Congratulations.

		ENZO
	Some people say it's the most virile
	sport in the world.  One has to
	admit that when you see those men
	diving head first in that deep blue
	sea, all muscles contracted in one
	super human effort...

		JACQUES
		(interrupting)
	Enzo?

		ENZO
		(annoyed)
	What?

		JACQUES
	Your mother?

		ENZO
	Ahi, ahi, cazzo!  Ma mamia!
	Where...?  God, she'll kill me...
		(pushing the plate
		 in front of Johana)
	... if she catches me eating pasta
	in a restaurant.

He quickly brushes off the crumbs in front of him.

ON ENZO'S MOTHER

heading toward them.  She's a huge woman in widow's black.
She shoulders her way through the tables.

ROBERTO carrying her suitcases follows at her heels.

ENZO jumps to his feet.  Throws his arms around her.

		ENZO
	... Mamma!

		MAMMA MOLINARI
		(expressionless)
	You expect me to carry all the
	luggage myself?

		ENZO
	Mamma.  Roberto and an elevator...
	Isn't that enough?

A beat.  Signora MOLINARI inspects the plates on the
table.

		MAMMA MOLINARI
		(suspiciously)
	What have you been eating?

		ENZO
	Coffee only, I'm diving tomorrow.
	You remember little Jacques, Jacques
	Mayol...

		JACQUES
		(timidly)
	Madame...

		ENZO
	... And his friend, Johana...

Signora MOLINARI nods grudgingly.

		WAITER
		(arriving proudly)
	Spaghetti del mare!

Dead silence.

ENZO is the only one with no plate in front of him.
Signora MOLINARI'S eyebrows condense into a dark stripe
across her forehead.

JOHANA hands ENZO'S plate to the WAITER and takes the full
one.

		JOHANA
		(to waiter)
	Thank you.

And begins to eat, ignoring the expressions of amazement
all around her.

		MAMMA MOLINARI
	Americana?

JOHANA nods enthusiastically, her mouth too full to speak.

		MAMMA MOLINARI
		(impressed, to
		 Johana)
	Benvenuto!

MAMMA MOLINARI has a huge grin on her face.


EXT.  TAORMINA STREET - JACQUES, JOHANA - TWILIGHT

They emerge onto the street in front of the entrance of a
small rooming house.

JACQUES is carrying JOHANA'S luggage.  The old pension is
covered in bright pink bougainvilliers, there is laundry
hanging on the other side of the street.

		JOHANA
	Thanks for helping with the bag.
		(she looks up at the
		 pension with little
		 enthusiasm)
	It looks great!

		JACQUES
	I thought it was a nice place.
		(suddenly doubting)
	Isn't it?

		JOHANA
	I'm being a pain in the ass.
		(looking at him)
	It's beautiful here.

They look at each other.  JACQUES is silent.  He just
stands there, a suitcase in each hand.

JOHANA breaks the silence.

		JOHANA
	You're going to be very busy these
	days aren't you?

		JACQUES
	I don't know... why?

		JOHANA
	Just because... I would have liked
	to visit the town... See the
	coast... I don't know anybody...
	Expect for you.
		(feeling she has
		 gone too far)
	But you are going to be very busy.
	You must have tons of things to
	prepare, interviews... And a
	competition like this one must
	require a great deal of
	concentration, right?

		JACQUES
		(shakes his head
		 negatively)
	Yes... Maybe... I don't know.  I
	don't like competitions... It ruins
	the fun.  Don't you think?

		JOHANA
		(with a faint smile)
	I guess... But you know... I'm
	American and I've mostly been taught
	to be competitive... There's always
	pleasure of being the best?

		JACQUES
	Maybe on earth there is one... but
	not when you dive... You see, to
	dive deep into the sea, for no
	reason... just to do it.  It's a
	feeling... I don't know how to say
	this... Voluptuous?

He looks up at her as he pronounces the last word.  She
smiles at him, lovingly.

		JOHANA
		(laughing)
	You can put down the suitcases, you
	know.

He lets go of the suitcases.  Suddenly, behind them, there
is a loud screech of tires.  The FIAT tears across the
street.

ENZO in his FIAT.  He pokes his head out of the window.

		ENZO
	C'mon, you two... Jacques, we have
	to get ready for the ceremony
	tonight.  We have a new world
	champion.

		JACQUES
	I'm a little tired, I don't know
	if...

		ENZO
	Get in the car!


INT.  ENZO'S SUITE - ENZO, JACQUES, ROBERTO - NIGHT

They're in front of a wardrobe looking JACQUES over in the
full-length mirrors.  He's wearing an evening shirt and a
tuxedo of ENZO'S.  The collar is too big, the sleeves
hangover his hands.  He looks at himself dubiously in the
mirror.

		ENZO
	Roberto!  The bow-tie!

ROBERTO hands ENZO the bow-tie, he hooks it around
JACQUES' collar.

		ENZO
		(taking a few steps
		 back)
	Very good.

JACQUES looks down at his tennis shoes.

		ROBERTO
	What about the shoes?

		ENZO
	Very chic.
		(hesitates)
	Anyway, you don't have anything
	else, do you?

		JACQUES
	No.

		ENZO
	Then, it's very chic.  Avanti!


EXT.  RECEPTION ON TERRACE - NIGHT

A big reception is organized on the terrace of the hotel.
The official divers and technicians are all gathered in
front of a podium.  The terrace is loaded with
photographers.

ROBERTO keeps turning round and round the long buffet
table.

JACQUES is alone at the bar.  Incongruous detail:  a
whiskey bottle on the table beside him.

JOHANA enters.  She has also had a few drinks.

		JOHANA
	I thought you'd be at the dinner.

		JACQUES
	It's too loud for me.

He tugs at his over-sized tuxedo.

		JOHANA
	You look adorable.

		JACQUES
	Thank you...

		JOHANA
		(smiling)
	... Especially the sneakers.

JACQUES looks down at his feet, doesn't know what to make
of her comment.  JOHANA sits down beside him and pours
herself a drink.  They touch glasses.


EXT.  ON PODIUM - NIGHT

On the podium, NOVELLI, the organizer of the championship,
stands in his tuxedo, talking into a microphone.  An older
man in a worn out suit, stands next to him.

		NOVELLI
	Ladies and Gentlemen, your
	attention, please.  Mr. Andre
	Bonnet, President of the
	International Diving Championship
	Committee, is going to present this
	trophy to the new world champion of
	free diving.  This afternoon, our
	new champion descended to the
	remarkable depth of 280 feet.

The audience applauds.

		NOVELLI
	This young man Tia...

NOVELLI can't quite read his notes.

		NOVELLI
	Tiraro... Tirao-re... Moa...

ANDRE BONNET takes his turn to read the note.  A young
Tahitian jumps up, heads for the podium.

		TAHITIAN
	Tiraero Moameora.

NOVELLI hesitates to repeat the name.

		NOVELLI
	... Let's all give him a big hand.

The audience cheers and applauds the new champion.  ENZO
sits at a table, watching the ceremony.

		ENZO
		(very sarcastic)
	A one day hero!

He gets up and walks out of the room.


INT.  BAR - NIGHT

JACQUES and JOHANA are sitting at the bar.  The whiskeys
have gone to their heads.  ENZO walks over to them.

		ENZO
	A new world record!  That's great!
	It gives me something to beat
	tomorrow!
		(to Johana)
	You ever been to Tahiti?

		JOHANA
	No.

		ENZO
	I'll take you there.  We'll live in
	the sun.  You'll cook fresh fish and
	we'll make love under the coconut
	trees.

JOHANA smiles and shakes her head.

		JOHANA
	You forgot the Hula!

		ENZO
	Yes, of course, I'll do the Hula!

		JOHANA
	You'll be lovely, but no thanks.
		(to Jacques)
	Jacques, would you do a native dance
	for me?

		JACQUES
	I don't know how... Excuse me.

JACQUES leaves the bar.  JOHANA watches him go.  ENZO
notices her way of watching him.  He's a little jealous.

		ENZO
	He looks strange, doesn't he?  Like
	a baby that just learned to walk.

		JOHANA
	Have you known him long?

		ENZO
	Forever.  We used to live on the
	same island in Greece, when we were
	kids.

		JOHANA
	What was he like, when he was little?

		ENZO
	Little.  Very little.  And skinny,
	very skinny too.  That is compared
	to me.

		JOHANA
		(amused)
	I get it, Enzo you were a superior
	child.

		ENZO
	Exactly!  What is it Johana?  You're
	so crazy about him, you don't see
	the truth?!

She doesn't answer.

		ENZO
	Forget it, don't think of Jacques as
	a human being.  He's from another
	world.

She smiles.

		JOHANA
	And just where are you from?

		ENZO
	Italy!


EXT.  TERRACE OF THE HOTEL - NIGHT

ENZO sits at the grand piano in the corner of the terrace.
Beethoven was always a favorite of his.

JACQUES, very tipsy by now walks over, a glass in each
hand.  He hands ENZO a glass, then takes off his tennis
shoes and sits them neatly on the piano.

		ENZO
	There is nothing like music.  It
	speaks from the heart.  Can you tell
	me why we bother diving in the dark,
	the cold, without ever taking the
	time to breathe?  Huh?  Can you tell
	me why we do it?

JACQUES nods.

		ENZO
	Why?

		JACQUES
	... For the mermaids.

ENZO smiles, moved.

		ENZO
	My father used to see them
	everywhere too... but the only one
	he ever caught was my mother...
	Actually she caught him.

A beat.

		JACQUES
	Today at lunch, you asked me if I
	had any questions.

		ENZO
	Ah ha.  You finally want to know
	about women.

		JACQUES
	Why?  Are they what's most
	important?

		ENZO
	No... It depends... Sometimes they
	are... What, exactly do you want to
	know?

		JACQUES
	... Everything.

		ENZO
	Everything about what?

		JACQUES
		(thinking)
	Well... about everything.

ENZO grins at JACQUES and starts playing again.

			TIME DISSOLVE TO LATER:

JACQUES AND ENZO

There are now several empty champagne bottles around.
They are both quite drunk.  ENZO is philosophizing.
JOHANA is looking for them.

		ENZO
	... So, between Mamma, Roberto and
	the sisters, we yell and scream all
	day long.  Except with Angelica.
	She just cries.  And then finally,
	we all end up kissing.  Can you
	explain that to me?

JACQUES can't answer.

		ENZO
	Because that's what love is all
	about.  It's a pain in the ass but
	keeps us together.
		(then, in a half
		 dreaming, half
		 desperate tone)
	A large and beautiful family!

JOHANA walks over to them.

		JACQUES
		(suddenly)
	Enzo... We must quit the
	competition.

ENZO hits a wrong note on the piano.

		ENZO
		(worried)
	Why?

		JACQUES
	If we don't... I'm going to beat
	you.

JOHANA stands next to JACQUES.

		ENZO
		(with a nervous
		 laugh)
	Huh?  Well listen to him!
		(to Johana)
	Do you hear that?

		JOHANA
	No.

		ENZO
	He looks me in the eye like some
	fuckin' gold fish, and says:  "I'm
	going to beat you".

		JOHANA
		(with a smile)
	... That's what he's here for, isn't
	he?

		ENZO
	Listen to her!  "That's what he's
	here for"!  He's here to loose,
	that's what he's here for.  First of
	all, I'm unbeatable.  Second, how
	old are you?

		JACQUES
	Two years younger than you.

		ENZO
	As I said, second of all you're too
	skinny.  You've got tiny lungs.  I
	still don't understand how you can
	dive without getting sick.

		JACQUES
	The size of the lungs has nothing to
	do with it!

		ENZO
	Look at me.  These aren't lungs.
	These are... Tanks.  How long can
	you hold your breath?

ENZO is getting really angry.  The drinks have a lot to do
with it.

		JACQUES
		(impatiently)
	I don't know.  Longer than you.

ENZO pulls open his collar and rises.

		ENZO
	We'll see.


EXT.  HOTEL - SWIMMING POOL - UNDERWATER - NIGHT

JACQUES and ENZO dive into the pool in their Tuxedos.
Each one carries a beach umbrella in a concrete base to
help them stay at the bottom.

ENZO takes two goblets out of his pocket, hands them to
JACQUES.  Takes a bottle of Champagne out of the other
pocket and opens it.  The cork floats out of the bottle.

Above on the surface of the pool there's a splash.  JOHANA
finds a mask on the side of the pool and watches them.
Her dress is soaked by now.

ENZO pours champagne.  Courteous and grave, they clink
glasses and begin to drink.  They have already been
underwater longer than a minute.  They can't really drink
out of the glasses and ENZO offers JACQUES the bottle.
JACQUES studies the label like a connoisseur.  He drinks,
passes the bottle back to ENZO.


INT.  HOTEL CORRIDOR - NIGHT

Paramedics roll two stretchers toward the elevators at
full speed.  ENZO on one, JACQUES on the other.  Both men
keep throwing up water.


INT.  JACQUES'S ROOM - NIGHT

The paramedics roll the stretcher toward the bed.
JOHANA very worried, follows them.

		JOHANA
	Take it easy...

		PARAMEDIC
	Don't worry, he's empty now.  He
	needs sleep, that's all.

The two men leave the room.

JOHANA walks over to the chair and rearranges JACQUES'
shirt and jacket which the paramedic had thrown down.
JACQUES looks like he's just had a very rough night.  He
sits up and grabs the sides of the bed, as if he were on a
moving boat.

		JACQUES
	Who won?

JOHANA turns around, furious.

		JOHANA
	Won what?  The Ass Hole Award?
	Well, let me tell you, it's a tie!

She walks over to the bed.

		JOHANA
	Acting like a pair of two year olds!
	You could have died in that damn
	pool!

		JACQUES
	Please move slowly, you're rocking
	the boat.

		JOHANA
		(smiling)
	Lucky I was there to save you.

		JACQUES
		(seeing her wet
		 dress)
	You jumped in?

		JOHANA
	Only to help the medics, I assure
	you.

		JACQUES
	My wallet.

JOHANA wet, walks over to the wet clothes on the chair.
She pulls out JACQUES soaking wallet from one of the
jacket pockets.

		JOHANA
	It's still here.

She tries to wipe it.

		JACQUES
	No.  I want to show you.  Is it
	ruined?

		JOHANA
	Well, water isn't exactly the best
	thing for pictures... Not even for
	pictures of dolphins...

		JACQUES
	Give it to me.

JOHANA hands him the photograph.  He stares at it, looking
very sad.  Worried JOHANA sits down next to him.

		JACQUES
		(on the verge of
		 tears)
	My real family...
		(he looks at the
		 picture and cries)
	What kind of man has such a family?

She takes the picture out of his hands.

He is so upset that JOHANA can hardly help from crying
with him.  She sits next to him and strokes his hair.

		JACQUES
	I'm sick of never feeling at home
	anywhere.

JOHANA takes him in her arms.  He breaks down.


EXT.  HOTEL - DAWN

The early morning sun slowly lights up the water.  A yacht
has left the hotel dock.  It is moving out to sea off the
coast of TAORMINA.


EXT.  YACHT - ON DECK

This is the Committee Boat for the diving competition.

On the boat, ROBERTO is worried.  He checks his watch and
finally decides to wake up his brother.  ENZO is asleep in
the fore peak, curled up on a coil of line, snoring away.
He wears his tuxedo jacket over a skimpy bathing suit.

		ROBERTO
	Enzo, wake up!

		ENZO
		(pulled from his
		 dream)
	Eh?  Si!  Avanti!

He gets up on one arm.

		ROBERTO
	The medics are looking all over for
	you.

		ENZO
		(irritated)
	I'm meditating, can't you see?
	Jacques does two hours of yoga
	before going down.  I can take a
	five minute nap, can't I?

The boat stops.  The anchor is thrown over board.

The sailors, technicians and officials are getting ready
for the competition.  Today is ENZO'S turn to dive.  A man
is hooking a plaque indicating the depth (324 feet) onto a
lead disk which he heaves into the water on a cable.


INT.  YACHT - DOCTOR'S CABIN - DAY

A medic is bending over ENZO, taking his blood pressure.

ROBERTO pulls the tuxedo jacket down.  The doctor puts a
blood pressure band around ENZO'S upper arm, pumps it up.
He listens with his stethoscope.

		DOCTOR
	Mr. Molinari, I'm terribly sorry but
	I cannot allow you to dive in such
	an advanced state of exhaustion.

ENZO jumps to his feet, grabs the doctor by his lapels,
lifts him in the air.

		ENZO
		(outraged)
	What do you know about the sea?
	Huh?  Nothing!  So you just put your
	tubes and tin cans away.  The sea is
	mine!  I know when she is ready for
	me and when she isn't.  And today,
	she is ready.  Understand?

		DOCTOR
	You dive at your own risk.  You're
	been warned.

ENZO smiles and pats the doctor on the shoulder.

		ENZO
	Brave.


EXT.  YACHT - ON DIVING PLATFORM

It's a large float, rigged to the stern of the Committee
Boat.  ROBERTO and an assistant help ENZO down the swim
ladder to the platform.  He's wearing a wet suit and fins.
He flip-flops to the end of the platform.

ROBERTO hands him his mask.  The goggles are filled with
polystyrene to eliminate as much air pressure as possible.
Only two pinholes to see through.  The mask fits tightly
over his nose.  When ENZO puts it on, he looks like an
astonished insect.  ENZO breathes faster and faster.
ROBERTO holds the wire controlling the weighted diving
apparatus.  ENZO crosses himself, takes a last long gulp
of air.

ROBERTO releases the weight.  It sinks and drags ENZO
down, he quickly disappears into the dark water...


BLACK AND WHITE

But this is JACQUES as he was a child.  He swims along the
bottom, finds and picks up a gold coin.  We can see its
ancient markings, a youth on a dolphin.

JACQUES looks up.  In front of him is a dolphin, floating
vertically, still, apparently just watching.  JACQUES
isn't scared anymore.  But every time he swims toward the
dolphin, it moves further away.  It finally disappears.


INT.  HOTEL ROOM - JACQUES - DAY

He sits bolt upright in bed, awakened by his dream.  He
looks around the room, trying to get his bearings.

JOHANA is asleep in a chair across the room.  On the wall
behind her, her last nights dress is drying on a hanger.
She's wrapped up in a hotel bathrobe fast asleep.

JACQUES finally awake from his dream, sees JOHANA
sleeping.  He walks over to her, touches her shoulder.
She wakes up, starts out of the chair.  She grabs the
blanket to cover herself, and in doing so, a book falls on
the floor.  It's one of his.

		JOHANA
	You scared me!

JACQUES picks up the book.  JOHANA smiles.

		JOHANA
	Just checking up on your family.
		(then embarrassed)
	I guess I was drunker than I thought
	and the idea of going back to my
	hotel in a wet dress... Well...

		JACQUES
	I'm glad you stayed.  Thank you.

		JOHANA
		(getting up)
	I'd better get back now.

		JACQUES
	You... You wouldn't want to spend
	the day with me?

She sits back in her chair, amazed that he would even ask.

		JACQUES
		(self conscious)
	... No?

		JOHANA
	No?  Huh?
		(she says "No" as if
		 she had asked the
		 question)
	Yes, of course!!


EXT.  MARINELAND - TAORMINA - DAY

JACQUES and JOHANA enter the dolphinarium.  JOHANA is
wearing an old pair of JACQUES SHORTS along with an
oversized T-shirt and rolled up sweater.  She seems quite
pleased with her new attire.

JACQUES and JOHANA walk straight through MARINELAND and
head toward the dolphin pool.  It's pretty crowded, mostly
kids.

The dolphins are lying motionless at the bottom of the
pool.  The trainer is tired of throwing fish in the pool
and getting absolutely no reaction.

		JACQUES
	What's the matter?

		TRAINER
	I don't understand.  We've tried for
	two days.  They won't eat.  They
	won't perform.  It's since we got
	the new one.

CLOSE ON DOLPHIN

surfacing.  It thrusts its head over the edge of the pool,
looks to JACQUES and SPEAKS.

		JACQUES
	Is she the new one?

Surprised, the trainer nods.

JOHANA looks over at JACQUES then at the dolphin.  She
doesn't understand.

		JOHANA
	How can you tell it's a female?

		JACQUES
	... The way she moves.

Three other dolphins gather around the one that JACQUES is
patting.

JACQUES is staring at the female dolphin.  It looks like
the animal is trying to tell him something.  Suddenly the
dolphin grabs him by the sleeve and pulls him into the
pool.


UNDERWATER - DOLPHIN POOL

JACQUES hangs onto the dolphin's muzzle.  Let's it pull
him along.  The dolphin swims to a far corner of the pool,
and pulls JACQUES to the bottom.  The other dolphins
circle above.


EXT.  DOLPHIN POOL - DAY

JACQUES pops up.  As he does, three dolphins leap in the
air behind him.  JOHANA walks closer to the pool.  She is
so excited by what JACQUES is doing, she finally falls
into the pool.

After a while, JACQUES gets out of the pool and helps
JOHANA out.

		TRAINER
	Did you ever think of trying the
	public pool?

		JOHANA
	He's a dolphin specialist.

		TRAINER
	In that case what's wrong with the
	new one?  Is she sick or not.

		JACQUES
		(taking his time to
		 answer)
	Not the way you mean.

		TRAINER
	What am I supposed to do?  Do I call
	the dealer...?  The investment, you
	understand... I certainly am
	entitled to complain!

		JACQUES
	It's going to cost you more than you
	think!

JACQUES turns around and walks off.  JOHANA catches up
with him.

		JACQUES
	She's not like the others.  She
	can't stand to be away from the sea.

		JOHANA
		(impressed)
	How do you know that?

		JACQUES
		(stopping)
	I don't know, I just feel it.


INT.  HALL - HOTEL - DAY

JACQUES and JOHANA are walking across the corridor.

ENZO walks up to them, followed by his tribe.  Everybody
is congratulating him.

ROBERTO is screaming, MAMMA MOLINARI is crying.  ENZO
smiles as he talks back to them.  He sees JACQUES.

		ENZO
		(screaming)
	Ah!  Jacques!

ENZO grabs hold of his shoulders.  JACQUES and JOHANA are
completely soaked.

		ENZO
	Don't be sad, I only took back what
	was mine.

He gives JACQUES the diving plaque, it reads 280 feet.

		ENZO
	Here, it's a present.

JOHANA and JACQUES smile at each other.  JACQUES has won
his bet.

		JACQUES
		(touched)
	... Thank you.

ENZO slaps him on the shoulder.

		ENZO
		(to Johana)
	Tonight we're having a little party
	among ourselves.  8 o'clock in my
	suite?

		JOHANA
	Okay.

ENZO walks off then turns back toward them.  He whispers
in JACQUES' ear.

		ENZO
	Tell me... Can you explain why you
	are soaking wet?

A beat.

		JOHANA
	... We're in training.

ENZO walks off.


INT.  HOTEL CORRIDOR - NIGHT

Three formally dressed officials are waiting in front of
one of the hotel rooms.  One of them holds a medal in his
hand, a glass of champagne in the other.

		NOVELLI
		(through the door)
	Mr. Roberto, tell your brother to be
	reasonable.  Everyone is waiting for
	him upstairs.  The photographers are
	there, the press...

		ROBERTO (O.S.)
	He can't, he's indisposed.

		NOVELLI
		(trying to keep his
		 calm)
	Shall we call a doctor?

		ROBERTO
	No, it's okay.  Mamma is going to
	try something.

JACQUES and JOHANA walk up from the other side of the hall
and stop in front of the same door.

		NOVELLI
	Mr. Mayol, help us.  He refuses to
	receive his medal and everybody is
	waiting for him up there.  We
	already have problems with the press
	because of the danger, and if we
	don't even have the divers help...!

		JACQUES
		(dubious)
	... I'll do my best.

		NOVELLI
	That's very kind of you.

JACQUES knocks on the door.

		JACQUES
	It's Jacques... Mayol!

A beat.  Then ENZO opens the door himself.

		ENZO
	Jacques!  My friend!  Come on in!

The officials look at each other baffled.

		NOVELLI
	Mr. Enzo Molinari, allow me to
	impress upon you the importance of
	your attending the Award Ceremony...
	For the press...

		ENZO
		(loosing his temper)
	I think my brother told you I was
	indisposed, that should do it, no?
	I'm allowed to be indisposed, right?
	So, you just tell the press that the
	"big" Enzo Molinari, overwhelmed by
	his inspiring descent to 324 feet,
	will not be able to receive this
	trinket because he is...

He looks inquisitively at the three men.  ENZO looses his
temper.

		ENZO
	Because he is?!

		ONE OF THE THREE MEN
	... Indisposed.

		ENZO
		(smiling)
	Brave!

He slams the door in their face.


INT.  HOTEL - ENZO'S ROOM - NIGHT

		JACQUES
	Tell me, why don't you go and get
	your medal?

		ENZO
	Because pasta should be eaten "Al
	Dente".  So the trinket will just
	have to wait a bit.

ENZO takes JACQUES by the shoulder.  Inside his room is
absolute chaos:  dancing, singing, eating.  Wet suits hung
out to dry everywhere.  MAMMA MOLINARI is whipping up
mountains of spaghetti on an improvised stove in the
middle of the room.  A lot of smoke... steam... color...
noise... All of Italy crammed into a few square feet.

JOHANA taken in by the warm atmosphere, sits in a corner
of the room.  JACQUES walks over and sits down at her
side.

		ENZO
		(to Mamma)
	Mamma!  La pasta?!

		MAMMA MOLINARI
	Arrivo!  Arrivo!

She points at ROBERTO who is taking forever to grate the
cheese.  ENZO grabs the guitar from his other brother's
hands and starts playing.

		ENZO
	... It's easy.  You go down.  You
	come up.
		(to Johana)
	... Right, Johana?

		JOHANA
		(smiling)
	Congratulations, Enzo.

		ENZO
	Don't you agree, Jacques?

		JACQUES
	... You always were the best.

ENZO laughs then sees his mother.

		ENZO
	Ah!  La pasta!

ENZO starts singing in Italian.  MAMMA MOLINARI serves the
pasta, ROBERTO follows her around, sprinkling his cheese
on the plates.  She serves JOHANA a huge plate of pasta,
enough for three giants.

		MAMMA MOLINARI
		(with a smile)
	Buon appetito, Signorina!

JOHANA who isn't even hungry, grins uncertainly.  JACQUES
has walked up to ENZO.  He doesn't dare ask his question.

		ENZO
		(smiling)
	What's the matter?  You still have a
	bunch of things to ask me?  You want
	to know the price of tea in China of
	how we landed on the moon?  Is that
	it?

ENZO laughs.  JACQUES is serious.

		JACQUES
	No, I have to ask you a favor...
		(a beat)
	You're the only one who'll
	understand.

		ENZO
		(seriously)
	... I'm listening.


INT.  CORRIDOR - NIGHT

		MAMMA MOLINARI
	Tutto va bene?

The three officials are eating pasta, plates on their
knees.  Their mouths are too full to speak, they nod
enthusiastically.

		NOVELLI
		(mouth full)
	Gracie mille, chignora.

MAMMA MOLINARI smiles and slams the door.


INT.  FIAT - NIGHT

JACQUES is driving, JOHANA sits beside him.  ENZO crammed
in the back seat, very uncomfortably, because of a
stretcher which takes up all the space.

They are dressed as they were at ENZO'S party.

		ENZO
		(leaning forward)
	Hey!  Will you slow down!  When did
	you learn how to drive?

		JACQUES
	Driving isn't the problem, it's
	remembering the right road.

JACQUES runs a red light.

		ENZO
	And the lights!  Running lights,
	stealing stretchers...!  You'll have
	us in jail.

		JOHANA
	Enzo, stop bitching, will you?


EXT.  MARINELAND PARKING LOT - FIAT - NIGHT

They get out of the car.  JACQUES starts to change into
his swimming trunks.  ENZO shakes his head, can't believe
he's really come along.  He laughs and starts undressing.


INT./ EXT.  FIAT - STREET TAORMINA - NIGHT

It's a very narrow street.  The car moves down it quickly.
JACQUES drives.  The back seat is now occupied by the
dolphin.  Its nose and tail protruding through the
windows.

JOHANA is in the front seat, turned around, spraying the
dolphin with a watering can.


EXT.  BEACH - NIGHT

They have driven to the public beach.  They slowly lower
the stretcher into the water.  The dolphin, leaving the
stretcher, swims around a little but won't go away.

He won't leave JACQUES.

		JACQUES
		(moved)
	You can't stay here!  Come on!  Go
	away!

JACQUES swims off with her for a while.

ENZO walks back toward the car with the stretcher.

JOHANA, standing by the water looks at JACQUES and the
dolphin who are swimming off together.

JACQUES keeps splashing the dolphin as they swim.

		ENZO
	You can stop that now, she has all
	the water she needs.

JACQUES cannot get rid of the dolphin.

		ENZO
	All right, we did it.  Let's go back
	to the party.

JACQUES and the dolphin can't seem to part.

		JACQUES
	Just one minute.

JOHANA is worried, she walks up to ENZO who goes back into
the water and takes JACQUES by the arm.

		ENZO
	Jacques, the dolphin is home now.
	And that's where we're going.  Come
	on!  Hurry up now.  Our girlfriend
	is freezing over there.

The dolphin starts swimming off.  JACQUES follows ENZO
half-heartedly.


EXT.  JOHANA'S PENSION - NIGHT

ENZO stops the FIAT in front of the pension.  The three of
them get out.  ENZO hasn't bothered to dress.

JOHANA heads for the gate, she obviously has no desire of
leaving JACQUES.

		JOHANA
	Well, good night, then...

		ENZO
	You going to sleep here, all by
	yourself?

		JOHANA
	Yes...

She looks over at the pension, having a hard time
concealing her lack of enthusiasm.

		JOHANA
	... It's a comfortable place.

		ENZO
	Sinister is what I'd call it...!
	Ours is so much cheerful!  Why don't
	you come and stay with me... There's
	plenty of room in my suite.

		JOHANA
		(smiles)
	The Mamma's there too.

		ENZO
		(face clouds up)
	Yes, the Mamma is is there.

		JOHANA
	Good night Enzo, Good night Jacques.

		JACQUES
	Good night.

		ENZO
		(to Jacques)
	You don't need a stretcher to take
	her with you.  You know that, don't
	you?

		JACQUES
	What?

		ENZO
	The dolphins aren't the only ones
	who don't feel very good sometimes.

		JOHANA
	Leave it alone, Enzo, it's okay.

She rings the bell for the concierge, then looks back at
JACQUES.

		JOHANA
	Can I come watch you dive tomorrow?

		JACQUES
		(lost)
	Uh... Yes, of course!

The concierge comes out and opens the iron gate for her.
JOHANA disappears into the parc.  ENZO turns to JACQUES.

		ENZO
	You really do have a few things to
	learn about women!


EXT.  SEA - DAY

The sun is rising on a rough sea.  The Committee Boat is
anchored in the open sea, 600 feet above the sea bed.


EXT.  COMMITTEE BOAT - BAY OF TAORMINA - DAY

JACQUES who is on the foredeck of a boat at sea has just
laid a towel down before him.  He's suited up, sitting in
the lotus position, staring straight ahead, clearly self-
hypnotized.

JOHANA, NOVELLI, and other officials are in the stern of
the boat watching last minute preparations.

The scuba divers in brightly colored wetsuits and
aqualungs, flop out onto the diving platform, plunge into
the water, disappear.

		JOHANA
	What are they for?

		NOVELLI
	They're paramedics.  They wait at
	180 feet.

		JOHANA
		(just checking)
	If there was a problem, they could
	do something right?

		NOVELLI
	Of course, that's what they're for.

JOHANA sees scuba divers with weird air tanks.

		JOHANA
		(pointing)
	... And those?

		NOVELLI
	Those are the divers who go down 300
	to 330 feet.  They dive with a
	Helium-oxygen mixture.  At that
	depth, compressed air is too
	dangerous because it contains carbon
	dioxide.

		JOHANA
	What's that little air bottle on the
	machine?

		NOVELLI
	That isn't for the divers actually.
	It's for the balloon.  It blows up
	and pulls the diver up like an
	elevator.  Without it, with the
	pressure at the bottom, the diver
	would just stay pinned to the sea
	bed.

		JOHANA
		(shocked)
	But doesn't Jacques dive without
	anything?

		NOVELLI
		(smiling)
	Yes... It's magic.


INT.  BOAT - DAY - LATER

On the boat, NOVELLI checks his watch.  JACQUES comes out
of his room.  He's dressed to dive.  He ignores everyone
as he goes down the ladder to the diving platform.  He
seems to be in another world.  All sounds coming to him
are drowned out.


EXT.  DIVING PLATFORM - DAY

JACQUES sits in the diver's slot.  Opens his eyes slowly
and looks around.  He puts his flippers on, an assistant
stands at his side.

HIS POV

The figures on the platform are vague, the VOICES are
GARBLED and incomprehensible.  Moving almost in slow
motion he raises three fingers.

		TECHNICIAN
	Tre minuti!

BACK TO SCENE

Ten other divers have waited for this signal to dive.
They disappear one by one into the blue.

JACQUES uses contact lenses instead of a mask.  He puts
them in, and now, his view of the world is as distorted as
his hearing... bodies deform... sounds fade...

Already euphoric from the vast amount of oxygen in his
system, he moves into another reality altogether... seems
to empty himself out.

		TECHNICIAN
	Due minuti!

JACQUES fills a small tube with water.  Pours it into his
nostrils... tilts his head... then lets it run out... He
puts on his gloves... all his movements are slow, he seems
to be operating in a different time zone... He seems
unable to take his eyes off the water.


EXT.  END OF DIVING PLATFORM - DAY

		TECHNICIAN
	Uno minuto!

JACQUES puts his nose clip on.  He puts his hand on the
gueuse.  Closes his eyes and inhales slowly.  Then he
takes a sudden last breath, nods, the technician releases
the gueuse and in one flashing movement, he disappears.


UNDERWATER

The gueuse slides down the cable.  JACQUES hangs on like a
ribbon in the wind, past a marker, 90 feet down.

Above him, the boat disappears from sight.

He moves faster and faster... through a sea that looks
like a cloudy sky.  The light fades rapidly around him.

Below, white spotlights pierce an ocean dark as night.
JACQUES reaches them in a matter of seconds.  Turns the
brakes, brings his machine to a halt, 180 feet down.

The medics are waiting for him there.  They take his
pulse.  Check his eyes... 15 seconds... normal... the
bubbles from there scuba tanks churn the water around
them...

JACQUES closes his eyes... a tap on the shoulder, he
releases the brake on the gueuse.  Plunges further, this
time into pitch black.

Below him a faint spotlight glows on the bottom.  He
reaches it and the dark diver moves to him.  JACQUES
brakes his machine.  Moving very slowly, turns his body
right side up.  Like a sleep walker, JACQUES starts to
take the plaque off the plumbline... pauses in the middle
of the gesture.

The dark diver flashes the high sign to JACQUES, thumb and
forefinger touching, fingers extended, all clear.  JACQUES
does not respond.  The diver repeats the signal.  JACQUES
does not respond.

The diver taps JACQUES on the shoulder... a beat... and
then JACQUES responds, thumb and forefinger touching okay.
Slowly, reluctantly, he wraps his hand around the handle
of the balloon.

The dark diver quickly turns the handle for him.  The
balloon inflates.  JACQUES hangs on... lets it carry him
up.

At the plague marking 210 feet, JACQUES lets go of the the
balloon.  With a burst of speed, it darts toward the
surface.

JACQUES follows slowly, undulating like a fish... He's
getting warm now... He closes his eyes.

Passes the medical control without stopping... without
even seeing it like someone asleep.

He's moving faster now, toward the warmth, toward the air.
JACQUES opens his eyes, watches the lights grow brighter.

The silhouette of the boat comes back into view.  60 feet
to go.


EXT.  DIVING PLATFORM - DAY

In slow motion JACQUES' hand holding the plaque breaks out
of the water followed by his arm, in one continuous
movement, his shoulders and head.

He gasps for air.

A trickle of blood comes from his nose.

Flashbulbs flicker, spectators cheer.


EXT.  OPEN SEA - A DOLPHIN

The dolphin, the one rescued last night, leaps into the
air, in perfect harmony with JACQUES' triumph.


EXT.  DOLPHINARIUM

The dolphins in the dolphinarium leap into the air at the
exact same moment.

The trainer doesn't understand what's going on.


EXT.  DIVING PLATFORM - DAY

JACQUES falls back into the water.  Two divers run over
and pull him up onto the dock.

JACQUES seems completely dazed, almost in a trance.  He
slowly comes to and starts screaming louder and louder.
It is the scream of his body in need of the surface,
reality and the feel of the land.

JOHANA is terrified.  She can hardly breathe.  Everybody
applauds.


EXT.  HOTEL DOCK - DAY

JACQUES and JOHANA walk down the gangway.  NOVELLI has
lead the way and the news has been spread.

JACQUES looks very weak and punchy.

JOHANA holds him up.

The spectators applaud as he goes by.  Intrigued, JACQUES
looks at them all.

		JOHANA
		(excited)
	Jacques, listen to the applause.

He doesn't respond.

		JOHANA
		(trying to keep up)
	Jacques, you set a world record.

		JACQUES
	I did?

		JOHANA
	Aren't you happy?  Don't you feel
	proud...?  I feel proud and all I
	did was watch.

He is staring at her, he's returning to the real world.
Slowly he smiles.

She grabs hold of his arm and gives him a proud kiss on
the mouth.  JACQUES is a little stunned.


EXT.  TERRACE - SWIMMING POOL - DAY

ENZO walks into the hotel, his arms filled with packages.
He sees JACQUES and JOHANA.  From the look on his face we
can tell he knows that JACQUES has beaten his record.  He
deliberately puts on a huge smile as he walks over to
them.


INT.  TERRACE - SWIMMING POOL

		ENZO
	Congratulations Jacques!  It's
	wonderful!  Wonderful!

He drops his packages on the bar and gives Jacques a big
hug.

		ENZO
	I'm happy for you!

He kisses him and starts handing out his presents.

		ENZO
		(to Jacques)
	Here...
		(to Johana)
	Here...

		JACQUES
	What is it?

		ENZO
	Little presents, nothing much... I
	knew it, I just knew it!  Look here!

He holds up his arm:  he is wearing two watches.

		ENZO
	Roberto's watch!  I won it!  He bet
	that you couldn't beat me!

JACQUES opens his present.  It's a little ceramic dolphin.

		ENZO
	You still collect them?

		JACQUES
	Yes.

		ENZO
	You don't have that one, do you?

		JACQUES
	No.  Thank you.  It's really
	beautiful.

		ENZO
	Oh it's nothing.  I knew it.  I told
	Roberto "He's very good that little
	Frenchman, very good".  I lost my
	title but I won a watch!

JOHANA has opened her package.  It's a big plate with a
text engraved on it.

		JOHANA
	Is it a poem?

		ENZO
	No, it's the recipe for spaghetti
	"Frutti del mare".
		(to Jacques)
	You see I was right in getting you
	out here.  You're a world champion,
	my friend!

JACQUES has opened the last small package.  It's a
measuring tape.  He looks at it without understanding.

ENZO explains:

		ENZO
	It's a measuring tape.

He grabs hold of the tape and lets it roll to the ground.

		ENZO
	You see this is your record, three
	feet more than mine!  Looking at it
	from here, it doesn't look like
	much, does it?

JACQUES looks at him without saying a word.

ENZO hands him the measuring tape.

		ENZO
	Keep your little measuring tape, my
	friend, it will be a nice souvenir
	when I beat you next.

ENZO taps his shoulder and smiles.


INT.  ELEVATOR ASCENDING - JACQUES - JOHANA

They're locked in a long kiss.  He untucks the bottom of
her shirt and slides his hands under it.


INT.  HOTEL ROOM - JACQUES - JOHANA - TWILIGHT

They're in bed, making love in their fashion.  Moonlight
shines in the silver sea.  In the background are the
lights of the bay of TAORMINA.

LATER

JACQUES is in bed with JOHANA.  They are both asleep.
Suddenly, he sits up, as he always does after his
recurrent dream.

He's wide awake, looks over at her sleeping.  She sleeps
peacefully like a baby.  Quietly, gently, he eases out of
bed and walks to the open window.

He stands on the balcony, staring at the sea.  Then in the
distance in the moonlight, a dolphin leaps out of the
water, once, twice, a third time.

JACQUES laughs and goes back to the bed where he sits down
next to JOHANA.  She is still sound asleep.


EXT.  HOTEL - PIER - NIGHT

JACQUES quickly gets into one of his diving suits.  He
puts on his flippers.  The dolphin is still jumping in and
out of the water.  JACQUES jumps off the pier and swims
over to her.


INT.  JACQUES' HOTEL ROOM - NIGHT

JOHANA rolls over and feels the bed in her sleep.

JACQUES' absence wakes her.

		JOHANA
	Jacques?

She gets up and walks over to the balcony.  She doesn't
see anything.


EXT.  PIER - NIGHT

JOHANA walks down the pier and notices the little pile of
clothes JACQUES has left behind.  She looks around but
still can't see anything.  She decides to sit next to the
pile of clothes, and waits, her eyes riveted to the sea.


EXT.  PIER - DAWN

The sky has just begun to light up again.  JOHANA is still
sitting next to the pile of clothes.

She is wearing JACQUES' sweater.  She looks sad, yet
serene.  The look of a woman who has been thinking over
the situation and who has made up her mind.

Tired, JACQUES swims back to the pier.  It looks as if he
has come out of nowhere.

He is exhausted.  He takes off his flippers and gets up
onto the pier in front of JOHANA.  He looks at her, a
little surprised to find her there.

		JACQUES
		(warm)
	What are you doing here?

She answers in a far away voice, with the same serene
sadness.

		JOHANA
	I'm going to leave, Jacques.

Dripping with water, he sits down next to her.  His face
is drawn from fatigue.  She continues.

		JOHANA
	I'm going back home.

		JACQUES
	Why?

		JOHANA
	Because one shouldn't fall in love
	with creatures from the sea.

		JACQUES
	I'm not from the sea... I don't
	understand what you're talking
	about.

		JOHANA
	Yes you do.  You know exactly what
	I'm talking about.  You're afraid I
	want to hold onto you, and I do,
	but you're not ready... at least not
	for me.

		JACQUES
	But it's not true, I feel good with
	you... It feels right...

She looks at him for a moment, then takes his face in her
hands and rests it on her bosom, as if a small child.

		JOHANA
	I've got to get back to the hotel...
	and get my suitcase packed.


INT.  TRAIN STATION - JACQUES - JOHANA - DAY

The train station faces the sea.  JACQUES and JOHANA are
standing on the platform, amid others.  In the distance we
hear the rumble and whistle of a train.

JOHANA gets on the train.  The station master blows his
whistle.

		JACQUES
	Will... will we see each other
	again?

JOHANA'S eyes are filled with tears.

		JOHANA
	Take good care of yourself, Jacques.

The train starts pulling out of the station.

		JACQUES
	Where can I call you?  Johana, tell
	me where can I call you?

JOHANA doesn't answer.  JACQUES stands helplessly in the
station, his eyes filled with tears.


INT.  ENZO'S ROOM - DAY

ENZO opens the door of his suite.  His hair is messed up,
he's got "sheet prints" on his face and is wearing the top
of a diving suit.

		JACQUES
	Can I come in?

		ENZO
	No problem, I enjoy talking in my
	sleep.

ENZO walks back into the apartment and crashes on the bed.
He's lying on his stomach.  JACQUES walks in and lets
himself drop in a chair.

		ENZO
	Wake me up at 11:00.

ENZO closes his eyes.  JACQUES looks over at the clock, it
says 11:25.  JACQUES doesn't say anything and stares
blankly out of the window.

		ENZO
		(opening one eye)
	Hmmm!  Something wrong?

JACQUES doesn't answer.

		ENZO
	Is it the girl?

JACQUES stares out the window.

		ENZO
	Did she leave?

No answer.  ENZO gets up and sits on the side of the bed.

		ENZO
	Hey!  I'm going to take care of you!
	I've got this job, on an oil rig, no
	sweat!  I'm taking you along... Come
	on!  Get your bags packed!  You're
	coming with me, I tell you!

He pats him on the back.

		ENZO
	We'll make a great team, the two of
	us.  You'll see!


EXT.  OIL DRILLING PLATFORM - AT SEA - DAY

The platform shines in the morning light.

There are several stories of crew housing and offices
above the deck.  Long steel legs disappear into the
swelling slate-gray ocean.  We hear WHOP-WHOP-WHOP of a
helicopter.


EXT.  HELICOPTER - PLATFORM

The helicopter is landing.  Crewmen rush to secure it to
the oil rig's deck.  Doors open and two passengers get
off:  JACQUES and ENZO.  They each carry a duffel bag of
personal belongings.  They're both wearing fluorescent
diving suits.

The DRILLING SUPERINTENDENT comes to meet them.

		SUPERINTENDENT
	Mayol, Molinari...?

They nod.

		SUPERINTENDENT
	We've been waiting for you for three
	days.  Goddamnit!

		ENZO
	Is that the way you talk to the best
	diver in the world...?  And to his
	friend Jacques Mayol!

The SUPERINTENDENT smiles sourly, and gestures to a
crewman.

		SUPERINTENDENT
	Show them their quarters.

Five minutes later, JACQUES and ENZO are following the
crewman.

		JACQUES
		(whispering)
	He doesn't like us.

		ENZO
	So what!?  His job is to hand out
	the paychecks.  And he does that
	very well, let me tell you.


INT.  DIVING CAPSULE - DAY

The diving capsule, suspended by cables, begins its
descent through a trap door in the deck.  It plunges into
the sea.

The three men in the capsule are:  JACQUES, ENZO and the
tough looking CAPSULE COMMANDER NOIREUTER, who is much too
professional for ENZO'S tastes.

ENZO watches through a porthole while the COMMANDER
concentrates on the control console.  He runs through a
checklist of systems.  JACQUES responds with a "check" as
he verifies each one.  ENZO is already bored and fed up by
the procedures.

JACQUES is lost in thought, they don't look cheerful.

		ENZO
		(suddenly)
	You still thinking about her?

JACQUES doesn't answer.  ENZO goes on.

		ENZO
	Don't think about her anymore!  Let
	me tell you, you're just making
	yourself unhappy!  There are so many
	women in the world!

He takes a cigarette from a pouch in his diving suit and
stares at NOIREUTER.

		ENZO
	Plenty of women everywhere right?

		NOIREUTER
		(coldly)
	Smoking is absolutely forbidden.

		ENZO
	It isn't lit yet.

		NOIREUTER
	You shouldn't even carry cigarettes
	on board!

		ENZO
	Listen we're not supposed to piss
	either but that doesn't stop you
	from carrying "it" on board?!

		NOIREUTER
		(stubborn)
	The rules are the rules.

		ENZO
		(checking out this
		 creature)
	... What's your name again?

		NOIREUTER
	Noireuter.

		ENZO
	And where did you say you were from?

		NOIREUTER
	I didn't say...
		(contemptuous)
	Brussels!

ENZO smiles sardonically, shaking his head very slowly.
The COMMANDER'S answer explains it all.


INT.  DRILLING PLATFORM - CONTROL ROOM - DAY

A technician is overlooking the capsule descent on a
video screen.

The SUPERINTENDENT watches over the technician's shoulder.

		TECHNICIAN
	They're at 450 feet.


INT.  DIVING CAPSULE - DAY

ENZO, a cigarette dangling from his lips, looks through
the porthole.

		ENZO
	... I was seventeen, I loved her so
	much I tried to die for her.  Two
	years later I couldn't even remember
	her name!  Let me tell you, time
	erases everything!

		JACQUES
	I don't want to erase anything.

		ENZO
	You'd rather think about it and make
	yourself miserable?

		JACQUES
		(after thinking about
		 it)
	... Yes.

		ENZO
		(smiles)
	I give you this.  You're stubborn...
	Dumb, but stubborn.

		JACQUES
		(taking it as a
		 compliment)
	Thank you.


INT.  CAPSULE - DAY

The technician fiddles with a few knobs.

		TECHNICIAN
	Minus 800 feet.  End of descent.


INT.  DIVING CAPSULE

The diving capsule ends its descent.  The COMMANDER turns
to ENZO and JACQUES who is still staring out the porthole.

		NOIREUTER
		(with a Mickey Mouse
		 voice)
	You have enough air for 15 minutes.

ENZO bursts out laughing.

		ENZO
		(with Donald Ducks
		 voice)
	What's with the voice?

		NOIREUTER
	It's nothing.  It's just the helium,
	because of the air pressure.

		ENZO
		(worried)
	And... does the voice come back?

		NOIREUTER
	For others, yes... For you, who
	knows?

		ENZO
		(still a little
		 worried, to Jacques)
	Try speaking to me?

		JACQUES
		(with Daffy Ducks
		 voice)
	I don't find this funny.  We were
	having a serious conversation.

ENZO and JACQUES burst out laughing.  They keep these same
voice till the end of the scene.

ENZO pulls out a tiny silver flask out of his pocket.

		ENZO
		(to Jacques)
	Here, give me your finger.

ENZO taps a drop onto JACQUES' finger, then on his own.
Then NOIREUTER blows up.

		NOIREUTER
		(in a panic)
	Is that alcohol?  Are you out of
	your mind?  Alcohol is strictly
	forbidden.

		ENZO
		(loosing his temper)
	Hey!  D'you have any other
	complaints?  Just make a list and
	we'll stick it on the porthole!
	Okay?

ENZO pours a second drop on his own finger.

		ENZO
	Go on, suck your finger.

JACQUES hesitates.  ENZO has no qualms about it and sucks
his own finger.  NOIREUTER is petrified.

		NOIREUTER
	Are you crazy?  At this pressure?

		JACQUES
	It's very deep down here.

		ENZO
	Come on, suck your finger, you'll be
	seeing mermaids everywhere!

JACQUES, convinced sucks his finger too.  ENZO smiles.
The alcohol has an immediate effect on them.

		ENZO
		(to Jacques)
	A thousand commanders and we get a
	Belgian from Alcoholic's Anonymous.


UNDERWATER

ENZO gets out of the diving capsule, head first.
He is connected to the capsule by a number of cables.

JACQUES, who follows him, gets completely tangled up in
them.  They are both hilariously drunk.


INT.  DRILLING PLATFORM - CONTROL ROOM

The SUPERINTENDENT hears them laughing through the control
room speakers.  He flips a communication switch.

		SUPERINTENDENT
	Can you hear me?  What's going on?
		(to the technician)
	Are you sure you're on the right
	channel?

The technician nods back to him.


UNDERWATER

The two divers have gotten to the spot they are supposed
to be working on.  They have their arms around each other
and are dancing.

NOIREUTER watches them through the porthole.  He shakes
his head in complete disbelief.


INT.  CONTROL ROOM

We hear the two friends humming the tune of a Viennese
waltz.

		SUPERINTENDENT
	If those guys are playing a radio
	down there they'd just better watch
	out!!


INT.  JOHANA'S APARTMENT

SALLY is talking away, pointing around the apartment.

		SALLY
	... And if we repaint the walls,
	we'll need new curtains, you put the
	painters on you Visa and I'll do the
	curtains on American Express... for
	the couch there's Bloomingdales...
	or are you still over your limit?

		JOHANA
		(flatly)
	Way past it.

		SALLY
	Does that have a hidden meaning?

		JOHANA
	No.  I'm just depressed.

		SALLY
	You look it too.  You haven't been
	working out, you haven't been taking
	your vitamins!  You haven't been
	drinking your herbs, you haven't
	been...

		JOHANA
		(stopping her)
	I know, I know!  I'm a terrible
	person...
		(after a beat)
	It's... I'm so damn, damn sad.

		SALLY
	What is it honey... the frenchy?

		JOHANA
		(tentatively)
	Do you think I should have stayed?
	Don't you think maybe I should have
	stayed?  I've been a jerk, right?
		(then, emphatically)
	I should have stayed!  I was
	supposed to be in love... I was in
	love!  I am in love, why did I act
	like a bitch?  He went swimming.
	All the man did was go swimming!  I
	must be crazy.  It was too good to
	be true.

		SALLY
	Vitamins, exercise, herb tea... and
	see a doctor, will ya?


INT.  DOCTOR'S OFFICE - JOHANA - DAY

The doctor enters with a folder, speaks to JOHANA

		DOCTOR
	Well Miss Cross, herbs aren't going
	to do the trick this time.

		JOHANA
		(worried)
	It's serious, right?

		DOCTOR
	I think so.  You're pregnant...
	Congratulations!  If that's in
	order?

JOHANA breaks into a wide grin.

		JOHANA
	It's in order!  Thank you.  Thank
	you.

		DOCTOR
	I don't think it's me you have to
	thank.


INT.  DUFFY'S OFFICE - DUFFY - DAY

DUFFY is at his desk.  His lunch is spread out in front of
him.  Outside the window, the window-washers are eating
their lunch too.  JOHANA hurries in.

		DUFFY
	Good afternoon.

		JOHANA
		(agitated)
	I came to make a clean breast of
	everything... the whole business.

		DUFFY
		(bluffing, with his
		 mouth full of
		 sandwich)
	Yes.  Of course.  Very wise.

		JOHANA
		(in a rush)
	Remember when I went to Italy and
	canceled the policy on the new
	stadium.  Well, we weren't being
	cheated by the Mafia or anybody
	except maybe by me...
		(she sees the window-
		 washers)
	... Do they come for lunch everyday?
	I really went on my own business, to
	see a man that I happen to be in
	love with... and I'm glad I did it,
	but I'm sorry about the policy and
	I'll be happy to make up the money
	the company didn't get... of course
	just now I don't have...
		(she checks a note
		 she's holding)
	One million, four hundred and ten
	thousand dollars.  But if you were
	to dock my salary, say, twenty
	dollars a week, in a few hundred
	years we'd be even... and I think
	this is where you fire me?

		DUFFY
		(swallowing sandwich)
	You're right.  You're fired.

		JOHANA
	Will that interfere with my getting
	maternity leave?  I'm pregnant.

		DUFFY
	The Italian, I presume?

		JOHANA
	No.  He's French, he was just in
	Italy for the competition.

		DUFFY
		(smiling)
	He seems to have won it.

		JOHANA
	Yes, isn't it wonderful?  I'm so
	happy.  I'll bet I'm the happiest
	pregnant fired person in the world!

She starts to leave... calls out to the window-washers.

		JOHANA
	Bon appetit and Adieu!


INT.  JOHANA'S APARTMENT - NIGHT

JOHANA stares out of the bay window of her Manhattan
apartment.  Hesitant, she walks around her telephone.
Finally she makes up her mind, picks up her address book
and dials the number.

		JACQUES (V.O.)
	Hello?

		JOHANA
	It's me... Johana.


INT.  JACQUES' APARTMENT

JACQUES is on the telephone, in front of a little window
overlooking the sea.  He is very glad to hear her voice.

		JACQUES
	How are you?


INT.  JOHANA'S APARTMENT - NIGHT

		JOHANA
	I got fired.

		JACQUES (V.O.)
	... That's funny... I had this job
	with Enzo... we got fired too.

JOHANA'S face lights up with a huge smile.

				 DISSOLVE TO:

LATER

JOHANA is still on the phone, sitting in front of the bay
window.  Day is dawning.

		JOHANA
		(looking out at the
		 skyline)
	It's getting light out.

		JACQUES (V.O.)
	Here, it's getting dark.

JOHANA smiles.  She stretches, lies down on the carpeted
floor.  JACQUES seems to have gone through all topics of
conversation.

		JACQUES
	I've been thinking about you a lot,
	you know...

JOHANA is by now completely stretched out on the floor.

		JOHANA
	So have I.
		(a beat)
	... Hello?

		JACQUES
	I'm still here.

		JOHANA
	Well, then, talk to me some more.

		JACQUES
	... It's hard you know.  You're so
	far away and I don't know what else
	to say.

		JOHANA
	Then, tell me a story.

		JACQUES
	Uh... Ah!  A story?

He turns around and sits on the window sill, his feet
dangling in mid air.

He looks at the sea, seeking inspiration.

		JACQUES
	Do you know how it is?
		(starting again)
	Do you know what you're supposed to
	do to meet a mermaid?

		JOHANA
		(with a smile)
	No... tell me.

		JACQUES
	You go down to the bottom of the
	sea, where the water isn't even blue
	anymore, where the sky is only a
	memory... and you float there,
	quietly, quietly and stay there...
	and you decide that you will die for
	them... Only then do they start
	coming out.  They come and greet you
	and they judge the love you have for
	them... If it's sincere.  If it's
	pure... They will be with you and
	take you away forever.

JOHANA listens with the abandon of a child being put to
sleep.


INT.  JACQUES' ROOM - ANTIBES

The sun hits the roof tops.  The sea is sparkling.
The phone rings on the window sill.  JACQUES answers.

		JACQUES
	Hello?

		JOHANA (V.O.)
	It's me again.

JACQUES smiles.

		JOHANA
		(after a silence)
	I'm being a pain, huh?

		JACQUES
	... Not at all.

		JOHANA (V.O.)
	You sure?

		JACQUES
		(smiling)
	Absolutely positive.

		JOHANA (V.O.)
	Okay.  In that case... I'm at the
	airport in Nice.

JACQUES doesn't know what to say.  He looks around him,
can't figure out what to do.

		JACQUES
		(lost)
	Okay... huh, I'll be right over.


INT.  AIRPORT - DAY

JOHANA is standing in front of the airport.

JACQUES sees her.  They smile shyly at each other.


EXT.  STREET - NICE - OPPOSITE THE NEGRESCO HOTEL

JACQUES and JOHANA are sitting in the back of a taxi.  The
driver stops in front of the hotel.

		DRIVER
		(loud)
	The Carlton!  Enjoy your siesta.

JACQUES and JOHANA look at each other.


INT.  HOTEL ROOM - JACQUES - JOHANA - DAY

The room is in semi-darkness, despite the blazing sunlight
coming through cracks in the shutters.  JACQUES and JOHANA
are making love.  JACQUES is on top of her, his whole body
covered in sweat.  The rumpled sheets and the movements of
their bodies suggest the movements of the sea.  ALL SOUNDS
are disproportionate and slightly distorted, they are
underwater...

ALL JOHANA'S reluctance has vanished.  Both of them act
like people who have never felt anything like this before.
A certain astonishment at the depth of their feeling.  An
increasing freedom.  All the muscles of their bodies
stretch to their limits.

JACQUES, progressively, finds himself disappearing.  His
image dissolves point by point... disintegrates into
unbroken blue... The effect creates the impression of
someone melting, the screen is now totally blue.

A thin, HIGH-PITCHED SOUND.

From the bottom of the image, a tiny pinpoint starts
TOWARD the CAMERA.  It is JACQUES, naked, swimming out of
the deep blue ocean toward the light as if he were coming
out of a dive.  He comes CLOSER and CLOSER to the
CAMERA...

Until his head almost touches the lens...

A sudden DEAFENING NOISE... and we find JACQUES on top of
JOHANA.  He looks down at her, speechless.

		JOHANA
		(a little frightened)
	Are you okay?

After a long beat.

		JACQUES
	... I think I love you.


INT.  APARTMENT BUILDING - ANTIBES - DAY

JACQUES and JOHANA step out of the elevator of a 19th
century building.

JACQUES is carrying her suitcases.

		JOHANA
	Why did you take me to the hotel, if
	you live here.

		JACQUES
	You'll understand.

JACQUES rings the door bell and sticks his key in the
door.

		JOHANA
		(surprised)
	Someone in there?

JACQUES nods and pushes the door open with the bags he's
carrying.  They enter a huge, very old apartment filled
with models and paintings of boats.

JACQUES leads JOHANA to the other end of the apartment.


INT.  BATHROOM - ON UNCLE LOUIS (SORT OF)

It's a huge old-fashioned bathroom.  The centerpiece is a
deep ancient bathtub on faded gild feet.  There's a
rippling shadow of a body under the bath water.

JOHANA gasps.

		JACQUES
	Don't be afraid.  It's my Uncle...
	Louis.

He goes to the tub and pinches the end of a tube.  UNCLE
LOUIS, underwater, has been breathing through it.  LOUIS'
head pops out of the water, furious.

		UNCLE LOUIS
	Assassin!

		JACQUES
		(loud, as if speaking
		 to a deaf man)
	Uncle Louis, this is my friend
	Johana.

		UNCLE LOUIS
	Did you buy the cassettes?  The
	Wagner, the Berlioz?

		JACQUES
	I brought Johana to meet you.

		UNCLE LOUIS
	Are you crazy?  I have no use for a
	woman!  Since my accident.

		JACQUES
	No, no.  Johana is visiting me.

		JOHANA
		(tentatively)
	Bonjour Monsieur... Louis.
		(she looks to
		 Jacques)

		JACQUES
		(whispering to
		 Johana)
	Uncle Louis.  He's a 75 year old
	amazing guy, isn't he?

		JOHANA
	I'm very pleased to meet you, Uncle
	Louis.

		UNCLE LOUIS
		(to Johana)
	Did you bring the cassettes, the
	Wagner, the Berlioz?
		(pointing to Jacques)
	This idiot never listens to anything
	I say.  Sometimes I wonder if he
	isn't deaf.

LOUIS climbs out of the bathtub, and pulls on a bathrobe.
Behind him he's pulling two insulated wires out of the
bathtub.  We see that they're connected to small
underwater speakers.  As they surface, incredibly LOUD
MUSIC BLASTS:  the finale of the "1812 Overture",
(trumpets, timpani, cannons, etc...) The sound fills the
room, the apartment, and probably all of ANTIBES.


INT.  DINING ROOM - JACQUES - JOHANA - LOUIS - LATER

The three of them are at the table.  There are a few
scraps on their plates on a threadbare lace tablecloth.

Incredibly LOUD SYMPHONIC MUSIC is PLAYING.  LOUIS is as
deaf as a fence post.

Everyone has to scream over the music.

		UNCLE LOUIS
	Where are you from, Henrietta?

		JACQUES
		(correcting him)
	Johana... New York.

		UNCLE LOUIS
	What kind of name is that?  To be
	named after a city?

		JACQUES
		(smiling)
	He doesn't hear too well.

		JOHANA
		(yelling)
	I said I was from New York.

		UNCLE LOUIS
		(yelling at Jacques)
	That explains it!  The best lays are
	from New York!

		JACQUES
	Uncle Louis!

		UNCLE LOUIS
	No, no.  It's true.  When I was in
	New York, oh boy!
		(to Johana)
	Before my accident, you understand?
		(then back to
		 Jacques)

JACQUES stands up and lowers the music.

		JACQUES
		(impatient)
	Uncle Louis!  Johana is my friend.
	She's come to stay with me for a
	while.

		UNCLE LOUIS
	Good.  That way I'll see more of
	you... Where are you going to stay?

		JACQUES
	Well... here.

		UNCLE LOUIS
		(outraged)
	In my apartment?

		JACQUES
		(with a sigh)
	It's my apartment.

		UNCLE LOUIS
		(jumping up)
	Liar!  Thief!  Torturer!  When you
	were an orphan I nursed you at my
	breast.

		JACQUES
	Uncle Louis, we have a guest!

		UNCLE LOUIS
	I'm going to put a lock on the
	telephone.
		(them calming down,
		 to Johana)
	Did you bring the cassettes?


INT.  BEDROOM - JACQUES - JOHANA

JACQUES' room looks like a diving equipment storage room
with a bed in it.  JACQUES notices JOHANA'S gaze.

		JACQUES
		(solicitously)
	You think it'll be all right?
	You'll be comfortable here?

		JOHANA
		(catching her breath)
	It's going to be... interesting.


EXT.  PORT OF ANTIBES - DAY

JACQUES, JOHANA and ROBERTO are waiting at the port.

		ROBERTO
		(glancing at his
		 watch)
	... It's not like him to be late.
	Of course sometimes he doesn't show
	up at all.  Once in Capri, he...

		JOHANA
		(interrupting)
	We get the picture, Roberto.
		(looks over her
		 shoulder)
	Jacques, I think Louis needs help.

JACQUES turns around.  UNCLE LOUIS is a few yards behind
them at a fish stand on the dock.  He's holding up an eel
and screaming at the fishmonger.

		UNCLE LOUIS
		(yelling)
	Two dollars for this!  This fish
	wasn't caught.  It died of cancer!

JACQUES shrugs his shoulders and gives up on the idea of
interfering.

		ROBERTO
		(pointing)
	Here he comes!

A speed boat races along the water.  It's a beautiful
highly-varnished mahogany Riva.  It races into the port.
Standing at the helm, looking like Christopher Columbus
his hair brushed back by the wind, is ENZO.

Next to him hanging on to the windscreen is an impressive
six foot, dark haired beauty.  She has a scarf over her
hair.  She wears a purple leather micro-mini with a cerise
halter top and her ruby fingernails are three inches long.
If she ever actually would get cast in a movie, she'd make
Raquel Welch hide in shame.  Her stage name is BONITA
MARIPOSA.

ENZO kills the THROTTLE, swings the speedboat into a
perfect landing at the dock.  ROBERTO takes the lines.

		ENZO
	Jacques!  Johana!

		JOHANA
	Enzo!

		JACQUES
	Enzo!

During all of this, everyone's attention is actually on
BONITA who is tugging at her long black hair.  They're all
awestruck except for ROBERTO.

		ROBERTO
		(meaning the speed
		 boat)
	Where did you get that?

		ENZO
		(meaning Bonita)
	"That"!  This is not a "that"...
	This is Bonita Mariposa, the famous
	Spanish actress.
		(whispering to
		 Bonita)
	... Who is going to be careful with
	the varnish...
		(back to Roberto)
	And who has come to spend a few days
	with us.
		(and very quickly)
	Where's Mamma?

		ROBERTO
		(checking watch)
	You have eight hours before she gets
	here.

ENZO glances at his watch and sighs with relief.  BONITA
says hello to JACQUES, kisses JOHANA.


INT.  LIVING ROOM IN JACQUES' APARTMENT - DAY

Loud classical music booms from the stereo.  The noise
pins JACQUES, ENZO and ROBERTO to their chairs.

UNCLE LOUIS gets a bottle of whiskey and serves everybody.

		ENZO
	He's really going totally deaf!

		UNCLE LOUIS
	I'm not as deaf as you are blind, my
	boy!  You take care of your eyes,
	I'll take care of my ears!

		ENZO
		(laughing)
	I'm sorry Uncle Louis.

UNCLE LOUIS pours him a whiskey.

		UNCLE LOUIS
	Come on, drink up, my boy!  It might
	just save us from your bullshit.

The bottle is empty.  UNCLE LOUIS goes to the kitchen.
JACQUES turns down the music, and finally hears the bell
which has been ringing.  JACQUES opens the apartment door:
it's Professor LAWRENCE.  Suit and tie and carrying a
bottle.

		JACQUES
	I'm glad you could come.  I want you
	to meet Enzo.

ENZO and LAWRENCE shake hands.

		LAWRENCE
		(with a smile)
	So you're the famous Enzo Molinari?

		ENZO
		(with an even bigger
		 smile)
	In the flesh.  I have that honor!


INT.  BATHROOM - NIGHT

JOHANA comes into the bathroom, closes the door, cutting
down the blaring music.  The paint is peeling off the
ceiling.

BONITA is standing under a 40 watt lamp, putting on make-
up in front of JACQUES' cracked shaving mirror.

		BONITA
	You're going to live here
	permanently?

		JOHANA
	... Maybe, if Jacques will let me
	fix up the place a little.

JOHANA walks over to the mirror and watches BONITA put on
her make-up like a professional.

		BONITA
		(wistfully)
	He's shy, not like Enzo.

		JOHANA
	Yes.  Not like Enzo.

		BONITA
		(putting on
		 eyelashes)
	I think, he's really nice... He's a
	funny guy... sometimes even very
	moving.

		JOHANA
		(after a long
		 silence)
	... I'm pregnant, Bonita!

BONITA stops working on her make-up and looks pensively at
JOHANA.

		BONITA
	Are you going to keep it?

		JOHANA
	Yes.

		BONITA
	Does he know?

		JOHANA
	No.

		BONITA
		(thinking)
	Maybe you should talk to him about
	it.

		JOHANA
	I can't... I just don't know how
	to...

BONITA looks at her with the same pensive look.

JOHANA goes on.

		JOHANA
	I was thinking of something kinda
	stupid last night.  You know those
	women in the greek mythology that
	made love with the Gods.  Take Leda
	for example, sleeping with Jupiter,
	who came to earth as a swan... Well,
	can you imagine Leda announcing to
	her swan "You're going to be a
	father, my little chick-a-dee"?

		BONITA
		(starts laughing)
	But your man isn't quite a God!

		JOHANA
		(smiles)
	Probably not, but I still don't have
	the nerve to tell him.

		BONITA
	Well, you're going to have to tell
	him, sometime!

Unconvinced, JOHANA nods.  She changes the subject.

		JOHANA
	And you...?  Do you love Enzo?

		BONITA
		(earnestly)
	Very much, I think.
		(a beat)
	But, there's going to be a problem.


EXT.  TERRACE OF RESTAURANT - NIGHT

The "problem":  MAMMA MOLINARI sits between ENZO and
ROBERTO, looking like a malevolent storm cloud, staring
across at BONITA.

		ROBERTO
		(desperately)
	Mamma, calimari fritti... Zuppa de
	pesci.  Sono buoni.

		MAMMA MOLINARI
		(eyeing Bonita)
	Nothing.  I'm not hungry.

		ENZO
	Mamma, Bonita is an actress like
	Sophia Loren, Anna Magnani...

		BONITA
		(icy)
	Sarah Bernardt.  I sing too... a
	hell of a Carmen.  Want to hear?

		MAMMA MOLINARI
		(coldly)
	No thank you.

There's an interminable awkward silence.  Then UNCLE LOUIS
at last finds his way to the table.  JACQUES who is too
grateful for the interruption springs to his feet.

		JACQUES
	Uncle Louis, you remember Enzo's
	mother Signora Molinari from
	Amorgos?

		UNCLE LOUIS
		(screaming)
	The whale!  How could I forget?
	Always was something fishy about
	that woman!

MAMMA MOLINARI is having trouble breathing.

		UNCLE LOUIS
	What were Italians doing living in
	Greece anyway?

		JACQUES
	Louis, we were French!

		UNCLE LOUIS
	That's different!  What's the matter
	with you?

		ROBERTO
		(complete panic)
	Mamma, pesce di spada?

All of them are gasping for air, trying so hard not to
laugh.

		UNCLE LOUIS
		(to Mamma)
	Hey, whale!  Can you pass down the
	squids?

They all burst out laughing.


EXT.  COMMITTEE BOAT AT SEA - DAY

The diving platform is out.  The competition has begun.
ENZO is at the gueuse, getting ready to dive.  ROBERTO
works around him busily.

BONITA on deck above him is making little gestures of
encouragement.  ENZO isn't amused.

Other competitors watch from the Committee Boat.

ENZO turns the handle on the gueuse, plunges into the
water.

Professor LAWRENCE, taking notes, stands a few feet away.


UNDERWATER - ON ENZO

He dives down, further and further down.  He approaches
the two medics in aqualungs at the control point (210
feet).

They move toward him.


EXT.  DIVING PLATFORM - ENZO

Surfacing.  Assistants help him onto the platform.
ROBERTO pulls off his fins.  ENZO rips off his mask.  He
looks furious.  He tosses the depth plaque (which proves
he is qualified) back into the water.

		ENZO
	A shit dive.

He looks around angrily for an official.  Sees NOVELLI.

		ENZO
	Those goddamned frogmen doctors
	waiting around at 200 feet they just
	kill your concentration.

		NOVELLI
	They're required by law.

		ENZO
		(climbing off
		 platform)
	There's no law down there!  The only
	law is what your lungs can take.
		(to the next diver)
	... Have fun!  They waiting for you
	down there, to take the temperature
	of your ass.

He keeps on walking across the boat, runs into JACQUES,
who's just about to begin his yoga preparation.

JACQUES sees ENZO'S expression, looks concerned.

		ENZO
		(defensively)
	Anybody can have a bad day!

		JACQUES
	I've had many... when the sea
	doesn't want you.

		ENZO
		(disgusted)
	It's never the sea!  It's Roberto,
	Mamma, that stupid actress... Oh
	shit!  Jacques, what do you know?
	Go do your Hindu exercises and don't
	break my balls!

ENZO stamps into one of the cabins.


INT.  JACQUES' APARTMENT - NIGHT

JOHANA is reading a child birth catalog.  She throws it
away upside down, as soon as she hears JACQUES
approaching.  JACQUES comes in and sits opposite her.  He
seems bitter.

		JOHANA
	Well, how was it?

In an involuntary gesture, JACQUES flips through the
catalog.

		JACQUES
		(sadly)
	Enzo had a bad day.

JOHANA wonders if JACQUES will understand the presence of
the baby magazine.

		JOHANA
		(tense)
	And you?

		JACQUES
	I didn't dive.

		JOHANA
		(she takes the
		 magazine)
	You'll try again tomorrow?

		JACQUES
	I don't know... it didn't feel
	right.  I'm going to bed.  I'm tired.

He goes away.

		JOHANA
	You forgot your magazine!

He hasn't heard.

JACQUES goes to the bedroom, and throws himself on the
bed.

JOHANA looks as if she had wished he'd put two and two
together.

		JACQUES
	What?

		JOHANA
	... Nothing.

				 DISSOLVE TO:

EXT.  COMMITTEE BOAT AT SEA - DAY

ENZO bursts out of the water.  He rips off his face mask,
throws it on the diving platform, roaring with pleasure.
He tosses the depth plague to ROBERTO.

		ENZO
	Let them try.


INT.  JACQUES' APARTMENT - DAY

JOHANA opens the apartment door.  BONITA is standing
there, a suitcase in one hand.

		BONITA
	I wanted to say goodbye, Johana.

They kiss each other goodbye.

JOHANA is very uncomfortable.

		JOHANA
	You're leaving?

		BONITA
	Yes...
		(she hands her a
		 note)
	Could you please give this to Enzo.

		JOHANA
	Of course.

BONITA grabs the note back and tears it up.

		BONITA
	It's no use... Just tell him I said
	goodbye... And give him a kiss for
	me, Okay?

The two women hug again.

		JOHANA
		(sorry)
	Bonita, you shouldn't be discouraged
	so easily.

		BONITA
	I don't have the strength to fight
	off la Mamma... Anyway who wants to
	spend their whole life waiting at
	the end of a pier.

BONITA rests her hand on JOHANA'S stomach.

		BONITA
	Did you tell him?

		JOHANA
	Not yet... I'm waiting for the right
	moment.

		BONITA
	... You take care of yourself,
	Johana.

BONITA smiles at her and disappears down the stairs.


EXT.  COMMITTEE BOAT - DOCKING - DAY

Officials, NOVELLI, LAWRENCE, ROBERTO and of course ENZO
disembark.  There is a lot of excitement on the dock.
Everyone has already heard the news.
People swarm around ENZO.

LAWRENCE spots JACQUES in the crowd, and goes to him.

		JACQUES
		(smiling)
	Good huh?

		LAWRENCE
	He really was unbelievable, 328
	feet, deeper than the world
	record...
		(then eagerly)
	... And, Jacques!  He held his
	breath for four minutes and fifty
	seconds!

		JACQUES
		(smiles too)
	Good... I guess I have tomorrow's
	work cut out for me as Enzo would
	say...

		LAWRENCE
		(seriously)
	You must be very careful, Jacques.
	At these depths, to hold your breath
	for over five minutes is... You'd
	really be pushing it.  I think it's
	very, very dangerous.

JACQUES sees ENZO being carried past on the shoulders of
the crowd.  He ignores LAWRENCE, runs beside ENZO.

		JACQUES
		(yelling)
	Enzo, Enzo!  Congratulations!


EXT.  AWARD CEREMONY - NIGHT

		ENZO
		(in answer to the
		 crowd's applause)
	Thank you, thank you very much!

ENZO and NOVELLI stand on a little stage facing the crowd.
ENZO is holding a gold trophy, waving to friends in the
audience.

		NOVELLI
	... Now I'm sure you've heard that
	some people have suggested it is too
	dangerous for us to continue.
	Dangerous, because we don't know how
	to measure the physiological
	consequences of this type of dive
	and also because the scuba divers
	are not used to going down below 300
	feet.

While the attentive crowd listens to NOVELLI, ENZO is
gesturing to ROBERTO, explaining what appetizers he wants
from the cocktail trays.

The crowd laughs.

		NOVELLI
	But, we polled the free divers and
	they insist that the competition
	continue!

There's wild applause.  ENZO lifts the trophy over his
head, smiles like a champ and yells into the microphone.

		ENZO
		(yelling)
	Good luck to you all!


EXT.  COMMITTEE BOAT - DAY

ENZO and ROBERTO are on the front deck watching the
divers.

A German diver comes up to the surface, empty handed.
ENZO smiles.

The Tahitian comes out of the water in a semi-coma.  The
doctors carry him away.  Once he's sure that the diver is
out of danger, ENZO smiles again.

A whole team of Japanese walk over to the diving platform.
The team consists of one diver and six assistants, three
of them playing music to help the diver concentrate.  The
diver wears a white wet suit with a red circle on his
forehead.  He is concentrating very hard, so much that
ENZO walks over to him to make sure he's okay.  The
Japanese diver concentrates with such strength that he
faints.

		ENZO
		(smiling to his
		 brother)
	Fabulous, what a dive, huh?

ROBERTO smiles.

The diver from the Philippines stands at the end of the
diving platform.  He concentrates for a moment then gives
up and walks away.

		ENZO
	He's right.  What's the point of
	knocking yourself out?


INT.  BEDROOM - JACQUES - JOHANA - NIGHT

They're in bed, side by side, both of them half asleep.
The only light in the room comes from the open windows.
He rolls over and watches her sleep, looking down at her
adoringly.  He slips off the chain with the gold coin.
Slowly, holding the chain, he runs the coin gently over
her body, stops at the level of her stomach and lets it
rest there.  She opens her eyes and looks at him,
wondering if he senses something.

		JOHANA
		(softly)
	What are you doing?

		JACQUES
	I'm putting you on the coin... Your
	essence... That way you'll always be
	with me when I dive.

She smiles, closes her eyes.  He swings the coin over her
face gently, some kind of private ceremony.  She looks
just a little intimidated.

The coin is now dangling in front of her mouth.  She
hesitates then opens her mouth, JACQUES lets the coin
slide into it.


EXT.  COMMITTEE BOAT - DAY

JACQUES walks up to the diving platform.

LAWRENCE has fixed scientific equipment on his chest.
JACQUES wets and slowly puts them on.

ENZO watches from the deck, his expression has changed.

JOHANA, on the deck also, opposite ENZO, watches a little
worried.  JACQUES concentrates then releases the gueuse
and lets himself disappear under the water.


UNDERWATER

JACQUES dives down very fast.  The control takes place at
200 feet, the doctors check him and let him go.  He
continues his descent, it's getting darker and darker
around him.

The gueuse stops at the level of the underwater platform,
just below the diver, who swims over to him in a sea of
bubbles from his oxygen bottles.  He asks JACQUES if he is
alright, JACQUES nods and gives him a huge smile before
swimming off, downwards!

The diver realizes and starts after him.  He grabs JACQUES
by one of his fins and pulls him back to the round
platform.  JACQUES lets go of the balloon.

The diver panics.  JACQUES slowly motions that everything
is fine and slowly paddles up to the surface.


EXT.  COMMITTEE BOAT - DAY

The boat's huge stop watch indicates min:  4:50, then
5:00, then 5:10.  JACQUES has been down there for over 5
minutes.

JOHANA is worried sick.  ENZO doesn't know what to make of
it and LAWRENCE feels completely helpless.  The stopwatch
indicates 5:20, then 5:25 and JACQUES, half unconscious,
brakes through the surface of the water.

JOHANA screams and cries with joy when she sees him.  The
crowd applauds.  ENZO is somber.

NOVELLI takes the plaque from JACQUES' hands and turns to
the crowd.

		NOVELLI
		(stunned)
	360 feet!  He dove 360 feet!!!

The crowd cheers in excitement.

ENZO is sullen.  LAWRENCE is very worried.


EXT.  ON PORT - END OF THE DAY

There's a pile of gear on the dock.

ENZO is in the boat loading one piece of luggage at a
time, JACQUES comes up to the boat.  Parked in the
background, we see a taxi waiting with JOHANA sitting in
the back seat.  ENZO pretends not to notice JACQUES'
arrival.

JACQUES watches him for a moment then finally dares to
speak.

		JACQUES
		(pointing at taxi)
	... There's a party at the hotel
	tonight.

ENZO keeps loading up the boat.

		ENZO
		(busy)
	That's good.

		JACQUES
		(after a beat)
	Enzo, don't be angry.  I was
	lucky... that's all.

ENZO throws the last duffel bag into the cockpit.

		ENZO
		(serious)
	I'll see you in Amorgos.

ENZO turns around and jumps onto his boat.

JACQUES walks off the dock, past the cab.  JOHANA opens
the door to let him in, but he keeps walking.

		JOHANA
	Jacques...?

		JACQUES
	You go back, I'll walk.

He walks off.


EXT.  MARINELAND - DOLPHIN POOL - ANTIBES - NIGHT

The park is empty as JACQUES approaches the pool.

TINA the dolphin, jumps out of the water, swims to meet
JACQUES.  JACQUES pats her and kneels to talk to TINA
NINA.

		JACQUES
		(sadly)
	I won today.  I dove very deep,
	Tina.

The dolphin giggles.

		JACQUES
	What's so funny?  Can you dive
	deeper?

The dolphin nods "yes".

JACQUES smiles.

		JACQUES
		(smiling)
	So you understand everything?

The dolphin nods.

		JACQUES
	That's good... So tell me why
	they're all angry at me?  Why is
	Enzo angry?  I never wanted to
	compete with him.  I never wanted to
	be champion of anything... All I
	want is to escape from them all...
	For just a few minutes, no people...
	No noise... Nothing but the sea.

The dolphin nods and giggles.

		JACQUES
	Do you really understand me?  Huh?
	Are we actually having a
	conversation here?

Again the dolphin nods "yes".

		JACQUES
	All right then, tell me:  can I ever
	dive as deep as you?  Stay under as
	long...?

A beat.  Then the dolphin nods "yes".

		JACQUES
	Are you sure?

The two other dolphins stick their heads out of the water.
They all nod together.

JACQUES is awed and perplexed at the same time.


EXT.  AMORGOS - DAY

The little town of Amorgos is beautiful, mountainous.
It's surrounded by a luminous turquoise sea, with white
villas clinging to hillsides.  There is a small port.  (we
saw it in the opening sequence) Further along the coast,
we see the Diving Federation Committee Boat surrounded by
all sorts of activity.


INT.  HOTEL ROOM - JACQUES - JOHANA - DAY

Through the open windows we can see parts of the village
where JACQUES grew up.  He's staring out the window, lost
in his own thoughts.

		JACQUES
	It's beautiful, isn't it?

Behind him, JOHANA is hiding and throwing up.  He walks to
her.

		JACQUES
	What's wrong?

		JOHANA
	It's nothing.  Just the long trip.
	I'm a little jet-lagged.

		JACQUES
	You want to lie down for a while?

		JOHANA
	No, I'll be fine.  Can you just hand
	me a glass of water?

While JACQUES gets her the water, JOHANA stares at the
view.


EXT.  ENZO'S BOAT - IN THE LITTLE PORT

ROBERTO stands on the port, waiting for his brother.
Suddenly the sound of a motor boat and twelve note horn
echoes in the bay.

The boat has just arrived at the town dock.

ENZO, tears rolling down his cheeks from the wind, throws
a duffel bag on the dock and looks up at ROBERTO.

		ENZO
	Is he here?

		ROBERTO
		(uncomfortable)
	He's training.

ENZO makes a face.


EXT.  SMALL PORT - DAY

JOHANA sits on the little dock in front of the hotel.
JACQUES pulls on his fins, looks out into the water.

She clutches a stopwatch, ready to set it off.

A few yards behind, hidden between two bungalows, ENZO
watches them.  JACQUES takes a few deep breaths and dives
a few feet underwater.

JOHANA starts the stopwatch.

ENZO, who sees JACQUES disappear, walks over to JOHANA and
sits down beside her.

		ENZO
	Okay, now we have a good five
	minutes to have a nice peaceful
	talk.

		JOHANA
	What are you doing here?

		ENZO
	Checking out the competition.

		JOHANA
	Enzo, why do you guys do this?

		ENZO
		(teasing)
	What else is there?

		JOHANA
		(seriously)
	You know what I'm talking about.
	Why do you and Jacques risk your
	lives diving?

		ENZO
		(avoiding the
		 question)
	You risk your life when you cross
	the street.

		JOHANA
		(frustrated)
	Damn it!  Why won't you give me a
	straight answer, for once?!

		ENZO
	Because you'd laugh.

		JOHANA
	I won't, I swear.

		ENZO
		(seriously)
	I dive in search of God.  If I go
	deep enough I'm going to find him.
	To me, the sea is a religion... That
	surprises you, doesn't it?

		JOHANA
		(looking down at
		 Jacques in the
		 water)
	A little... You think it's the same
	for Jacques?

		ENZO
		(shaking his head)
	No.  Jacques is a creature of the
	sea.  He isn't meant to live on
	earth, among us... You should know
	this, Johana.

		JOHANA
		(reassuring herself)
	He can learn.  He is learning.

		ENZO
	You really think so?  Did you tell
	him you were pregnant?

		JOHANA
		(surprised)
	How do you know that?

		ENZO
	You told Bonita, but you didn't tell
	him, right?

JOHANA shakes her head negatively.

		JOHANA
	... Not yet.

		ENZO
	Don't.

		JOHANA
	Why?

		ENZO
	Because he won't understand and it
	will just hurt you... Jacques has
	been put on earth by complete
	mistake.  And he's only waiting for
	one thing:  that some God up there
	will turn him into a fish!  How long
	has that moron been down there?

		JOHANA
		(looking at the
		 stopwatch)
	Five minutes and fifty seconds.

		ENZO
		(grabbing away the
		 stopwatch)
	That idiot!

They jump up.  ENZO dives into the water.

As JOHANA watches panicky, ENZO pulls JACQUES up onto the
dock, in his arms.  JACQUES is unconscious.

ENZO is furious.  The fear of loosing his friend has
absolutely enraged him.  He starts pacing up and down the
dock.

		JOHANA
	Is he alright?  What happened?

		ENZO
		(furious)
	The fool was asleep!  If I weren't
	around, he'd already be dead!!!  Is
	that who you want to live with?
	Well, good luck!  You better learn
	to look after him because I won't
	always be here to do it!

Once again he marches off, then comes back.

		JACQUES
		(mumbling)
	... How long was I asleep?

		ENZO
		(to Jacques)
	Long enough to die.  Listen, if you
	really want to die, that's your
	problem, but don't do it under my
	nose, okay?

A few steps away, then coming back.

		ENZO
		(to Jacques)
	I'll never let you take away my
	title.  D'you hear me?  Never!

ENZO stalks off defiantly.


EXT.  COMMITTEE BOAT - ANCHORED OFF THE COAST

There's activity.  The competition has begun.

MUSIC

A SERIES OF QUICK SHOTS of different competitors at
various points in their dives.

The Tahitian comes up unconscious.
The German comes up unconscious.
So does the diver from the Philippines.

NOVELLI doesn't know what to think.


EXT.  TERRACE OF RESTAURANT - JACQUES - JOHANA - SUNSET

JACQUES is in a T-shirt and jeans, rope-sole sandals.
JOHANA wears a light white cotton dress.  They both sit on
the restaurant's terrace overlooking the sea.

Below them, a small boat passes.  In it are baskets filled
with sponges.  JACQUES stares at them for a long time.

		JOHANA
	Do you ever sometimes just stop and
	think how sweet life can be?

A beat.

		JACQUES
	... Sure.

JOHANA wants to say something.

		JOHANA
	... When you dive... with that
	machine... What does it feel like?

		JACQUES
		(after thinking about
		 it)
	... The feeling of slipping without
	falling... The hardest is once you
	are at the bottom.

		JOHANA
	Why?

		JACQUES
	Because you have to find a good
	reason to come back up again... And
	I always have a hard time finding
	one.

JOHANA has never looked so sad and lost.

JACQUES doesn't notice.

ENZO who is sitting at the piano behind them, starts to
play, staring at the sea.

JACQUES and JOHANA turn around and look at him.

		ENZO
		(smiling)
	... You should start playing the
	piano, the piano is really
	refreshing, it clears the sinuses.
	Very good the piano!  Tomorrow is
	going to be a big day!


EXT.  COMMITTEE BOAT UNDERWAY - ON JACQUES

He's alone in the bow.  The others are clustered in the
saloon, cockpit in the stern.  The boat is moving close to
the cliffs.  The monastery looms above them.

CLOSE ON JACQUES

He's scanning the apparently abandoned monastery searching
for signs of life.

A red and blue taxi-boat pulls up alongside the Committee
Boat.  In it, LAWRENCE waits to climb on board.


EXT.  DIVING PLATFORM - DAY

ENZO puts his flippers on and grabs his gueuse.  He is
serious, concentrating hard.

LAWRENCE'S boat slides along the big Committee Boat and
the DOCTOR climbs onto it.


INT.  COMMITTEE BOAT - LAWRENCE - NOVELLI - OTHERS

LAWRENCE'S briefcase is open.  There's a stack of graph
paper on a cabin table.

		LAWRENCE
	... When I analyzed the data from
	Mayol's last dive, it became
	apparent...
		(taps the graph
		 paper)
	... At the depths these men are
	diving, it is a physiological
	impossibility that they can retain
	enough oxygen in their blood to make
	it back to the surface.  It's a
	function of how long it takes to get
	to the bottom, orient themselves and
	to return... To attempt to break
	Mayol's record is simple suicide.
		(to Novelli)
	For the last time.  I'm telling you
	cancel the competition.

NOVELLI and the MEDIC look over at the diving platform
where ENZO is concentrating.

		MEDIC
	Molinari's a seventeen time world
	champion.  Do you want to tell him
	he can't dive.

LAWRENCE doesn't answer.  NOVELLI is thinking.

		NOVELLI
	Get Mayol in here.


EXT.  DIVING PLATFORM - ENZO

ENZO is preparing.  He sits at the edge of the platform
hyperventilating, almost in a trance.

We see JACQUES in the background, talking to NOVELLI, he
then walks over to ENZO and climbs down next to him.

		JACQUES
	Enzo?
		(no response)
	Enzo... I know you're angry at me.
		(no response)
	Enzo, it's important.

ENZO opens one eye.

		ENZO
	I'm concentrating.

		JACQUES
		(quickly)
	We can't dive anymore.  They want to
	cancel the competition for a while.

ENZO looks at him coldly.  Takes another deep breath.

		JACQUES
		(rushing on)
	It's not safe, they say.  The
	doctors say it isn't possible to go
	deeper and live.  Free diving is
	over as a sport.

		ENZO
	You say that because you have the
	title!

		JACQUES
	No!  I would never cheat you.

		ENZO
	Well that's very nice of you.

He takes a last breath, signs himself and reaching for the
gueuse, disappears into the water.

LAWRENCE, NOVELLI, the MEDICS, and others are arguing.
LAWRENCE is furious that ENZO is diving.  NOVELLI is
balling out his assistants.

JACQUES is on the platform watching the others as if they
were a gaggle of geese.  He listens to the sound of the
gueuse playing out, watches the depth indicator, the
stopwatches.  He knows something is wrong.

He walks over to the edge and grabs hold of a little
oxygen bottle which is there for security.  He takes a few
breaths of the oxygen as he puts on his flippers and dives
down after ENZO.


UNDERWATER - JACQUES

JACQUES pulls himself down the cable, hand over hand.
80 or 90 feet down he sees a group of MEDICS coming toward
him carrying ENZO'S unconscious body.

JACQUES struggles with them, pushes them away, takes ENZO
in his arms and climbs toward the surface, frantic,
screaming silently at him, desperate to get away from the
flow of air bubbles from the scuba tanks, the commotion,
the memory of death.

ENZO has a big serene smile on his face.  The MEDICS push
both divers toward the surface.

As if they were on land, JACQUES starts shaking ENZO to
wake him up.  He then slaps his face but ENZO remains
unconscious.

They finally break the surface in each others arms.


EXT.  ON DIVING PLATFORM

They pull ENZO out of the water.  The doctors open his
jacket.  ENZO motions to JACQUES to come close.  He still
has that long smile.

		ENZO
		(faintly)
	You were right.

		JACQUES
		(moved)
	... I was right about what?

		ENZO
		(after a long
		 silence)
	... It is much better down there.
	It's a better place.

He tries to take a deep breath, the effort is exhausting.
JACQUES smiles, holding back his tears.

		ENZO
	... Push me back in the water...

		JACQUES
		(crying)
	I can't.

		ENZO
	Jacques, take me back down...
	Please.

His smile freezes, he stops breathing.  His eyes close.

JACQUES puts his head down on his friend's chest and sobs.
The doctors gently try to move him away, but JACQUES
resists.

		LAWRENCE
	Just give him five minutes!  What
	does it matter now, anyway... Come
	on, just leave him alone!

LAWRENCE encourages everybody to leave the platform.

JACQUES quickly grabs the nearest rope and ties it to his
belt.  Before anybody can stop him, JACQUES rolls ENZO'S
body back into the water and dives after it.


UNDERWATER - JACQUES

He holds ENZO in his arms.  Lets the dead weight of the
body pull him down, deeper and deeper.  The rope around
JACQUES' waist runs out, stops his descent with an abrupt
jerk.  When he feels it, JACQUES lets go... watches as
ENZO'S body continues to drift by itself into the
bottomless blue...


EXT.  DIVING PLATFORM

The doctors have run over and are pulling the cable that
JACQUES is attached to.  He is unconscious when they pull
him up.  They hold him up by his feet.  JACQUES throws up
gallons of water.  They put an oxygen mask on his face.

		A DOCTOR
		(listening to his
		 heartbeat)
	The heart is going to stop!  The
	stimulator, quickly.

Suddenly, everything collapses for JACQUES.  Sounds
disappear.  The image slows down, the light fades.

JACQUES only hears his heartbeat, which slows down.

His heart stops.

Among the crowd around him, he sees JOHANA, fresh, gentle,
smiling.  Her movements are smooth and slowed down.  She
smiles at him, simply.  JACQUES smiles back.  The heart
starts again slowly.

The image goes back to normal.

Sounds multiply (doctors, the panic, etc...) and slowly
come back.

JACQUES falls unconscious.

		A DOCTOR
	The heart started again!  It's all
	right!

NOVELLI falls back in his chair, relieved.


INT.  JACQUES' ROOM - NIGHT

JACQUES is lying on the bed, he has a strong fever.

JOHANA sits at his feet.

LAWRENCE rummages through a medical kit.  He takes a pill
from a bottle and gives it to him.

		LAWRENCE
	Take this.  Have a good sleep.

JACQUES swallows the pills.  JOHANA walks over from the
balcony.

		LAWRENCE
	Sweet dreams.

LAWRENCE motions to JOHANA that they should let him sleep.
He goes out of the room.

		JACQUES
		(tenderly to Johana,
		 who had started to
		 leave the room)
	Kiss me.

JOHANA bends over and kisses him.

JACQUES holds her by the arm, doesn't want her to leave.

		JOHANA
	Sleep now.  We'll talk later.

JOHANA kisses him on the forehead and leaves the room.


EXT.  HOTEL BAR - ON TERRACE - LAWRENCE - JOHANA

They're at the little zinc bar.  Not talking, not really
drinking either, just toying with their glasses.

ROBERTO passes, stops.

		ROBERTO
	I've packed all of... Enzo's
	clothes.
		(a beat)
	I'm going to the radio telephone...
		(swallowing)
	... to call Mamma.

They watch sadly as he leaves.


INT.  JACQUES ROOM - NIGHT

JACQUES sitting up in bed finally lies down under the
sheets.  He turns off the light by the bed.


INT.  HOTEL RESTAURANT - LAWRENCE - JOHANA

They've moved from the bar to the table.  There is uneaten
food in front of them.  A third place is set.

JOHANA looks at the wall clock.

		JOHANA
	I'll go see how he's doing.

		LAWRENCE
	Let him sleep.


INT.  JACQUES ROOM - JACQUES

JACQUES is lying on the bed, he is not moving anymore.  He
is breathing loudly, as if tired out.  From his POV the
room becomes very dark and blue.  The noise is unbearable.
The ceiling turns into water.

JACQUES' eyes are wide open.  His face is sweating.  The
water level, from the ceiling, comes down to him, until he
is swallowed by it.

As he falls into the water, we see a dolphin gulping air
at the surface and going back very quickly to the blue.

The dolphin meets his group, about ten of them, 250 Kg of
muscles, swimming at more than 40 km/H underwater.  They
all break through the surface to gulp air regularly.

Suddenly, one of them, leaves the group.  He crosses the
blue and seems to make sonar-like sounds.  We see a sonar
picture.  It's an image in which the dolphin will appear a
few seconds later.  The dolphin comes up like a rocket,
gulps air and goes back down.

The sonar image appears again.  Finally, the dolphin,
locates a group of fish and starts hunting them, exactly
like a war plane.  He manages to break the group in two,
then in four, and this way, he isolates his victim.

He breaks the surface to gulp air and goes back down.  He
goes full power.  The fish he is after are even more
divided.  There is only one left, totally lost and in a
panic.

The exhausted fish is swallowed.

The dolphin slows down, goes back up, breaks the surface
in slow motion.  Images becomes pale and bright.

He screams inhumanly.

Image is white, black, silence.


INT.  HOTEL ROOM - JACQUES

JOHANA opens the shutters.

The room is a shamble of broken glass, water pitcher and
glasses, lamps and vases.  The windows are blown out.

JACQUES is lying in bed.  There is a thin trickle of blood
coming from his nose and ears.

		JOHANA
		(in a panic)
	Jacques... Are you alright?


EXT.  DOCK - JACQUES - JOHANA - NIGHT

JACQUES jumps into ENZO'S boat.

		JOHANA
		(still worried)
	Jacques?  Are you alright?  Answer
	me!  Are you alright?

She jumps down into ENZO'S boat.  He starts the engine.
The boat is racing out of the port.  JOHANA yells over the
sound of the engine.

		JOHANA
	You've got to tell me what happened?

		JACQUES
	I saw how it has to be.

JACQUES parks the boat in front of the COMMITTEE BOAT'S
DIVING PLATFORM.  He turns on the platform lights:  above
and underwater.  He throws down the diving cable:  60, 90,
120 feet...

JACQUES gets undressed and sits down in the lotus
position, concentrating...

JOHANA sits down a few feet away and watches him,
wondering just how far he is going to push this whole
thing.

As the cable unrolls, JOHANA starts crying.  She
understands that JACQUES is going to dive to the bottom,
into the blue, into himself.

		JOHANA
	Jacques, you know I love you.

JACQUES is putting on his flippers, and stands facing his
gueuse.

		JACQUES
		(after a silence)
	Don't be sad... It's not because of
	you, it's me.  It's all going on
	inside me!
		(a beat)
	I've gotta go and see.

JOHANA starts pacing up and down the diving platform.

		JOHANA
	See what?  There is nothing to see!
	It's pitch black down there!  It's
	cold.  You'll be all alone!  Look at
	me, Jacques!  I am here!  I exist!
	Look!!!
		(she starts waving
		 her arms)
	I'm real!  I am not a dream!
	Jacques will you look at me?
		(she breaks down)
	Please!

JACQUES has not moved, he still sits motionless, facing
his gueuse.

JOHANA doesn't know what to do or say.  She is totally
drained.

		JOHANA
	Jacques?  I'm pregnant.

		JACQUES
	That's good... that's wonderful.
	It's wonderful for you.

		JOHANA
	You are the father.

Silence.  JACQUES is petrified, without any reaction.  He
doesn't understand.  She realizes it's hopeless and stares
at the sea.

		JOHANA
		(after a while)
	I lied... to keep you here.

She kisses him.

		JOHANA
	Promise me one thing.

		JACQUES
	Anything.

		JOHANA
	Promise you won't forget me.

She pulls the line releasing the gueuse.

JACQUES takes a deep breath and grabbing hold of the
gueuse, disappears into the water -- as if swallowed by
the ocean.


UNDERWATER

JACQUES slides along the cable, pulled by the weight of
the gueuse.  He has a beautiful smile on his face.  He is
in his element.  Night has closed in around him.  He turns
on the headlight of the gueuse, it casts a dim light
around him.


EXT.  DIVING PLATFORM - NIGHT

JOHANA has walked over to the edge of the platform.  She
is holding the cable, to "hear" JACQUES' descent.

The counter shows that JACQUES is quickly passing the 300
feet mark.


UNDERWATER

JACQUES keeps going down, as serene as ever.  He has
gained a lot of speed.


EXT.  DIVING PLATFORM - NIGHT

JOHANA holds her face in her hands.  The counter indicates
that JACQUES is going very fast.


UNDERWATER

The gueuse jerks to a stop and shakes the cable.  JACQUES
turns his body right side up.


EXT.  DIVING PLATFORM - NIGHT

The counter now indicates a depth of 600 feet.

JOHANA has felt the jolt of the cable.  She cries her
tears and looks down at the water.


UNDERWATER

The headlight on the gueuse illuminates only a few feet
around JACQUES, as if he were standing in a circle of
light.  He stays there, patiently floating around and
around his cable... as if he were waiting for something.

A long form circles the border between the darkness and
the light.

JACQUES holds out his hand.  A dolphin comes and presses
its body against it.  Two other dolphins come out of the
night.  JACQUES watches in amazement.

A dolphin lays his muzzle in JACQUES' hand, ready to lead
him off.  JACQUES hesitates.

JACQUES lets go of the cable and lets himself be led away.
Their silhouettes disappear in the deep blue night.

		THE END